ROMANT\u0130ZM
\n*Fransa’da 1830 y\u0131llar\u0131nda klasizme tepki olarak do\u011fmu\u015ftur.
\n*Klasik edebiyat\u0131n kural ve \u015fekilleri b\u0131rak\u0131l\u0131r.
\n*Konular eski Yunan ve Latin edebiyat\u0131 yerine H\u0131ristiyanl\u0131ktan tarihten ve g\u00fcnl\u00fck ya\u015fam\u0131ndan al\u0131n\u0131r.
\n*Ak\u0131l yerine duygulara ve hayallere \u00f6nem verirler.
\n*Sanat\u00e7\u0131lar kendi eserlerinin ki\u015filiklerini gizlemezler.
\n*Sanat toplum i\u00e7indir g\u00f6r\u00fc\u015f\u00fcn\u00fc benimsemi\u015flerdir.
\n*Tabiat \u00f6nemlidir. G\u00f6zlem ve tasvire \u00f6nem verilir.
\n*Konular i\u015flenirken iyi, k\u00f6t\u00fc, do\u011fru, yanl\u0131\u015f gibi kar\u015f\u0131tl\u0131klardan yararlan\u0131rlar.
\n*\u00dc\u00e7 birlik kural\u0131 terk edilir.
\n*Temsilcileri: Voltaire, Shakespeare, Lord Byron, Goethe, Schiller, Jean Jacques Rousseau,Chateaubriand, Madame de Stael, Lamartine, Victor Hugo, Aleksandre Dumas Pere, Alfred de Musset, Alfred de Vigny, Aleksandre Pu\u015fkin.
\n*T\u00fcrk edebiyat\u0131nda ise Nam\u0131k Kemal, Ahmet Mithat Efendi, Abd\u00fclhak Hamit Tarhan,Recaizade Mahmut Ekrem (\u015fiirde)<\/p>\n","protected":false},"excerpt":{"rendered":"
ROMANT\u0130ZM *Fransa’da 1830 y\u0131llar\u0131nda klasizme tepki olarak do\u011fmu\u015ftur. *Klasik edebiyat\u0131n kural ve \u015fekilleri b\u0131rak\u0131l\u0131r. *Konular eski Yunan ve Latin edebiyat\u0131 yerine H\u0131ristiyanl\u0131ktan tarihten ve g\u00fcnl\u00fck ya\u015fam\u0131ndan al\u0131n\u0131r. *Ak\u0131l yerine duygulara ve hayallere \u00f6nem verirler. *Sanat\u00e7\u0131lar kendi eserlerinin ki\u015filiklerini gizlemezler. *Sanat toplum i\u00e7indir g\u00f6r\u00fc\u015f\u00fcn\u00fc benimsemi\u015flerdir. *Tabiat \u00f6nemlidir. G\u00f6zlem ve tasvire \u00f6nem verilir. *Konular i\u015flenirken iyi, k\u00f6t\u00fc, … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[224],"tags":[],"class_list":["post-59877","post","type-post","status-publish","format-standard","hentry","category-edebiyat-dil-anlatim"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/59877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=59877"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/59877\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=59877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=59877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=59877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}