11. SINIFLAR T\u00dcRK EDEB\u0130YATI 2. D\u00d6NEM 2. YAZILI SINAVI
\n1- A\u015fa\u011f\u0131daki ifadeleri DO\u011eRU \/ YANLI\u015e durumlar\u0131na g\u00f6re inceleyiniz (10)
\na) Tanzimat Edebiyat\u0131 \u015einasi ile \u00c2g\u00e2h Efendi\u2019nin Tasvir-i Efk\u00e2r gazetesini \u00e7\u0131karmalar\u0131 ile ba\u015flar. ( \u2026 )
\nb) Nam\u0131k Kem\u00e2l La Fontaine\u2019den fabllar terc\u00fcme etmi\u015ftir. ( \u2026 )
\nc) Realizm ak\u0131m\u0131n\u0131n d\u00fc\u015f\u00fcnsel temelini Olguculuk ilkesi ile olu\u015fturan bilim adam\u0131 A. Comte \u2018tur. ( \u2026 )
\nd) Ziya Pa\u015fa \u201cHarabat\u201d adl\u0131 eserinde Bat\u0131 d\u00fcnyas\u0131 ile ilgili g\u00f6r\u00fc\u015flerini dile getirmi\u015ftir. ( \u2026 )
\ne) 1. d\u00f6nem Tanzimat sanat\u00e7\u0131lar\u0131 romantizm ak\u0131m\u0131n\u0131n etkisiyle tesad\u00fcflere \u00e7ok yer vermi\u015ftir. ( \u2026 )
\nf) Osmanl\u0131c\u0131l\u0131k, milliyet\u00e7ilik ak\u0131m\u0131n\u0131n Osmanl\u0131 Devleti \u00fczerindeki y\u0131k\u0131c\u0131 etkilerine kar\u015f\u0131 ortaya at\u0131lm\u0131\u015f bir fikir ak\u0131m\u0131d\u0131r.( \u2026 )
\ng) T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131 Mill\u00ee M\u00fccadele\u2019nin kazan\u0131lmas\u0131 ve Cumhuriyet\u2019in \u00f6rg\u00fctlenmesinde rol oynam\u0131\u015ft\u0131r. ( \u2026 )
\nh) Mehmet Emin Yurdakul aruz \u00f6l\u00e7\u00fcs\u00fc kullanm\u0131\u015f, dil zevki bak\u0131m\u0131ndan ise Fecr-i \u00c2ti toplulu\u011funa ba\u011fl\u0131 kalm\u0131\u015ft\u0131r. ( \u2026 )
\ni) Fecr-i Atiden ayr\u0131lan sanat\u00e7\u0131lar\u0131n bir k\u0131sm\u0131 Milli Edebiyat\u2019a kat\u0131lm\u0131\u015f bir k\u0131sm\u0131 da BA\u011eIMSIZ kalm\u0131\u015ft\u0131r. ( \u2026 )
\nj) T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131n\u0131 sistemle\u015ftiren ve eserlerinde i\u015fleyen sanat\u00e7\u0131 \u00d6mer Seyfettin\u2019dir. ( \u2026 )
\n2- A\u015fa\u011f\u0131daki a\u00e7\u0131klamalara uygun eser, yazar veya kavramlar\u0131 kar\u015f\u0131lar\u0131na yaz\u0131n\u0131z.(15)
\na) 1909\u20131912 y\u0131llar\u0131 aras\u0131nda faaliyet g\u00f6stermi\u015f edeb\u00ee d\u00f6nem:<\/p>\n
b) Dilber adl\u0131 esir bir k\u0131z\u0131n i\u00e7ler ac\u0131s\u0131 maceras\u0131n\u0131 konu alan esaret temal\u0131, Sami Pa\u015fazade Sezai roman\u0131:<\/p>\n
c) Moupassant tarz\u0131 olarak da bilinen, klasik yap\u0131 unsurlar\u0131 ile kurulu hik\u00e2ye t\u00fcr\u00fc:<\/p>\n
d) R. Mahmut Ekrem\u2019in abes-muktebes kafiyesine \u015fiddetle kar\u015f\u0131 \u00e7\u0131km\u0131\u015f eski edebiyat taraftar\u0131 \u015f\u00e2ir:<\/p>\n
e) \u201cFatih K\u00fcrs\u00fcs\u00fcnde\u201d, \u201cAs\u0131m\u201d , \u201cG\u00f6lgeler\u201d gibi b\u00f6l\u00fcmleri de olan eserin ad\u0131 ve bu eserin sahibi:
\n3- A\u015fa\u011f\u0131da a\u00e7\u0131klamalar\u0131 verilen sanat\u00e7\u0131lar\u0131m\u0131z kimdir? (20)
\na) \u015eiire aruz vezniyle ba\u015flam\u0131\u015f \u201cSanat\u201d \u015fiiriyle birlikte heceye y\u00f6nelmi\u015ftir. S\u0131la, gurbet ve Anadolu efsanelerini i\u015flemi\u015ftir. Dili sade ve ak\u0131c\u0131d\u0131r. S\u00f6z sanatlar\u0131na yer veren g\u00fc\u00e7l\u00fc bir \u00fcsluba sahiptir. Bir\u00e7ok \u015fiir kitab\u0131, manzum piyesi bulunan \u015fairin \u00c7oban \u00c7e\u015fmesi \u00f6nemli eserlerindendir.<\/p>\n
b) Milli Edebiyat toplulu\u011funu meydana getiren sanat\u00e7\u0131lar\u0131n aras\u0131nda yer almam\u0131\u015f, ama Milli Edebiyat hareketini makaleleri ile desteklemi\u015ftir. D\u00fcz- yaz\u0131 t\u00fcr\u00fcnde eser vermi\u015f olsa da sanat\u00e7\u0131 as\u0131l ki\u015fili\u011fini \u015fiirleriyle ortaya koymu\u015ftur. Divan \u015fiiri naz\u0131m \u015fekilleriyle yazd\u0131\u011f\u0131 \u015fiirleri Eski \u015eiirin R\u00fczg\u00e2r\u0131yla adl\u0131 eserinde toplanm\u0131\u015ft\u0131r.<\/p>\n
c) T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131n\u0131 bir sisteme ba\u011flayan fikir adam\u0131 bu sistemi yap\u0131tlar\u0131nda i\u015fleyen bir sanat\u00e7\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. Yap\u0131tlar\u0131yla \u201cT\u00fcrk milliyet\u00e7ili\u011fi\u201dnin s\u0131n\u0131rlar\u0131n\u0131 belirlemi\u015ftir. Milli edebiyat\u0131n, fikir y\u00f6n\u00fcyle temellerini olu\u015fturmu\u015ftur. T\u00fcrk milletinin dil, edebiyat, din ve ahlak y\u00f6n\u00fcyle ayn\u0131 k\u00fclt\u00fcrle yeti\u015fmi\u015f ki\u015filerden olu\u015ftu\u011funa inan\u0131r. Edebiyat\u0131 g\u00f6r\u00fc\u015flerini yaymada bir ara\u00e7 olarak g\u00f6r\u00fcr. \u015eiir, destan, makale ve masallar yazm\u0131\u015ft\u0131r.<\/p>\n
d) 1909\u2019da Fecr-i Ati toplulu\u011funa kat\u0131ld\u0131. \u201cKalem\u201d dergilersinde \u201c Kirpi \u201d takma ad\u0131yla mizahi yaz\u0131lar yay\u0131mlad\u0131. \u201cAy dede\u201d mizah dergisini \u00e7\u0131kard\u0131. \u0130stanbul T\u00fcrk\u00e7esini en g\u00fczel ve p\u00fcr\u00fczs\u00fcz yazan sanat\u00e7\u0131 olarak \u00fcn kazand\u0131. Roman, \u00f6yk\u00fc, tiyatro, an\u0131, f\u0131kra gibi de\u011fi\u015fik t\u00fcrlerde eserler verdi. Eserlerinde T\u00fcrk toplum ya\u015fam\u0131nda meydana gelen sosyal ve siyasi de\u011fi\u015fmeler, Anadolu\u2019nun sosyal ya\u015fam\u0131ndan kesitler, vatan \u00f6zlemi gibi pek \u00e7ok konular\u0131 ele ald\u0131.<\/p>\n
e) Deneme, hik\u00e2ye, mensur \u015fiir gibi t\u00fcrlerden sonra \u201chik\u00e2yeden daha uzun soluklu \u00e7al\u0131\u015fma\u201d olarak g\u00f6rd\u00fc\u011f\u00fc romana ge\u00e7i\u015f yapm\u0131\u015ft\u0131r. Romanlar\u0131nda T\u00fcrk toplumunun ya\u015fad\u0131\u011f\u0131 politik sosyal ve k\u00fclt\u00fcrel konular\u0131 anlatm\u0131\u015ft\u0131r. Konular\u0131 aras\u0131nda T\u00fcrkiye\u2019deki toplumsal de\u011fi\u015fme ve geri kalm\u0131\u015fl\u0131k \u00f6nemli bir yer tutar. \u00d6rne\u011fin siyasi bir roman olarak nitelenen H\u00fck\u00fcm Gecesi II. Me\u015frutiyet d\u00f6nemindeki parti kavgalar\u0131 \u00fczerine kurulmu\u015f bir romand\u0131r.
\n4- A\u015fa\u011f\u0131daki verilen eserlerin kime ait oldu\u011funu kar\u015f\u0131lar\u0131na yaz\u0131n\u0131z.(20)
\na) E\u011fil Da\u011flar: e) Kavgalar\u0131m:
\nb) Mor Salk\u0131ml\u0131 Ev: f) Bir \u00d6l\u00fcn\u00fcn Defteri:
\nc) Sahra: g) Tuna K\u0131y\u0131lar\u0131:
\nd) Tiryaki S\u00f6zler: h) Yaban:
\n5- A\u015fa\u011f\u0131daki bo\u015fluklar\u0131 doldurunuz.(15)
\na) Servet-i F\u00fcnun Dergisi H\u00fcseyin Cahit\u2019in yazd\u0131\u011f\u0131\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026adl\u0131 makaleden dolay\u0131 kapat\u0131lm\u0131\u015ft\u0131r.
\nb) Fecr-i ati Toplulu\u011fu slogan olarak \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026. s\u00f6z\u00fcn\u00fc kullanm\u0131\u015ft\u0131r.
\nc) Mensur \u015fiirin ilk \u00f6rneklerini edebiyat\u0131m\u0131zda \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. vermi\u015ftir.
\nd) Do\u011fu ile Bat\u0131\u2019y\u0131 kar\u015f\u0131la\u015ft\u0131ran Fatih- Harbiye roman\u0131\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. taraf\u0131ndan yaz\u0131lm\u0131\u015ft\u0131r.
\ne) Edebiyat\u0131m\u0131zda ilk psikolojik roman \u00f6rne\u011fi say\u0131lan eser\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. roman\u0131d\u0131r.
\n6- \u201dRecaizade Mahmut Ekrem, realist bir anlay\u0131\u015fla kaleme ald\u0131\u011f\u0131 “Serg\u00fcze\u015ft” roman\u0131nda, Bihruz Bey’in ki\u015fili\u011finde yan\u00acl\u0131\u015f Bat\u0131l\u0131la\u015fmay\u0131 alaysamal\u0131 bir tutumla dile getirir.\u201d
\nBu c\u00fcmledeki bilgi yanl\u0131\u015fl\u0131\u011f\u0131n\u0131n nedeni nedir? Bu yanl\u0131\u015fl\u0131\u011f\u0131 d\u00fczeltiniz.(10)
\n7- Fecr – i Ati i\u00e7in a\u015fa\u011f\u0131dakilerden hangisi s\u00f6yle\u00acnemez? (5)
\nA) Edebiyat – \u0131 Cedide’ye kar\u015f\u0131d\u0131rlar; onlar\u0131 izle\u00acmekten \u00f6teye gidemezler.
\nB) De\u011fi\u015fik dergilerde yazarlar, bir topluluk g\u00f6r\u00fcn\u00act\u00fcs\u00fc veremezler.
\nC) Sanat\u0131 ki\u015fisel ve sayg\u0131n bulurlar.
\nD) Bireysel \u00f6zg\u00fcrl\u00fc\u011f\u00fc, \u00e7e\u015fitlili\u011fi savunurlar.
\nE) Halk edebiyat\u0131na, heceye ilgi duyarlar.<\/p>\n
8- \u0130lk’lerle ilgili a\u015fa\u011f\u0131daki belirlemelerden hangisi do\u011fru de\u011fildir? (5)
\nA) \u0130lk roman \u00e7evirisi: Yusuf Kamil Pa\u015fa – Telemak
\nB) \u0130lk \u00f6yk\u00fc denemesi: Ahmet Mithat Efendi \u2013 Letaif-i Rivayet
\nC) \u0130lk yerli roman: \u015eemsettin Sami – Taa\u015f\u015fuk – \u0131 Talat ve Fitnat
\nD) \u0130lk edebi romar: Nam\u0131k Kemal – \u0130ntibah
\nE) \u0130lk k\u00f6y roman\u0131: Samipa\u015fazade Sezai – Serg\u00fc\u00acze\u015ft
\nBa\u015far\u0131lar
\nHalil KAHRAMAN www.sorubak.com<\/p>\n
Dok\u00fcman\u0131n G\u00f6rselli Tam Halini \u0130ndirmek i\u00e7in TIKLAYINIZ<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" 11. SINIFLAR T\u00dcRK EDEB\u0130YATI 2. D\u00d6NEM 2. YAZILI SINAVI 1- A\u015fa\u011f\u0131daki ifadeleri DO\u011eRU \/ YANLI\u015e durumlar\u0131na g\u00f6re inceleyiniz (10) a) Tanzimat Edebiyat\u0131 \u015einasi ile \u00c2g\u00e2h Efendi\u2019nin Tasvir-i Efk\u00e2r gazetesini \u00e7\u0131karmalar\u0131 ile ba\u015flar. ( \u2026 ) b) Nam\u0131k Kem\u00e2l La Fontaine\u2019den fabllar terc\u00fcme etmi\u015ftir. ( \u2026 ) c) Realizm ak\u0131m\u0131n\u0131n d\u00fc\u015f\u00fcnsel temelini Olguculuk ilkesi ile olu\u015fturan … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1686,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17961,17972,13370],"tags":[18541,20459],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/58491"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1686"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=58491"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/58491\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=58491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=58491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=58491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}