ADI:
\nSOYADI: NO: 11 FEN B
\n2014-2015 vACIPAYAM ANADOLU L\u0130SES\u0130 \/ DEN\u0130ZL\u0130 T\u00dcRK EDEB\u0130YATI
\nwww.sorubak.com
\nCEVAPLARINIZI HEM SORUNUN \u00dcZER\u0130NE \u0130\u015eARETLEY\u0130N HEM DE ARKADAK\u0130 TABLONUN \u0130\u00c7\u0130NE \u0130\u015eARETLEY\u0130N\u0130Z TABLONUN \u0130\u00c7\u0130NDEK\u0130 CEVAPLAR ESASTIR.<\/p>\n
1. I. Bu d\u00f6nemde yaz\u0131lan eserlerin dili, daha \u00f6ncekilere g\u00f6re sadedir.
\nII. Bu d\u00f6nemde sanat yapmak de\u011fil topluma faydal\u0131 olmak ama\u00e7lanm\u0131\u015ft\u0131r.
\nIII. Bu d\u00f6nemde, Bat\u0131 edebiyat\u0131ndan gelme roman, tiyatro gibi yeni t\u00fcrler edebiyat\u0131m\u0131za girmi\u015ftir.
\nIV. Bu d\u00f6nem \u015fiirlerinde, \u015fekilden \u00e7ok temada de\u011fi\u00ac\u015fiklikler yap\u0131lm\u0131\u015ft\u0131r.
\nV. Bu d\u00f6nemde sadece bireysel temalar \u00fczerinde durulmu\u015ftur.
\nYukar\u0131daki numaraland\u0131r\u0131lm\u0131\u015f bilgilerden hangisi Tanzimat d\u00f6nemi i\u00e7in yanl\u0131\u015ft\u0131r?
\nA) I. B) II. C) III. D) IV. E) V.<\/p>\n
2. Ba\u015flang\u0131\u00e7ta klasik T\u00fcrk \u015fiirinin etkisindeydi. \u015einasi ile tan\u0131\u015ft\u0131ktan sonra \u00f6zellikle i\u00e7erik bak\u0131m\u0131ndan yeni \u015fiirler kaleme ald\u0131. \u015eiirlerinde vatan, hak, adalet, h\u00fcrriyet gibi sosyal temalar\u0131 i\u015fledi. “H\u00fcrriyet Kasidesi” en \u00fcnl\u00fc manzumesidir.
\nBu paragrafta s\u00f6z edilen ki\u015fi, a\u015fa\u011f\u0131dakilerden hangisidir?
\nA) Nam\u0131k Kemal B) Ziya Pa\u015fa C) Abd\u00fclhak H\u00e2mit Tarhan
\nD) Ahmet Vefik Pa\u015fa E) Ahmet Mithat Efendi<\/p>\n
3. A\u015fa\u011f\u0131daki c\u00fcmlelerin hangisinde bir bilgi yanl\u0131\u015f\u0131 vard\u0131r?
\nA) Ziya Pa\u015fa, \u015fiirlerinin \u00e7o\u011funda, hayattan, toplum\u00acdaki d\u00fczensizlikten ve adaletsizlikten \u015fik\u00e2yet eder.
\nB) Nam\u0131k Kemal, tema bak\u0131mdan Klasik T\u00fcrk Edebiyat\u0131’ndan, \u015fekil bak\u0131m\u0131ndan Bat\u0131 edebiyat\u0131ndan et-kilenmi\u015ftir.
\nC) \u015einasi, Bat\u0131 edebiyat\u0131 etkisindeki T\u00fcrk edebiyat\u0131n\u0131n \u00f6nc\u00fc kalemlerindendir.
\nD) Ahmet Mithat Efendi, eski-yeni kavgalar\u0131na kat\u0131l\u00acmayan ba\u011f\u0131ms\u0131z bir \u015fahsiyettir.
\nE) Tanzimat’\u0131n I. d\u00f6nem yazarlar\u0131nda “Sanat, toplum i\u00e7indir.” g\u00f6r\u00fc\u015f\u00fc h\u00e2kimdir.<\/p>\n
4. A\u015fa\u011f\u0131daki yazar-eser e\u015fle\u015ftirmelerinden hangisi yanl\u0131\u015ft\u0131r?
\nA) Nam\u0131k Kemal – Vatan yahut Silistre
\nB) \u015einasi – \u015eair Evlenmesi
\nC) \u015eemsettin Sami – Kamus-\u0131 T\u00fcrk\u00ee
\nD) Ahmet Mithat – Let\u00e2if-i Riv\u00e2yet
\nE) Ziya Pa\u015fa \u2013 \u0130ntibah<\/p>\n
5. Yenile\u015fme d\u00f6nemi edebiyat\u0131m\u0131zda Bat\u0131 kaynakl\u0131 t\u00fcrler g\u00f6r\u00fcl\u00fcr. Terc\u00fcmeler de bu t\u00fcrlerden say\u0131labilir.
\nA\u015fa\u011f\u0131dakilerden hangisinde edebiyat\u0131m\u0131zdaki ilk \u00e7eviri eser ve \u00e7evireni do\u011fru olarak verilmi\u015ftir?
\nA) Sefiller – Nam\u0131k Kemal
\nB) Robenson Kruzo – \u015einasi
\nC) Telemak – Yusuf K\u00e2mil Pa\u015fa
\nD) Atala – \u00c2g\u00e2h Efendi
\nE) Pol ve Virjini – Ahmet Mithat Efendi<\/p>\n
6. Tanzimat D\u00f6nemi T\u00fcrk Edebiyat\u0131, iki nesil olarak ele al\u0131n\u0131r.
\nA\u015fa\u011f\u0131dakilerden hangisinde Tanzimat’\u0131n birinci d\u00f6neminde eser yazanlar do\u011fru olarak verilmi\u015ftir?
\nA) \u015einasi – Recaiz\u00e2de Mahmut Ekrem – Nam\u0131k Kemal
\nB) Ziya Pa\u015fa – Abd\u00fclhak H\u00e2mit – \u015eemsettin Sami
\nC) Nam\u0131k Kemal – Tevfik Fikret – Muallim Naci
\nD) \u015einasi – Ziya Pa\u015fa – Nam\u0131k Kemal
\nE) Abd\u00fclhak H\u00e2mit – Samipa\u015faz\u00e2de Sezai – Muallim Naci<\/p>\n
7. A\u015fa\u011f\u0131dakilerden hangisi ilk \u00e7\u0131kan \u00f6zel T\u00fcrk gaze-tesidir?
\nA) Terc\u00fcman-\u0131 Hakik\u00e2t B) Tasvir-i Efk\u00e2r
\nC) Terc\u00fcman-\u0131 Ahv\u00e2l D) Cer\u00eede-i Havadis
\nE) Takvim-i Vek\u00e2yi<\/p>\n
8. Romanda, klasik edebiyata \u00f6zg\u00fc ki\u015fi ve yer tasvirleri g\u00f6ze \u00e7arpmakta; yazar, kimi zaman olay ak\u0131\u015f\u0131n\u0131 kese\u00acrek okuyucu ile s\u00f6yle\u015fmekte, hatta eserin sonunda vermek istedi\u011fi “ibret dersi”ni a\u00e7\u0131k\u00e7a belirtmektedir. Eserde, Bat\u0131 edebiyat\u0131ndan gelme romantik \u00f6zellikler a\u011f\u0131r basmaktad\u0131r. Ana kahraman\u0131 Ali Bey’dir. Bu paragrafta s\u00f6z\u00fc edilen yazar ve eseri a\u015fa\u011f\u0131da-kilerden hangisinde bir arada verilmi\u015ftir?
\nA) \u015einasi – \u015eair Evlenmesi
\nB) Nam\u0131k Kemal – \u0130ntibah
\nC) Ziya Pa\u015fa – Harab\u00e2t
\nD) Ahmet Mithat – Let\u00e2if-i Riv\u00e2yet
\nE) Recaiz\u00e2de Mahmut Ekrem – Araba Sevdas\u0131<\/p>\n
9.Tanzimat Edebiyat\u0131 (I)\u015fair ve yazarlar\u0131 \u0130ngiliz edebiyat\u0131n\u0131n (II)
\netkisi alt\u0131ndad\u0131r. \u00d6zellikle Lamartine ve Victor (III)
\nHugo gibi yazarlardan etkilenip romantik (IV)
\neserler ortaya koymu\u015flard\u0131r. Nam\u0131k Kemal (V) bu ak\u0131mdan
\netkilenen yazar\u0131m\u0131zd\u0131r.
\nYukar\u0131daki numaraland\u0131r\u0131lm\u0131\u015f yerlerin hangisinde bir bilgi yanl\u0131\u015f\u0131 vard\u0131r?
\nA) I. B) II. C) III. D) IV. E) V.<\/p>\n
10. I. Rus yazarlar\u0131ndan etkilenerek eserler ortaya koy-mu\u015ftur.
\nII. La Fontaine’den fabllar terc\u00fcme etmi\u015ftir.
\nIII. Noktalama i\u015faretlerini ilk kullanan ki\u015fidir.
\nIV. “\u015eair Evlenmesi” adl\u0131 piyesiyle edebiyat\u0131m\u0131zda tiyatro t\u00fcr\u00fcn\u00fcn ilk \u00f6rne\u011fini sergilemi\u015ftir.
\nV. Bas\u0131n alan\u0131nda da faaliyette bulunup, gazeteler \u00e7\u0131karm\u0131\u015ft\u0131r.
\nYukar\u0131da verilen bilgilerden hangisi \u015einasi’ye ait de\u011fildir?
\nA) I. B) II. C) III. D) IV. E) V.<\/p>\n
11. Divan Edebiyat\u0131 ile Tanzimat Edebiyat\u0131 kar\u015f\u0131la\u015ft\u0131r-mas\u0131na ili\u015fkin a\u015fa\u011f\u0131daki yarg\u0131lardan hangisi yan\u00acl\u0131\u015ft\u0131r?
\nA) Divan Edebiyat\u0131’ndaki eserlerin dili Tanzimat d\u00f6neminkilerden daha a\u011f\u0131rd\u0131r.
\nB) Divan \u015fiirinde anlam beyitte ba\u015flay\u0131p biterken; Tanzimat \u015fiirinde anlam \u015fiirin tamam\u0131na yay\u0131lm\u0131\u015f\u00act\u0131r.
\nC) Divan Edebiyat\u0131’nda aruz \u00f6l\u00e7\u00fcs\u00fc kullan\u0131l\u0131rken; Tanzimat Edebiyat\u0131nda aruzun yan\u0131nda hece \u00f6l\u00e7\u00fc\u00acs\u00fc de kullan\u0131lm\u0131\u015ft\u0131r.
\nD) Divan Edebiyat\u0131 y\u00fcksek z\u00fcmreye hitap ederken; Tanzimat Edebiyat\u0131 halka y\u00f6nelmi\u015ftir.
\nE) Tanzimat \u015fairleri, Divan Edebiyat\u0131 naz\u0131m \u015fekillerini k\u00f6k\u00fcnden de\u011fi\u015ftirmi\u015flerdir.<\/p>\n
12. A\u015fa\u011f\u0131da verilen eserlerden hangisi Nam\u0131k Ke\u00acmal’in de\u011fildir?
\nA) Tahrib-i Harab\u00e2t B) \u0130ntibah C) Cezmi
\nD) Cel\u00e2lettin Harzem\u015fah E) Harab\u00e2t<\/p>\n
13. Bu d\u00f6nem yazar ve \u015fairleri edebiyat\u0131, siyasi ve sosyal d\u00fc\u015f\u00fcnceleri yaymak ve halk\u0131 e\u011fitmek i\u00e7in bir ara\u00e7 ola\u00acrak g\u00f6rm\u00fc\u015flerdir. Bu sebeple edebi sanat yapmay\u0131 de\u011fil; topluma faydal\u0131 olmay\u0131 ama\u00e7lam\u0131\u015flard\u0131r. Yine bu d\u00f6nemde edebiyat\u0131m\u0131za Bat\u0131 edebiyat\u0131ndan gelme roman, tiyatro, edebi ele\u015ftiri gibi yeni t\u00fcrler girmi\u015ftir. Yukar\u0131da k\u0131saca tan\u0131t\u0131lan edebi d\u00f6nem, a\u015fa\u011f\u0131daki\u00aclerden hangisinde do\u011fru olarak verilmi\u015ftir?
\nA) Tanzimat D\u00f6nemi
\nB) Servet-i F\u00fcn\u00fbn (Edebiyat-\u0131 Ced\u00eede)
\nC) Fecr-i \u00c2ti
\nD) Milli Edebiyat
\nE) Cumhuriyet D\u00f6nemi<\/p>\n
14. A\u015fa\u011f\u0131dakilerden hangisi Ziya Pa\u015fa ile Nam\u0131k Ke\u00acmal’in ortak bir y\u00f6n\u00fc de\u011fildir?
\nA) Tanzimat Edebiyat\u0131’n\u0131n ilk neslinden olmalar\u0131
\nB) Sanat toplum i\u00e7indir anlay\u0131\u015f\u0131n\u0131 benimsemeleri
\nC) T\u00fcm eserlerinde yeni \u015fiiri \u00f6vmeleri ve bat\u0131l\u0131 tarzda eserler yazmalar\u0131
\nD) \u015eekil bak\u0131mdan klasik \u015fiirin, tema bak\u0131m\u0131ndan bat\u0131 \u015fiirinin etkisinde olmalar\u0131
\nE) Devirlerine g\u00f6re sade ve anla\u015f\u0131l\u0131r bir dille eserler vermeleri
\nwww.sorubak.com<\/p>\n
15. \u015einasi, “\u015eair Evlenmesi” adl\u0131 tiyatro eserini, Halk Edebiyat\u0131’nda bulunan orta oyunu t\u00fcr\u00fcnden etkilenerek yazm\u0131\u015ft\u0131r. Bu eserde alafranga ya\u015fam\u0131n etkilerini an\u00aclatm\u0131\u015ft\u0131r
\nBu par\u00e7adaki bilgi yanl\u0131\u015f\u0131 a\u015fa\u011f\u0131dakilerden hangi\u00acsinde belirtilmi\u015ftir?
\nA) “\u015eair Evlenmesi” adl\u0131 eser \u015einasi’nin de\u011fil, Nam\u0131k Kemal’indir.
\nB) “\u015eair Evlenmesi” tiyatro eseri de\u011fil, bir romand\u0131r.
\nC) Halk Edebiyat\u0131’nda “orta oyunu” diye bir t\u00fcr yoktur.
\nD) Yazar, eski edebiyattan de\u011fil, bat\u0131 edebiyat\u0131ndan etkilenerek tiyatro yazm\u0131\u015ft\u0131r.
\nE) Eserin konusu alafranga ya\u015fam de\u011fil, g\u00f6r\u00fcc\u00fc usul\u00fcyle evlenmenin sak\u0131ncalar\u0131d\u0131r.
\n16. Tanzimat \u015fairlerinin \u00e7o\u011fu, anlay\u0131\u015f olarak klasik \u015fiire kar\u015f\u0131 \u00e7\u0131kmalar\u0131na ra\u011fmen, naz\u0131m \u015fekilleri bak\u0131m\u0131ndan klasik T\u00fcrk \u015fiirinden kopamam\u0131\u015flar, \u015fiirlerini genellikle Klasik Edebiyat’\u0131n naz\u0131m \u015fekilleriyle yazm\u0131\u015flard\u0131r.
\nBu par\u00e7ada belirtilen durumun nedeni a\u015fa\u011f\u0131dakilerden hangisinde do\u011fru olarak verilmi\u015ftir?
\nA) Padi\u015fah Abd\u00fclmecit’in bask\u0131c\u0131 politikas\u0131
\nB) Bu d\u00f6nem yazarlar\u0131n\u0131n Bat\u0131’daki naz\u0131m \u015fekillerini anlayamamalar\u0131
\nC) Halk\u0131 yanl\u0131\u015f y\u00f6nlendirmek istememeleri
\nD) Klasik k\u00fclt\u00fcrle yeti\u015fmi\u015f olmalar\u0131
\nE) Tema bak\u0131mdan de\u011fi\u015fikli\u011fi yeterli g\u00f6rmeleri<\/p>\n
17. A\u015fa\u011f\u0131daki eserlerden hangisi Tanzimat devri T\u00fcrk edebiyat\u0131n\u0131n birinci d\u00f6nemine ait de\u011fil\u00acdir?
\nA) Harabat
\nB) \u0130ntibah
\nC) \u015eiir ve \u0130n\u015fa
\nD) Makber
\nE) Durub-\u0131 Emsal-i Osmaniye<\/p>\n
18. I. En \u00f6nemli eseri Kamus-\u0131 T\u00fcrki adl\u0131 s\u00f6zl\u00fck\u00act\u00fcr.
\nII. Orhun Abideleri’ni ve Kutadgu Bilig’i T\u00fcrkiye T\u00fcrk\u00e7esine \u00e7eviren ilk ki\u015fi olmu\u015ftur.
\nIII. \u0130lk T\u00fcrk roman\u0131n\u0131 yazan ki\u015fidir.
\nYukar\u0131da \u00f6zellikleri verilen sanat\u00e7\u0131 a\u015fa\u011f\u0131da\u00ackilerden hangisidir?
\nA) \u015eemsettin Sami
\nB) Ziya Pa\u015fa
\nC) Muallim Naci
\nD) Samipa\u015fazade Sezai
\nE) Ahmet Mithat Efendi<\/p>\n
19. Tanzimat \u2018\u0131n 1. d\u00f6nemiyle ilgili olarak a\u015fa\u011f\u0131dakilerden hangisi s\u00f6ylenemez?
\nA) Edebiyat\u0131m\u0131zda o g\u00fcne dek g\u00f6r\u00fclmeyen, h\u00fcr\u00acriyet, e\u015fitlik, adalet gibi kavramlar i\u015flenmi\u015ftir.
\nB) \u015eiirde bi\u00e7im olarak Divan edebiyat\u0131na ait na\u00acz\u0131m bi\u00e7imleri kullan\u0131l\u0131rken, i\u00e7erik de\u011fi\u015ftirilmi\u015ftir.
\nC) Roman, makale gibi Bat\u0131’daki d\u00fczyaz\u0131 t\u00fcrle\u00acrinden ilk \u00f6rnekler verilmi\u015ftir.
\nD) Divan edebiyat\u0131ndaki g\u00f6z i\u00e7in kafiye anlay\u0131\u015f\u0131 terk edilmi\u015f, kulak i\u00e7in kafiye anlay\u0131\u015f\u0131 kabul edilmi\u015ftir.
\nE) Tiyatro halka ula\u015fmada bir ara\u00e7 olarak g\u00f6r\u00fcl\u00acm\u00fc\u015f, Bat\u0131l\u0131 tarzda tiyatro eserleri yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n
20. A\u015fa\u011f\u0131dakilerin hangisinde ilk psikolojik roman\u0131m\u0131z\u0131n ad\u0131 ve yazar\u0131 bir arada verilmi\u015ftir?<\/p>\n
A) Eyl\u00fcl \u2013 Mehmet Rauf
\nB) Vurun Kahpeye \u2013 Halide Edip Ad\u0131var
\nC) H\u00fck\u00fcm Gecesi – Yakup Kadri Karaosmano\u011flu
\nD) K\u00fc\u00e7\u00fck A\u011fa – Tar\u0131k Bu\u011fra
\nE) Huzur – Ahmet Hamdi Tanp\u0131nar<\/p>\n
21. A\u015fa\u011f\u0131dakilerden hangisi Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131n\u0131n T\u00fcrk \u015fiirine getirdi\u011fi yenilikler aras\u0131nda yer almaz?
\nA) Divan edebiyat\u0131ndaki beyit hakimiyetini y\u0131km\u0131\u015flar, anlam\u0131 \u015fiirin b\u00fct\u00fcn\u00fcne yaym\u0131\u015flard\u0131r.
\nB) Divan edebiyat\u0131na ait olan m\u00fcstezat\u0131, serbest m\u00fcstezat haline getirmi\u015flerdir.
\nC) Edebiyat\u0131m\u0131za ilk kez sone naz\u0131m \u015feklini sokmu\u015flard\u0131r.
\nD) Aruz vezinlerini ilk kez m\u00fczikalite bak\u0131m\u0131ndan de\u011ferlendirmi\u015flerdir.
\nE) T\u00fcrk \u015fiirinde ilk kez onlar vatan, h\u00fcrriyet, hak, adalet kavram\u0131n\u0131 i\u015flemi\u015flerdir.<\/p>\n
22. A\u015fa\u011f\u0131da verilen sanat\u00e7\u0131 \u2013 d\u00f6nem e\u015fle\u015ftirmelerinden hangisi yanl\u0131\u015ft\u0131r?
\nA) Ahmet Mithat Efendi \u2013 Tanzimat
\nB) Halit Ziya U\u015fakl\u0131gil \u2013 Servet \u2013 i F\u00fcnun
\nC) Mehmet Rauf \u2013 Tanzimat
\nD) Tevfik Fikret \u2013 Servet-i F\u00fcnun
\nE) Ahmet Ha\u015fim \u2013 Fecr-i Ati<\/p>\n
www.sorubak.com
\n23. Edebiyat\u0131m\u0131zdaki ilk kusursuz romanlar\u0131 o yazm\u0131\u015ft\u0131r.
\nT\u00fcrk edebiyat\u0131ndaki realizmin en b\u00fcy\u00fck temsilcisidir. Romanlar\u0131nda konular\u0131n\u0131 ayd\u0131n \u00e7evreden se\u00e7erken hikayelerinde s\u0131radan insanlar\u0131n hayat\u0131n\u0131 konu edinir. Roman ve hikaye tekni\u011fi \u00e7ok sa\u011flamd\u0131r.Di\u011fer Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131 gibi onun da dili olduk\u00e7a a\u011f\u0131rd\u0131r.
\nBu paragrafta s\u00f6z\u00fc edilen sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?
\nA) Tevfik Fikret B) Nam\u0131k Kemal
\nC) \u00d6mer Seyfettin D) H\u00fcseyin Cahit Yal\u00e7\u0131n
\nE) Halit Ziya U\u015fakl\u0131gil<\/p>\n
24.A\u015fa\u011f\u0131dakilerden hangisi “klasisizm”in \u00f6zelliklerinden de\u011fildir?
\nA) \u0130nsanlar\u0131n d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f\u00fcn\u00fc i\u00e7 d\u00fcnyalar\u0131ndan daha \u00e7ok islemi\u015ftir.
\nB ) Konudan \u00e7ok konunun isleni\u015fine \u00f6nem vermi\u015ftir.
\nC ) Anlat\u0131m a\u00e7\u0131k ve sade bir dille yap\u0131l\u0131r.
\nD ) Yap\u0131tlarda ak\u0131l ve sa\u011fduyu egemendir.
\nE ) Se\u00e7kin, olgun ve yeti\u015fmi\u015f insan\u0131 model al\u0131r.<\/p>\n
25. Frans\u0131z edebiyat\u0131 tarihinde bir d\u00f6n\u00fcm noktas\u0131 olarak kabul edilen “Hernani Sava\u015f\u0131” diye an\u0131lan bir tiyatro olay\u0131 vard\u0131r . Bu, 1830’da Hernani
\nadl\u0131 dram\u0131n oynanmas\u0131 sonucunda_____________ \u00fcn\u00fcn\u00fc iyice geni\u015fletmi\u015f
\n______________ de ______________ ‘e kar\u015f\u0131 b\u00fcy\u00fck \u00fcst\u00fcnl\u00fck sa\u011flam\u0131\u015ft\u0131r.
\nYukar\u0131da bo\u015f b\u0131rak\u0131lan yerlere a\u015fa\u011f\u0131dakilerden hangisi getirilmelidir?
\nA ) V. Hugo – Romantizm – Klasisizm
\nB) Lamartine – Klasisizm – Romantizm
\nC ) Balzac – Realizm – Romantizm
\nD ) Stendhal – Realizm – Romantizm
\nE ) J.J. Rousseou – Romantizm \u2013 Klasisizm
\nCEVAPLARINIZI HEM SORUNUN \u00dcZER\u0130NE \u0130\u015eARETLEY\u0130N HEM DE A\u015eA\u011eIDAK\u0130 TABLONUN \u0130\u00c7\u0130NE \u0130\u015eARETLEY\u0130N\u0130Z.TABLONUN \u0130\u00c7\u0130NDEK\u0130 CEVAPLAR ESASTIR.HER SORU 4 PUAN DE\u011eER\u0130NDED\u0130R.<\/p>\n
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\n21- 22- 23- 24- 25-<\/p>\n
www.sorubak.com
\nAL\u0130 BA\u011e\u00c7EL\u0130 \/ TDE \u00d6\u011eRT.<\/p>\n
1 C TANZ\u0130MAT D\u00d6NEM\u0130
\n2 A NAMIK KEMAL
\n3 D AHMET M\u0130THAT
\n4 E \u0130NT\u0130BAH K\u0130M\u0130N ESER\u0130
\n5 C YUSUF KAM\u0130L PA\u015eA -TELEMAK
\n6 D TANZ. 1. D\u00d6NEM \u015eA\u0130RLER\u0130
\n7 C \u0130LK \u00d6ZEL GAZETE
\n8 B \u0130NT\u0130BAH\u2019IN \u0130\u00c7ER\u0130\u011e\u0130
\n9 B LAMART\u0130NE ,V.H\u00dcGO \u0130NG\u0130L\u0130Z DE\u011e\u0130L
\n10 A \u015e\u0130NAS\u0130
\n11 E D\u0130VAN-TANZ.KAR\u015eILA\u015eTIRMASI
\n12 E N.KEMAL\u2019\u0130N ESERLER\u0130
\n13 A TANZ. D\u00d6NEM\u0130N\u0130 TANIMA
\n14 C Z. PA\u015eA-N.KEMAL BENZERL\u0130\u011e\u0130
\n15 E \u015eA\u0130R EVLENMES\u0130\u2019N\u0130N KONUSU
\n16 D TANZ\u0130MAT 1.D\u00d6NEM \u015eA\u0130RLER\u0130.KLAS\u0130K ANLAYI\u015e
\n17 D MAKBER
\n18 A \u015eEMSETT\u0130N SAM\u0130-KAMUS-I T\u00dcRK\u0130
\n19 D TANZ. 1. D\u00d6NEM\u0130
\n20 A \u0130LK PS\u0130KOLOJ\u0130K ROMAN
\n21 E S. F\u00dcNUN ( KONULAR FERD\u0130 )
\n22 C M.RAUF ( S. F\u00dcNUNCU )
\n23 E H. Z\u0130YA
\n24 A KLAS\u0130S\u0130ZM
\n25 A ROMANT\u0130ZM
\n26
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\nCEVAP ANAHTARIwww.sorubak.com<\/p>\n
Dok\u00fcman\u0131n G\u00f6rselli Tam Halini \u0130ndirmek i\u00e7in TIKLAYINIZ<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" ADI: SOYADI: NO: 11 FEN B 2014-2015 vACIPAYAM ANADOLU L\u0130SES\u0130 \/ DEN\u0130ZL\u0130 T\u00dcRK EDEB\u0130YATI www.sorubak.com CEVAPLARINIZI HEM SORUNUN \u00dcZER\u0130NE \u0130\u015eARETLEY\u0130N HEM DE ARKADAK\u0130 TABLONUN \u0130\u00c7\u0130NE \u0130\u015eARETLEY\u0130N\u0130Z TABLONUN \u0130\u00c7\u0130NDEK\u0130 CEVAPLAR ESASTIR. 1. I. Bu d\u00f6nemde yaz\u0131lan eserlerin dili, daha \u00f6ncekilere g\u00f6re sadedir. II. Bu d\u00f6nemde sanat yapmak de\u011fil topluma faydal\u0131 olmak ama\u00e7lanm\u0131\u015ft\u0131r. III. Bu d\u00f6nemde, Bat\u0131 … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1686,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17961,17972,13370],"tags":[18412,20241],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/58145"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1686"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=58145"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/58145\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=58145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=58145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=58145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}