{"id":57679,"date":"2015-04-04T01:14:32","date_gmt":"2015-04-03T22:14:32","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=57679"},"modified":"2015-04-04T01:17:21","modified_gmt":"2015-04-03T22:17:21","slug":"2014-2015-11-sinif-turk-edebiyati-2-donem-1-yazili-sorulari","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/2014-2015-11-sinif-turk-edebiyati-2-donem-1-yazili-sorulari.html","title":{"rendered":"2014-2015 11.s\u0131n\u0131f T\u00fcrk edebiyat\u0131 2.d\u00f6nem 1.yaz\u0131l\u0131 sorular\u0131"},"content":{"rendered":"

11.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 1.yaz\u0131l\u0131 sorular\u0131 2014-2015<\/strong><\/p>\n

1 ) A\u015fa\u011f\u0131dakilerden hangisinde Tanzimat\u00a0\u00a0 edebiyat\u0131\u00a0 nesriyle\u00a0 ilgili bir bilgi yanl\u0131\u015f\u0131 vard\u0131r?<\/strong><\/p>\n

A) Noktalama i\u015faretleri ilk kez kullan\u0131lmaya ba\u015flan\u0131r.<\/p>\n

B) O g\u00fcne dek i\u015flenmeyen yeni d\u00fc\u015f\u00fcnce ve kavramlar ele al\u0131n\u0131r.<\/p>\n

C) Anlat\u0131m\u0131n s\u00fcsten ve yapmac\u0131ktan uzak olmas\u0131na \u00f6zen g\u00f6sterilir.<\/p>\n

D) Roman ve \u00f6yk\u00fclerde devrik ve eksiltili c\u00fcmlelere \u00e7ok\u00e7a yer verilir.<\/p>\n

E) Yal\u0131n bir dille yazmak ama\u00e7lan\u0131r ; ancak \u00e7o\u011fu kez eski al\u0131\u015fkanl\u0131klar\u0131n etkisi g\u00f6r\u00fcl\u00fcr.<\/p>\n

 <\/p>\n

2 ) A\u015fa\u011f\u0131dakilerden hangisi Tanzimat roman\u0131n\u0131n \u00f6zelliklerinden biri de\u011fildir?<\/strong><\/p>\n

A) Esirlik, zoraki evlilik, yanl\u0131\u015f Bat\u0131l\u0131la\u015fma, z\u00fcppelik, t\u00f6re gibi konular i\u015flenir<\/p>\n

B) Yazar\u0131n ki\u015fili\u011fi gizlenmez ; romandaki olaylar rastlant\u0131ya\u00a0 dayan\u0131r;\u00a0 yazar, a\u00e7\u0131klamalar yapar bilgiler verir<\/p>\n

C) \u00dcsl\u00fbp olu\u015fturma \u00e7abas\u0131yla yeni ve al\u0131\u015f\u0131lmam\u0131\u015f s\u00f6zc\u00fck ve imajlar bulmak ba\u015fl\u0131 ba\u015f\u0131na bir ama\u00e7t\u0131r.<\/p>\n

D) Ki\u015filer tek yanl\u0131, iyi ya da k\u00f6t\u00fcd\u00fcr; betimlemeler bir ama\u00e7 ta\u015f\u0131maz, romana bir yamad\u0131r .<\/p>\n

E) Romantizmin etkisinde kal\u0131nm\u0131\u015ft\u0131r.<\/p>\n

\u00a0<\/strong><\/p>\n

3 ) \u201cSanatta duygu ve d\u00fc\u015f\u00fcncelerin g\u00fczel anlat\u0131lmas\u0131ndan ba\u015fka bir ama\u00e7 g\u00fcd\u00fclmemelidir.\u201d g\u00f6r\u00fc\u015f\u00fcyle a\u015fa\u011f\u0131daki edebiyat d\u00f6nemlerimizden hangisi \u00e7eli\u015fir? <\/strong><\/p>\n

A) Divan edebiyat\u0131 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0B) Tanzimat 1. d\u00f6nem\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C) Fecr-i\u00a0 \u00c2ti\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0D) Tanzimat 2. d\u00f6nem\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) Servet-i F\u00fcn\u00fbn<\/p>\n

 <\/p>\n

4 )<\/strong> Tanzimat d\u00f6neminin ikinci ku\u015fa\u011f\u0131ndan say\u0131lan \u015fair, \u201cMakber\u201d adl\u0131 \u00fcnl\u00fc eserinde Divan \u015fiiri ile ilgisini kesmi\u015f; \u015fiirini bentlerle yazm\u0131\u015ft\u0131. \u00dcstelik bu manzum eserin i\u00e7eri\u011fi de eski ku\u015faklar\u0131n \u015fiir anlay\u0131\u015f\u0131na kar\u015f\u0131yd\u0131. Bu eserinde \u201c\u00f6l\u00fcm\u201d kar\u015f\u0131s\u0131ndaki metafizik (fizik \u00f6tesi) d\u00fc\u015f\u00fcncelerini, yok olmay\u0131 g\u00f6nl\u00fcne s\u0131\u011fd\u0131ramayan isyanc\u0131 duygular\u0131n\u0131 anlat\u0131yordu. Asl\u0131nda \u015fair, \u00f6nc\u00fclerin kendisine haz\u0131rlad\u0131\u011f\u0131 uygun bir ortamda Divan \u015fiiri geleneklerine sald\u0131rm\u0131\u015f oluyor; yeniler aras\u0131nda ra\u011fbet g\u00f6r\u00fcyor; eskilerin k\u0131zg\u0131nl\u0131klar\u0131n\u0131 topluyordu.<\/p>\n

Par\u00e7ada \u00f6zellikleri anlat\u0131lan \u015fair, a\u015fa\u011f\u0131dakilerden hangisidir?<\/strong><\/p>\n

A) Nam\u0131k Kemal B ) Ziya Pa\u015fa\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0C) \u015einasi<\/p>\n

D) Recaizade Mahmut Ekrem E )Abd\u00fclhak Hamit Tarhan<\/p>\n

 <\/p>\n

5 )<\/strong> Ziya Pa\u015fa\u2019n\u0131n Avrupa\u2019dayken yazd\u0131\u011f\u0131 mizahi ve satirik bir kasidedir. Bunu,\u00a0 Ali Pa\u015fa\u2019y\u0131 yermek i\u00e7in yazm\u0131\u015ft\u0131r. Bu yap\u0131t, yaln\u0131z Ali Pa\u015fa\u2019y\u0131 de\u011fil , d\u00f6nemin sosyal bozukluklar\u0131n\u0131 de ele\u015ftiren , ba\u015far\u0131l\u0131 bir yap\u0131tt\u0131r.<\/p>\n

S\u00f6z\u00fc edilen yap\u0131t , a\u015fa\u011f\u0131dakilerden hangisidir?<\/strong><\/p>\n

A) \u015eiir ve \u0130n\u015fa B)Zafername\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0C) R\u00fcy\u00e2<\/p>\n

D) Defter-i Am\u00e2l E) Harabat<\/p>\n

 <\/p>\n

6 ) <\/strong>\u201c \u2026\u2026\u2026\u2026. Tanzimat edebiyat\u0131 d\u00f6neminde\u00a0 \u2018toplum i\u00e7in sanat\u2019 yerine \u2018sanat i\u00e7in sanat\u2019 , \u2018 g\u00f6z i\u00e7in kafiye\u2019 yerine \u2018kulak i\u00e7in kafiye\u2019 yi savunur. Her g\u00fczel \u015fey \u015fiirdir, ilkesini benimseyerek T\u00fcrk \u015fiirinin tema ve konusunu geni\u015fletir. \u2018Piraye , Emced , Nijad\u2019 ad\u0131ndaki\u00a0 \u00fc\u00e7 \u00e7ocu\u011funun \u00f6l\u00fcm\u00fc , ona i\u00e7li \u015fiirler yazd\u0131r\u0131r. \u00d6l\u00fcm temas\u0131 \u00fczerinde fazlaca durur; \u015fiirde fikr\u00ee , hiss\u00ee , hayal\u00ee g\u00fczellikler arar.<\/p>\n

Yukar\u0131da bo\u015f b\u0131rak\u0131lan yere a\u015fa\u011f\u0131dakilerden hangisi getirilmelidir?<\/strong><\/p>\n

A) Tevfik Fikret B) Cenap \u015eahabettin \u00a0C) Recaizade Mahmut Ekrem<\/p>\n

D) Muallim Naci E) \u015eemsettin Sami<\/p>\n

 <\/p>\n

7 ) A\u015fa\u011f\u0131dakilerden hangisi Servet-i F\u00fcnun d\u00f6nemi yazarlar\u0131n\u0131n\u00a0 \u00f6zelliklerinden de\u011fildir? <\/strong><\/p>\n

A ) Uzun c\u00fcmleleri par\u00e7alay\u0131p d\u00fczg\u00fcn c\u00fcmleler haline getirmi\u015flerdir.<\/p>\n

B ) Frans\u0131z nesrinin etkisindedirler.<\/p>\n

C ) Roman ve hik\u00e2yede realizm ve nat\u00fcralizm ak\u0131m\u0131n\u0131n etkisi g\u00f6r\u00fcl\u00fcr.<\/p>\n

D ) Duygu ve d\u00fc\u015f\u00fcnceleri, yazar\u0131n a\u011fz\u0131ndan de\u011fil de ki\u015filerin a\u011fz\u0131ndan yans\u0131tan g\u00f6r\u00fc\u015f a\u00e7\u0131s\u0131 tekni\u011fini uygulam\u0131\u015flard\u0131r.<\/p>\n

E ) Realist eserlerde bile \u00e7abuk k\u0131r\u0131lan, melankolik ki\u015filerdir.<\/p>\n

 <\/p>\n

8 ) A\u015fa\u011f\u0131dakilerden hangisi Servet-i F\u00fcnun d\u00f6nemi \u015f\u00e2irlerinin \u00f6zelliklerinden de\u011fildir? <\/strong><\/p>\n

A) Nam\u0131k Kemal ve Mithat Pa\u015fa bu d\u00f6nemin en \u00f6nemli \u015f\u00e2irleridir.<\/p>\n

B) Serbest m\u00fcstezat daha da geli\u015ftirilmi\u015ftir.<\/p>\n

C) Naz\u0131m nesre yakla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

D) Ahenk konusuna \u00f6nem verilmi\u015ftir.<\/p>\n

E) Bat\u0131dan \u201cSone, Terzarima\u201d gibi naz\u0131m \u015fekilleri edebiyat\u0131m\u0131za girmi\u015ftir.<\/p>\n

 <\/p>\n

 <\/p>\n

9 )<\/strong> A\u015fa\u011f\u0131dakilerden hangisi H\u00fcseyin Rahmi G\u00fcrp\u0131nar\u2019\u0131n \u00f6zelliklerinden de\u011fildir<\/span>? <\/strong><\/p>\n

A ) \u0130lk roman\u0131 olan \u201c\u015e\u0131k\u201d isimli roman\u0131 Terc\u00fcman-\u0131 Hakikat gazetesinde yay\u0131mlad\u0131.<\/p>\n

B ) Eserlerinde ayd\u0131n z\u00fcmreye seslenerek m\u00fckemmel eserler yay\u0131mlamay\u0131 ama\u00e7lad\u0131.<\/p>\n

C ) Realizm ve nat\u00fcralizm ak\u0131mlar\u0131n\u0131n etkisindedir.<\/p>\n

D ) Eserlerinde Meddahl\u0131k ve halk tiyatrosu geleneklerinden yararland\u0131.<\/p>\n

E ) Romanlar\u0131n\u0131n konusu \u0130stanbul\u2019da ge\u00e7er.<\/p>\n

 <\/p>\n

A\u015fa\u011f\u0131dakilerden hangisi Tevfik Fikret\u2019in \u00f6zelliklerinden de\u011fildir? <\/strong><\/p>\n

A) R\u00fcbab-\u0131 \u015eikeste isimli \u015fiiriyle tan\u0131nd\u0131.<\/p>\n

B )\u015eiirde ahengi ve ses \u00f6zelliklerini armoni yaratabilecek bi\u00e7imde kullanm\u0131\u015ft\u0131r.<\/p>\n

C) \u00c7ocuklar i\u00e7in \u201c\u015eermin\u201d isimli eseri yay\u0131mlam\u0131\u015ft\u0131r.<\/p>\n

D) \u015eiirlerinde hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc en g\u00fczel bir bi\u00e7imde kullanm\u0131\u015ft\u0131r.<\/p>\n

E) Son eserlerinde toplumsal konulara de\u011finmi\u015ftir.<\/p>\n

 <\/p>\n

11 ) Yakup Kadri Karaosmano\u011flu\u2019nun Kiral\u0131k Konak adl\u0131 eserinden yola \u00e7\u0131k\u0131larak haz\u0131rlanan a\u015fa\u011f\u0131daki soruyu cevaplay\u0131n\u0131z.<\/strong><\/p>\n

Naim Efendi\u2019nin Duyun u Umumiye M\u00fcfetti\u015fi olan damad\u0131n\u0131n ad\u0131 nedir?<\/strong><\/p>\n

A) Selim Efendi B) Servet Bey C) Faik Bey<\/p>\n

D) Cemil Bey E) Ramiz Day\u0131<\/p>\n

 <\/p>\n

12 ) <\/strong>1909\u2019da Fecr-i \u00c2ti toplulu\u011funa kat\u0131ld\u0131. Bu toplulu\u011fun da\u011f\u0131lmas\u0131ndan sonra da \u015fiirler yazmay\u0131 s\u00fcrd\u00fcrd\u00fc. \u015eiirlerinin hepsi de aruzla yaz\u0131lm\u0131\u015ft\u0131r. A\u015fk ve do\u011fal temalar\u0131n\u0131 i\u015fledi\u011fi, sembolizm ak\u0131m\u0131 anlay\u0131\u015f\u0131na uygun olarak yazd\u0131\u011f\u0131 \u015fiirlerde hayale ve m\u00fczi\u011fe b\u00fcy\u00fck \u00f6nem verdi. G\u00fc\u00e7l\u00fc \u015fiirleri yan\u0131nda, de\u011fi\u015fik konular\u0131 yo\u011fun bir dille anlatan f\u0131kralar\u0131 da vard\u0131r.<\/p>\n

Burada s\u00f6z\u00fc edilen sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir? (1989\/\u00d6SYS)<\/strong><\/p>\n

A) Ahmet Ha\u015fim \u00a0B) Cenap \u015eehabettin\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0C) S\u00fcleyman Nazif<\/p>\n

D) Faruk Nafiz \u00c7aml\u0131bel E) Yahya Kemal Beyatl\u0131<\/p>\n

 <\/p>\n

A\u015fa\u011f\u0131dakilerden hangisi, toplum sorunlar\u0131n\u0131 tart\u0131\u015fmak, bunlarla ilgili d\u00fc\u015f\u00fcncelerini a\u00e7\u0131klamak i\u00e7in sanat\u0131 bir ara\u00e7 olarak kullanm\u0131\u015ft\u0131r? (1994\/\u00d6SYS)<\/strong><\/p>\n

A) Recaizade Mahmut Ekrem B) Tevfik Fikret C) Abd\u00fclhak Hamit<\/p>\n

D) Cenap \u015eehabettin E) Ahmet Ha\u015fim<\/p>\n

 <\/p>\n

14 )<\/strong> Servet-i F\u00fcnun \u015fiirinde \u2014 ve \u2014 ; \u00a0roman\u0131nda ise \u2014 ve \u2014 ak\u0131mlar\u0131n\u0131n etkisi g\u00f6r\u00fcl\u00fcr.<\/p>\n

Bu c\u00fcmlede yer alan bo\u015fluklara s\u0131ras\u0131yla a\u015fa\u011f\u0131dakilerin hangisi getirilmelidir?<\/strong><\/p>\n

A) realizm – romantizm – klasisizm – f\u00fct\u00fcrizm<\/p>\n

B) sembolizm – parnasizm – realizm – nat\u00fcralizm<\/p>\n

C) dadaizm – s\u00fcrrealizm – romantizm – realizm<\/p>\n

D) romantizm – realizm – nat\u00fcralizm – dadaizm<\/p>\n

E) sembolizm – dadaizm – romantizm \u2013 klasisizm<\/p>\n

 <\/p>\n

15 )<\/strong> \u015eiir yay\u0131nlamaya Servet-i F\u00fcn\u00fbn d\u00f6neminde ba\u015flayan milliyet\u00e7i, halk\u00e7\u0131 … b\u00fct\u00fcn \u015fiirlerinde sade bir dil ve hece \u00f6l\u00e7\u00fcs\u00fc kulland\u0131; konular\u0131n\u0131 toplum dertlerinden, sosyal\u2013epik hayat sahne*lerinden ald\u0131. Uyar\u0131c\u0131\u2013\u00f6\u011fretici \u015fiirler yazd\u0131. T\u00fcrk \u015fairi, milli \u015fair diye an\u0131l\u0131r. \u201cT\u00fcrk Saz\u0131, Ey T\u00fcrk Uyan, Tan Sesleri\u201d en bilinen kitaplar\u0131d\u0131r.<\/p>\n

Yukar\u0131daki par\u00e7ada bo\u015f b\u0131rak\u0131lan yere a\u015fa\u011f\u0131dakilerden hangisi getirilmelidir?<\/strong><\/p>\n

A) Mehmet Emin B) Ali Canip \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0C) Mehmet Akif<\/p>\n

D) Yahya Kemal E) Faruk Nafiz \u00c7aml\u0131bel<\/p>\n

 <\/p>\n

16 ) A\u015fa\u011f\u0131dakilerin hangisinde Milli edebiyat ve Tanzimat edebiyat\u0131n\u0131n kar\u015f\u0131la\u015ft\u0131r\u0131lmas\u0131yla ilgili bilgi yanl\u0131\u015f\u0131 vard\u0131r?<\/strong><\/p>\n

A) Dilin sadele\u015ftirilmesi d\u00fc\u015f\u00fcncesi Gen\u00e7 Kalemlerin \u00e7ok \u00f6nce, Tanzimat d\u00f6nemi sanat\u00e7\u0131lar\u0131 taraf\u0131ndan ileri s\u00fcr\u00fclm\u00fc\u015f; ancak bu sanat\u00e7\u0131lar dili sadele\u015ftirmede ba\u015far\u0131l\u0131 olamam\u0131\u015flard\u0131r.<\/p>\n

B) Milli Edebiyat d\u00f6neminde yay\u0131mlanan gazete ve dergi yaz\u0131lar\u0131yla d\u00f6nemin sosyal hayat\u0131 aras\u0131nda s\u0131k\u0131 bir ili\u015fki vard\u0131r; bu d\u00f6nemde de bas\u0131n Tanzimat d\u00f6nemindeki kadar \u00f6nemlidir.<\/p>\n

C) Milli Edebiyat d\u00f6neminde gazete ve dergilerde yay\u0131mlanan metinlerde de Tanzimat d\u00f6nemi metinlerinde de edebi y\u00f6n de\u011fil, d\u00fc\u015f\u00fcnce y\u00f6n\u00fc a\u011f\u0131r basar.<\/p>\n

D) Milli Edebiyat\u2019ta as\u0131l \u00f6l\u00e7\u00fc olarak al\u0131nan hece \u00f6l\u00e7\u00fcs\u00fc, Tanzimat d\u00f6neminde Nam\u0131k Kemal, Ziya Pa\u015fa, Abd\u00fclhak Hamit gibi pek \u00e7ok \u015fair taraf\u0131ndan denenmi\u015fse de tam yerle\u015fememi\u015ftir.<\/p>\n

E) Milli Edebiyat ve Tanzimat sanat\u00e7\u0131lar\u0131; farkl\u0131 din ve \u0131rktan olan halklar\u0131n, me\u015frutiyet d\u00fczeni i\u00e7inde tek bir ulus, \u201cOsmanl\u0131 ulusu\u201d olarak ya\u015fayabilecekleri fikrine, dayanan Osmanl\u0131c\u0131l\u0131k g\u00f6r\u00fc\u015f\u00fcn\u00fc destekler.<\/strong><\/p>\n

 <\/p>\n

17 <\/strong>) Ahmet Celal, yedek subay olarak kat\u0131ld\u0131\u011f\u0131 Birinci D\u00fcnya Sava\u015f\u0131\u2019nda bir kolunu kaybeder. \u0130ngilizler, \u0130stanbul\u2019u i\u015fgal edince emir eri Mehmet Ali\u2019nin Porsuk \u00e7ay\u0131 k\u0131y\u0131s\u0131ndaki k\u00f6y\u00fcne gidip yerle\u015fir. K\u00f6yl\u00fc, Ahmet Celal\u2019e bir d\u00fc\u015fman g\u00f6z\u00fcyle bakmaktad\u0131r.Birinci \u0130n\u00f6n\u00fc Sava\u015f\u0131n\u0131n kazan\u0131lmas\u0131 k\u00f6yl\u00fcler i\u00e7in hi\u00e7bir \u015fey ifade etmemektedir. Ahmet Celal, k\u00f6yl\u00fclerin bu bilin\u00e7sizli\u011fi\u00a0 kar\u015f\u0131s\u0131nda kendini sorgular ve y\u0131llarca ilgisiz b\u0131rak\u0131lan bu k\u00f6yl\u00fcleri su\u00e7lamaktan, ele\u015ftirmekten\u00a0 vazge\u00e7er; \u00e7\u00fcnk\u00fc anlam\u0131\u015ft\u0131r ki as\u0131l su\u00e7lu k\u00f6yl\u00fcler de\u011fil onunla ilgilenmeyen T\u00fcrk ayd\u0131n\u0131d\u0131r.<\/p>\n

A\u015fa\u011f\u0131dakilerden hangisinde bu paragrafta bahsedilen roman ve bu roman\u0131n yazar\u0131 bir arada verilmi\u015ftir?<\/strong><\/p>\n

A)\u00a0 T\u00fcrk\u2019\u00fcn Ate\u015fle \u0130mtihan\u0131 \u2013 Halide Edip Ad\u0131var<\/p>\n

B)\u00a0 \u00c7al\u0131ku\u015fu \u2013 Re\u015fat Nuri G\u00fcntekin<\/p>\n

C)\u00a0 Dokuzuncu Hariciye Ko\u011fu\u015fu \u2013 Peyami Safa<\/p>\n

D)\u00a0 Memleket Hikayeleri \u2013 Refik Halit Karay<\/p>\n

E)\u00a0 Yaban\u2013 Yakup Kadri Karaosmano\u011flu<\/p>\n

 <\/p>\n

18<\/strong> ) A\u015fa\u011f\u0131dakilerden hangisi Milli Edebiyat d\u00f6neminin genel \u00f6zellikleri aras\u0131nda yer almaz?<\/strong><\/p>\n

A)\u00a0 Eserlerde a\u011f\u0131rl\u0131kl\u0131 olarak \u00fclke sorunlar\u0131 i\u015flenmi\u015f ve\u00a0 bu sorunlara \u00e7\u00f6z\u00fcmler \u00fcretilmi\u015ftir.<\/p>\n

B)\u00a0\u00a0 Eserlerde kahramanlar\u0131n tahlilleri ve \u00e7evre\u00a0tasvirleri ger\u00e7ek\u00e7idir.<\/p>\n

C)\u00a0\u00a0 Sanat\u00e7\u0131lar bilin\u00e7li olarak Anadolu\u2019ya a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n

D)\u00a0\u00a0 Vezinsiz, kafiyesiz\u00a0 \u015fiirler yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n

E)\u00a0\u00a0 Sanat\u00e7\u0131lar, eserlerinde yal\u0131n bir dil kullanm\u0131\u015flard\u0131r.<\/p>\n

 <\/p>\n

19 )<\/strong> Ziya G\u00f6kalp i\u00e7in a\u015fa\u011f\u0131dakilerden hangisi s\u00f6ylenemez?\u00a0<\/strong><\/p>\n

 <\/p>\n

A) T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131n\u0131n \u00f6nc\u00fcs\u00fcd\u00fcr.<\/p>\n

 <\/p>\n

B) Milli Edebiyat\u2019a (\u00f6zellikle) d\u00fc\u015f\u00fcnceleriyle katk\u0131da bulunmu\u015ftur.<\/p>\n

 <\/p>\n

C).\u00a0Mistisizme kayan duygulu karakter yap\u0131s\u0131n\u0131n yan\u0131 s\u0131ra devrimci, m\u00fccadeleci bir sanat yan\u0131 vard\u0131r.<\/p>\n

 <\/p>\n

D) D\u00fczyaz\u0131n\u0131n yan\u0131nda, nazm\u0131 da kullanarak didaktik \u015fiirler, manzum masal ve destanlar kaleme alm\u0131\u015ft\u0131r.<\/p>\n

 <\/p>\n

E) Toplumsal kurumlar\u0131m\u0131z\u0131n t\u00fcm\u00fcn\u00fcn Bat\u0131\u2019ya g\u00f6re d\u00fczenlenmesi ve k\u00fclt\u00fcr yoluyla ulusal birli\u011fin sa\u011flanmas\u0131 g\u00f6r\u00fc\u015f\u00fcndedir.<\/p>\n

 <\/p>\n

20 )<\/strong> D\u00fcnya edebiyat\u0131nda \u201cMaupassant tarz\u0131\u201d ve \u201c\u00c7ehov tarz\u0131\u201d olarak bilinen hikaye anlay\u0131\u015flar\u0131n\u0131n edebiyat\u0131m\u0131zdaki ilk temsilcileri olarak; … ile … say\u0131lm\u0131\u015ft\u0131r.
\nBu par\u00e7an\u0131n sonunda bo\u015f b\u0131rak\u0131lan yerlere s\u0131ras\u0131yla a\u015fa\u011f\u0131dakilerden hangisi getirilmelidir?<\/strong>
\nA) \u00d6mer Seyfettin, A. Hamdi Tanp\u0131nar\u00a0\u00a0\u00a0 B) S. Faik Abas\u0131yan\u0131k, Ya\u015far Kemal
\nC) M. \u015eevket Esendal, S. Faik Abas\u0131yan\u0131k\u00a0\u00a0 D) R. Halit Karay, Haldun Taner
\nE) \u00d6mer Seyfettin, M. \u015eevket Esendal<\/p>\n

 <\/p>\n

21 )<\/strong> Kurtulu\u015f Sava\u015f\u0131 ( \u0130stiklal Harbi) y\u0131llar\u0131n\u0131n havas\u0131n\u0131 anlatan romanlar\u0131m\u0131zdan \u00fc\u00e7\u00fc a\u015fa\u011f\u0131dakilerden hangileridir?<\/strong><\/p>\n

A) Ate\u015ften G\u00f6mlek \u2013 Ankara \u2013 Sinekli Bakkal
\nB) Vurun Kahpeye \u2013 Yaban \u2013 Ate\u015ften G\u00f6mlek
\nC) Yaban \u2013 \u00c7al\u0131ku\u015fu \u2013 Ankara
\nD) Ak\u015fam G\u00fcne\u015fi \u2013 Yaban \u2013 Sodom ve Gomore
\nE) Sinekli Bakkal \u2013 Vurun Kahpeye \u2013 Kiral\u0131k Konak<\/p>\n

 <\/p>\n

22 A\u015fa\u011f\u0131dakilerden hangisi Fecr-i Ati toplulu\u011funun \u00f6zellikleri aras\u0131nda yer almaz?<\/strong><\/p>\n

A) Servet-i F\u00fcnun d\u00f6neminin devam\u0131 olan bir edebi topluluktur.<\/p>\n

B) \u0130lk edebi beyannameyi bu topluluk yay\u0131mlam\u0131\u015ft\u0131r.<\/p>\n

C) \u201cSanat \u015fahsi ve muhteremdir\u201d g\u00f6r\u00fc\u015f\u00fcne ba\u011fl\u0131d\u0131rlar.<\/p>\n

D) Tanzimat edebiyat\u0131na bir tepki olarak do\u011fmu\u015ftur.<\/p>\n

E) Arap\u00e7a ve Fars\u00e7a kelime ve terkipleri \u00e7ok\u00e7a kullanm\u0131\u015flard\u0131r.<\/p>\n

 <\/p>\n

23 ) (1975 \u00d6SYS) A\u015fa\u011f\u0131dakilerden hangisi, \u201cMill\u00ee edebiyat ak\u0131m\u0131\u201dn\u0131 belirleyen \u00f6zelliklerden de\u011fildir?<\/span><\/strong><\/p>\n

A) Anlat\u0131mda ger\u00e7ek\u00e7ilikten ka\u00e7\u0131nma B) Hece veznini kullanma<\/p>\n

C) Halk edebiyat\u0131ndan yararlanma D) Memleket edebiyat\u0131n\u0131 yans\u0131tma<\/p>\n

E) Dilde sadele\u015fmeye gitme<\/p>\n

 <\/p>\n

24 ) A\u015fa\u011f\u0131dakilerden hangisi\u00a0 \u201cMill\u00ee Edebiyat Ak\u0131m\u0131\u201dn\u0131n \u00f6zelliklerinden biri de\u011fildir?<\/span><\/strong><\/p>\n

A) Gen\u00e7 Kalemler dergisinin dil ve anlay\u0131\u015f\u0131na ba\u011fl\u0131 kalmak.<\/p>\n

B) S\u00fcsl\u00fc,mecazl\u0131 anlat\u0131ma b\u00fcy\u00fck yer vermek<\/p>\n

C) Edebiyat yapmamak,yal\u0131n edebiyattan yana olmak.<\/p>\n

D) Anadolu\u2019dan \u00fclke ya\u015fam\u0131ndan g\u00f6r\u00fcnt\u00fclere yer vermek.<\/p>\n

E) Anlat\u0131mda ger\u00e7ek\u00e7i olmak.<\/p>\n

 <\/p>\n

25 ) <\/strong>Konu\u015fma dili yaz\u0131 dili haline getirilmeye ve dil sadele\u015ftirilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r. Ayr\u0131ca aruz \u00f6l\u00e7\u00fcs\u00fc yerine hece \u00f6l\u00e7\u00fcs\u00fc kullan\u0131lmaya ve yerli ya\u015fam yans\u0131t\u0131lmaya \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r.\u201d<\/p>\n

Bu par\u00e7ada verilen \u00f6zellikler hangi edebiyat d\u00f6nemine ait olabilir?<\/strong><\/p>\n

A) Servet-i F\u00fcn\u00fbn d\u00f6nemi B) Fecr-i \u00c2ti d\u00f6nemi C) Mill\u00ee Edebiyat<\/p>\n

D) Tanzimat edebiyat\u0131 E) Edebiyat-\u0131 Cedide<\/p>\n

 <\/p>\n

26 ) <\/strong>Bunlar k\u00fc\u00e7\u00fcmsenecek de\u011fi\u015fiklikler de\u011fildi ger\u00e7i. Ne var ki yurdu ve ulusu, onun tarihini ve kaderini bulmak g\u00f6revindeki\u00a0 bak\u0131\u015flar, \u00c7oban \u00c7e\u015fmeleri’nin ba\u015f\u0131nda ve Han Duvarlar\u0131’nda oyalan\u0131p kald\u0131. ‘Dinle bir yosmay\u0131 p\u0131nar ba\u015f\u0131nda’ \u00f6\u011f\u00fcd\u00fcyle, ‘Dertlerden kurtulursun gezsen Anadolu’yu’ \u00f6vg\u00fcs\u00fcnde bulu\u015ftu. Cumhuriyet sonras\u0131nda da y\u0131llarca s\u00fcren<\/p>\n

binlerce \u015fiir, yurt sevgisinin g\u00f6steri \u00f6vg\u00fcs\u00fcne giri\u015fti.<\/p>\n

Bu sat\u0131rlarda a\u015fa\u011f\u0131dakilerin hangisi ele\u015ftirilmektedir?<\/strong><\/p>\n

A) Garip\u00e7ilerin, sorunlar\u0131 alaya alan tutumlar\u0131<\/p>\n

B) Milli edebiyat\u00e7\u0131lar\u0131n y\u00fczeysel yurtseverli\u011fi<\/p>\n

C) Anadolu’ya y\u00f6nelik yap\u0131tlar\u0131n basitli\u011fi<\/p>\n

D) Tanzimat roman\u0131n\u0131n teknik a\u00e7\u0131dan zay\u0131fl\u0131\u011f\u0131<\/p>\n

E) Edebiyat-i Cedidecilerin toplumsal ger\u00e7eklerden kopuklu\u011fu<\/p>\n

27 )<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ba\u015fka sanat bilmeyiz kar\u015f\u0131m\u0131zda dururken<\/p>\n

Yaz\u0131lmam\u0131\u015f bir destan gibi Anadolu\u2019muz<\/p>\n

Arkada\u015f biz bu yolda t\u00fcrk\u00fcler tuttururken<\/p>\n

Sana u\u011furlar olsun ayr\u0131l\u0131yor yolumuz.<\/p>\n

Nafiz\u2019e ait bu d\u00f6rtl\u00fckte Milli Edebiyat d\u00f6neminin \u00f6zellikle<\/span> hangi \u00f6zelli\u011fi vurgulanmaktad\u0131r?<\/strong><\/p>\n

A)Toplum i\u00e7in sanat ilkesi<\/p>\n

B)Dilde sadele\u015fme hareketinin \u00f6nemi<\/p>\n

C)\u015eiirde hece \u00f6l\u00e7\u00fcs\u00fc kullan\u0131m\u0131n\u0131n yayg\u0131nla\u015f\u00adt\u0131r\u0131lmas\u0131<\/p>\n

D)Edebi \u00fcr\u00fcnlerde Anadolu, halk ve sorunlar\u0131n ele al\u0131nmas\u0131 gerekti\u011fi<\/p>\n

E)Halk edebiyat\u0131 naz\u0131m bi\u00e7imlerinden yarar\u00adlanman\u0131n gereklili\u011fi<\/p>\n

28 )<\/strong> A\u015fa\u011f\u0131daki se\u00e7eneklerde verilen, sanat\u00e7\u0131-eser e\u015fle\u015ftirmelerinden hangisi yanl\u0131\u015ft\u0131r?<\/strong><\/p>\n

A ) Re\u015fat Nuri G\u00fcntekin – Ankara<\/p>\n

B ) Yakup Kadri Karaosmano\u011flu – Nur Baba<\/p>\n

C ) Refik Halit Karay – Memleket Hik\u00e2yeleri<\/p>\n

D ) Mehmet Emin Yurdakul – T\u00fcrk Saz\u0131<\/p>\n

E ) Halide Edip Ad\u0131var – T\u00fcrk’\u00fcn Ate\u015fle \u0130mtihan\u0131<\/p>\n

29 ) <\/strong>Milli Edebiyat ile Fecr-i \u00c2ti\u2019nin ortak y\u00f6n\u00fc a\u015fa\u011f\u0131dakilerden hangisidir?<\/strong><\/p>\n

A) Eserlerde toplum sorunlar\u0131na duyarl\u0131l\u0131k g\u00f6sterilmesi<\/p>\n

B) Sanat\u00e7\u0131lar\u0131n ayn\u0131 ekolden gelmeleri<\/p>\n

C) Sembolizm ak\u0131m\u0131ndan etkilenmeleri<\/p>\n

D) \u015eiirlerinin daha \u00e7ok bireysel temalar\u0131 i\u00e7ermesi<\/p>\n

E) Bat\u0131 edebiyat\u0131n\u0131 yak\u0131ndan takip etmeleri<\/p>\n

30<\/strong> ) (1974 \u00d6SYS) A\u015fa\u011f\u0131daki \u00f6zelliklerden hangisi Mehmet Akif ile Tevfik Fikret\u2019te ortak de\u011fildir?<\/span><\/strong><\/p>\n

A) Din\u00ee lirizm B) Manzum hik\u00e2yecilik C) Sosyal konulara e\u011filme<\/p>\n

D) Aruzu T\u00fcrk\u00e7eye uygulamada ustal\u0131k E) Mill\u00ee heyecan ve yurt sevgisi<\/p>\n

31) (1975 \u00d6SYS) A\u015fa\u011f\u0131daki \u00f6zelliklerden hangisi , Tevfik Fikret ile Yahya Kemal\u2019de ortakt\u0131r?<\/strong><\/p>\n

A) \u0130stanbul\u2019a kar\u015f\u0131 duyulan sevgiyi dile getirme<\/p>\n

B) Toplum sorunlar\u0131n\u0131 i\u015fleme<\/p>\n

C) Divan edebiyat\u0131 gelene\u011fini s\u00fcrd\u00fcrme<\/p>\n

D) \u015eiiri d\u00fczyaz\u0131ya (nesre) yakla\u015ft\u0131rma<\/p>\n

E) T\u00fcrk\u00e7eyi aruza ustal\u0131kla uydurma<\/p>\n

32) A\u015fa\u011f\u0131daki a\u00e7\u0131klamalardan hangisi do\u011fru de\u011fildir?<\/span><\/strong><\/p>\n

A )\u00a0 Servet- i F\u00fcnun sanat\u00e7\u0131lar\u0131 eserlerinde Tanzimat sanat\u00e7\u0131lar\u0131na g\u00f6re daha fazla yabanc\u0131 kelime kullanm\u0131\u015flard\u0131r.<\/p>\n

B )\u00a0 Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131 d\u00f6nemin \u015fartlar\u0131 gere\u011fi toplum sorunlar\u0131na fazlaca yer vermemi\u015fler, hayale ve tabiata s\u0131\u011f\u0131nm\u0131\u015flard\u0131r.<\/p>\n

C )\u00a0 Servet- i F\u00fcnun roman ve hikayelerinde konu genellikle \u0130stanbul d\u0131\u015f\u0131nda ge\u00e7er.<\/p>\n

D )\u00a0 Tanzimat sanat\u00e7\u0131lar\u0131 roman ve hik\u00e2yelerde kendi ki\u015filiklerini gizlemezken, Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131 kendi ki\u015filiklerini gizler.<\/p>\n

E )\u00a0 Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131 da Tanzimat sanat\u00e7\u0131lar\u0131 gibi aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullan\u0131rlar.<\/p>\n

33 ) A\u015fa\u011f\u0131dakilerin hangisinde sanat\u00e7\u0131, eser ve ba\u011fl\u0131 bulundu\u011fu ak\u0131m yanl\u0131\u015f<\/span> e\u015fle\u015ftirilmi\u015ftir?<\/strong><\/p>\n

A) H.Z. U\u015fakl\u0131gil K\u0131r\u0131k Hayatlar Realizm<\/p>\n

B) Nam\u0131k Kemal Cezmi Realizm<\/p>\n

C) Ahmet Ha\u015fim Piyale Sembolizm<\/p>\n

D) Mehmet Rauf Eyl\u00fcl Realizm<\/p>\n

E) Yahya Kemal E\u011fil Da\u011flar Parnasizm<\/p>\n

 <\/p>\n

CEVAP ANAHTARI 11 D\u0130L 2.1<\/span><\/p>\n

 <\/p>\n

1. D ( TANZ\u0130MAT NESR\u0130N\u0130N \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

C ( TANZ\u0130MAT ROMANININ \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

B ( TANZ\u0130MATIN 1. D\u00d6NEM\u0130 VE EDEB\u0130 ANLAYI\u015eI )<\/p>\n

E \u00a0( ABD\u00dcLHAK HAM\u0130T TARHAN )<\/p>\n

B ( Z\u0130YA PA\u015eA-ZAFERNAME ADLI ESER\u0130 )<\/p>\n

C ( RECA\u0130ZADE MAHMUT EKREM- ESERLER\u0130 )<\/p>\n

D ( S.F\u00dcNUN D\u00d6NEM\u0130 YAZARLARININ \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

A (S.F\u00dcNUN D\u00d6NEM\u0130 \u015eA\u0130RLER\u0130N\u0130N \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

B ( H\u00dcSEY\u0130N RAHM\u0130 G\u00dcRPINAR\u2019IN EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 )<\/p>\n

D( TEVF\u0130K F\u0130KRET\u2019IN EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 )<\/p>\n

B ( K\u0130RALIK KONAK VE KAHRAMANI SERVET BEY )<\/p>\n

A ( AHMET HA\u015e\u0130M\u2019\u0130 TANIYAB\u0130LME )<\/p>\n

B ( TEVF\u0130K F\u0130KRET )<\/p>\n

B ( SERVET-\u0130 F\u00dcNUN D\u00d6NEM\u0130NDEK\u0130 EDEB\u0130 AKIMLAR )<\/p>\n

A ( MEHMET EM\u0130N YURDAKUL )<\/p>\n

16 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E ( M\u0130LL\u0130 EDEB\u0130YATIN \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

17 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E ( YABAN-YAKUP KADR\u0130 )<\/p>\n

18 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0D\u00a0 ( M\u0130LL\u0130 ED. \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

19 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C ( Z\u0130YA G\u00d6KALP\u2019\u0130N EDEB\u0130 K\u0130\u015e\u0130L\u0130\u011e\u0130 )<\/p>\n

20 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0 ( MAUPASSANT VE \u00c7EHOV TARZINI BEN\u0130MSEYENLER<\/p>\n

21 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B ( VURUN KAHPEYE.ATE\u015eTEN G\u00d6MLEK,YABAN )<\/p>\n

22 )\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0D\u00a0\u00a0 ( FECR-\u0130 AT\u0130 EDEB\u0130YATIN \u00d6ZELL\u0130\u011e\u0130 )<\/p>\n

23 )\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0A\u00a0\u00a0 ( M\u0130LL\u00ce EDEB\u0130YATIN \u00d6ZELL\u0130\u011e\u0130 )<\/p>\n

24 )\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0B\u00a0\u00a0 ( M\u0130LL\u00ce EDEB\u0130YATIN \u00d6ZELL\u0130\u011e\u0130 )<\/p>\n

25 )\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0C\u00a0\u00a0 ( M\u0130LL\u00ce EDEB\u0130YATIN \u00d6ZELL\u0130\u011e\u0130 )<\/p>\n

26 )\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0B\u00a0\u00a0 ( M\u0130LL\u00ce EDEB\u0130YATIN \u00d6ZELL\u0130\u011e\u0130 )<\/p>\n

27 ) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0D ( BE\u015e HECEC\u0130LER\u0130N EDEB\u0130 ANLAYI\u015eI )<\/p>\n

28 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A ( YAZAR-ESER E\u015eLE\u015eT\u0130RMES\u0130 )<\/p>\n

29 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0 ( M\u0130LL\u0130 ED.FECR_\u0130 AT\u0130 KAR\u015eILA\u015eTIRMASI )<\/p>\n

30 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A ( M.AK\u0130F-TEVF\u0130K F\u0130,KRET FARKLILI\u011eI )<\/p>\n

31 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0 ( TEVF\u0130K F\u0130KRET-YAHYA KEMAL ORTAKLI\u011eI )<\/p>\n

32 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C\u00a0 ( SERVET-\u0130 F\u00dcNUN \u00d6ZELL\u0130KLER\u0130 )<\/p>\n

33 )\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B ) YAZAR-AKIM E\u015eLE\u015eT\u0130RMES\u0130 )<\/p>\n","protected":false},"excerpt":{"rendered":"

11.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 1.yaz\u0131l\u0131 sorular\u0131 2014-2015 1 ) A\u015fa\u011f\u0131dakilerden hangisinde Tanzimat\u00a0\u00a0 edebiyat\u0131\u00a0 nesriyle\u00a0 ilgili bir bilgi yanl\u0131\u015f\u0131 vard\u0131r? A) Noktalama i\u015faretleri ilk kez kullan\u0131lmaya ba\u015flan\u0131r. B) O g\u00fcne dek i\u015flenmeyen yeni d\u00fc\u015f\u00fcnce ve kavramlar ele al\u0131n\u0131r. C) Anlat\u0131m\u0131n s\u00fcsten ve yapmac\u0131ktan uzak olmas\u0131na \u00f6zen g\u00f6sterilir. D) Roman ve \u00f6yk\u00fclerde devrik ve eksiltili c\u00fcmlelere \u00e7ok\u00e7a … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17961,17972],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/57679"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=57679"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/57679\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=57679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=57679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=57679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}