{"id":57484,"date":"2015-03-25T00:54:07","date_gmt":"2015-03-24T22:54:07","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=57484"},"modified":"2015-03-24T20:55:58","modified_gmt":"2015-03-24T18:55:58","slug":"9-sinif-turk-edebiyati-2-donem-1-yazilisi-2014-2015","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/9-sinif-turk-edebiyati-2-donem-1-yazilisi-2014-2015.html","title":{"rendered":"9.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 1.yaz\u0131l\u0131s\u0131 2014-2015"},"content":{"rendered":"<p>Ad\u0131: 2014\/2015 E\u011e\u0130T\u0130M \u00d6\u011eRET\u0130M YILI<br \/>\nBABAESK\u0130 MESLEK L\u0130SES\u0130<br \/>\nT\u00dcRK EDEB\u0130YATI DERS\u0130<br \/>\n9\/F SINIFI<br \/>\nII.D\u00d6NEM I. YAZILI SINAVI ALDI\u011eI NOT<br \/>\nSoyad\u0131: YAZIYLA RAKAMLA<br \/>\nNo:<br \/>\nS\u0131n\u0131f\u0131:<\/p>\n<p>SORULAR<br \/>\n1. Olay \u00e7evresinde olu\u015fan edebi metinler ka\u00e7 gruba ayr\u0131ld\u0131\u011f\u0131n\u0131 yaz\u0131n\u0131z. ( 10 puan)<br \/>\n2. A\u015fa\u011f\u0131daki c\u00fcmlelerin kar\u015f\u0131s\u0131na yarg\u0131lar do\u011fru ise (D), yanl\u0131\u015f ise (Y) yaz\u0131n\u0131z. (10 puan)<br \/>\n\u25ac Olay \u00e7evresinde olu\u015fturulan metinlerden Orta Oyunu, sahnelenmek i\u00e7in yaz\u0131l\u0131r. ( )<br \/>\n\u25ac Romanlarda tasvirlere ve ruh tahlillerine yer verilmez. ( )<br \/>\n\u25ac \u201c \u2018Yeni bir tiyatro kumpanyas\u0131 gelmi\u015f !\u2019<br \/>\nBu haber kasabaya seferberlik havadisleri kadar \u00e7abuk yay\u0131ld\u0131.<br \/>\nAk\u015fam\u00fczeri bir elinde \u00e7\u0131ng\u0131rak, \u00f6teki elinde kocaman bir levha ile e\u015fe\u011fe binerek sokaklar\u0131 dola\u015fan boyal\u0131 c\u00fcce, arkas\u0131nda \u015falvarl\u0131 \u00e7ocuklardan, kahveci \u00e7\u0131raklardan bir kuyruk s\u00fcsledi.\u201d<br \/>\nYukar\u0131daki par\u00e7ada yaz\u0131ld\u0131\u011f\u0131 d\u00f6nemin sosyal hayat\u0131 anlat\u0131lmaktad\u0131r. ( )<br \/>\n\u25ac Betimleme edebi bir metnin yap\u0131 unsurlar\u0131ndan biridir. ( )<br \/>\n\u25ac Olay \u00e7evresinde geli\u015fen edebi metinlerde tema, ba\u015fka d\u00fc\u015f\u00fcnceler taraf\u0131ndan da desteklenir. ( )<br \/>\n3. Roman, hik\u00e2ye, masal ve destanlar\u0131 g\u00f6z \u00f6n\u00fcne alarak bu t\u00fcrlerin ortak y\u00f6nlerini yaz\u0131n\u0131z. (10 puan)<br \/>\n4. Anlatmaya ba\u011fl\u0131 ve g\u00f6stermeye ba\u011fl\u0131 edebi metinlerin aras\u0131ndaki benzer ve farkl\u0131 y\u00f6nlerini yaz\u0131n\u0131z. (10 puan)<br \/>\n5. \u201c O evde, ramazan gecelerinde Ahmet A\u011fa beni Karag\u00f6z\u2019e da g\u00f6t\u00fcr\u00fcrd\u00fc. \u00dcsk\u00fcdar \u00c7ar\u015f\u0131s\u0131\u2019nda b\u00fcy\u00fck bir kahvede oynarlard\u0131. Sokaklar\u0131 kalabal\u0131k, k\u0131z erkek, alay alay \u00e7ocuk, hatta b\u00fcy\u00fckler kahvenin bah\u00e7esine dolarlard\u0131. Sinekli Bakkal\u2019daki K\u0131z Tevfik bu ak\u015famlar\u0131n bende b\u0131rakt\u0131\u011f\u0131 intibadan bir hayli \u015fey alm\u0131\u015ft\u0131r. Kahveye seyirciler i\u00e7in birer iskemle konur, orta yerde k\u00fc\u00e7\u00fck beyaz bir perde, \u00fcst\u00fcnde acayip bir ejderha resmi dola\u015f\u0131r, arkas\u0131nda esrarl\u0131 bir v\u0131z\u0131lt\u0131 i\u015fitilir. K\u00fc\u00e7\u00fck seyirciler ayaklar\u0131n\u0131 yere vurarak: \u201c Ba\u015flar m\u0131s\u0131n, ba\u015flayal\u0131m m\u0131?\u201d diye ba\u011f\u0131r\u0131r dururlard\u0131. Nihayet teflerin \u00e7almas\u0131 ve perde arkas\u0131ndan gelen \u015fark\u0131 seyircileri teskin eder ve sonra da oyun ba\u015flard\u0131.\u201d<br \/>\nHalide Edip ADIVAR<br \/>\nSinekli Bakkal roman\u0131ndan al\u0131nan bu b\u00f6l\u00fcmden hareketle roman\u0131n yaz\u0131ld\u0131\u011f\u0131 d\u00f6nemin zihniyeti ile ilgili olarak neler s\u00f6ylenebilir? ( 15 puan)<br \/>\n6. \u201c Jefferson\u2019da pazartesi g\u00fcn\u00fcn de haftan\u0131n di\u011fer g\u00fcnlerinden fark\u0131 yoktu art\u0131k. Telefon ve elektrik \u015firketleri sokaklar\u0131 g\u00f6lgeleyen g\u00fczelim \u00e7\u0131nar a\u011fa\u00e7lar\u0131n\u0131, akasyalar ve a\u011fa\u00e7lar\u0131 kesmi\u015f, kaz\u0131lan kald\u0131r\u0131mlara \u00fcz\u00fcm kabartmalar\u0131yla s\u00fcsl\u00fc \u00e7irkin demir direkler dikmi\u015flerdi.\u201d<br \/>\nYukar\u0131daki paragrafta mek\u00e2n\u0131n nas\u0131l ele al\u0131nd\u0131\u011f\u0131n\u0131 a\u00e7\u0131klay\u0131n\u0131z. (15 puan)<br \/>\n7. \u201c Yazarlar eserlerini olu\u015ftururken kendinden \u00f6nceki ve kendi d\u00f6nemindeki yazarlardan etkilenirler.\u201d C\u00fcmlesinden \u00e7\u0131kard\u0131\u011f\u0131n\u0131z sonucu yaz\u0131n\u0131z. (10 puan)<br \/>\n8. Kazan Do\u011furmu\u015f<br \/>\nBir g\u00fcn Hoca, kom\u015fusundan bir kazan ister. \u0130\u015fini bitirince kazan\u0131n i\u00e7ine k\u00fc\u00e7\u00fck bir tencere koyup iade eder. Kazan sahibi tencereyi g\u00f6r\u00fcnce:<br \/>\n\u2014 Bu nedir?<br \/>\nDiye sorar. Hoca cevap verir:<br \/>\n\u2014 M\u00fcjde! Kazan\u0131n\u0131z do\u011furdu.<br \/>\nBu haber kom\u015fusunun ho\u015funa gider.<br \/>\n\u2014 Pek\u00e2l\u00e2! Diyerek tencereyi kabullenir.<br \/>\nHoca yine bir g\u00fcn kom\u015fusundan kazan\u0131 ister. Al\u0131r ama bu sefer iade etmez. Sahibi bir s\u00fcre bekler. Kazan\u0131n gelmedi\u011fini g\u00f6r\u00fcnce, Hoca\u2019n\u0131n evine gelir, kazan\u0131 geri ister.<br \/>\nHoca \u00fcz\u00fcnt\u00fcl\u00fc bir \u00e7ehre ile:<br \/>\n\u2014 Sizlere \u00f6m\u00fcr, kazan \u00f6ld\u00fc, der.<br \/>\nKom\u015fusu hayretle:<br \/>\n\u2014 Aman Hocam, kazan hi\u00e7 \u00f6l\u00fcr m\u00fc?<br \/>\nDeyince, Hoca\u2019n\u0131n cevab\u0131 haz\u0131rd\u0131r:<br \/>\n\u2014 Kazan\u0131n do\u011furdu\u011funa inan\u0131yorsun da \u00f6ld\u00fc\u011f\u00fcne ni\u00e7in inanmazs\u0131n?<br \/>\nHoca, daha sonra kazan\u0131 iade eder. Zaten maksad\u0131, \u00e7\u0131kar\u0131nca \u00e7ok d\u00fc\u015fk\u00fcn olan kom\u015fusuna iyi bir ders vermektir.<br \/>\na) Nasrettin Hoca f\u0131kras\u0131ndaki olay\u0131, ki\u015fileri, zaman\u0131 ve mek\u00e2n\u0131 tespit ediniz. (10 puan)<br \/>\nb) F\u0131kran\u0131n ana fikri nedir? (10 puan)<br \/>\nBA\u015eARILAR D\u0130LER\u0130M Serdar YILMAZ T\u00fcrk Dili ve Edebiyat\u0131 \u00d6\u011frt<br \/>\nCEVAPLAR.<br \/>\nCevap Anahtar\u0131<\/p>\n<p>1. Olay \u00c7evresinde olu\u015fan edebi metinler iki ana gruba ayr\u0131l\u0131r:<br \/>\na) Anlatmaya ba\u011fl\u0131 edebi metinler<br \/>\nMasal, Destan, halk Hik\u00e2yesi, Mesnevi, Manzum Hik\u00e2ye, Hik\u00e2ye, Roman<br \/>\nb) G\u00f6stermeye ba\u011fl\u0131 edebi metinler<br \/>\nGeleneksel Tiyatro: Karag\u00f6z, Orta Oyunu, Meddah, K\u00f6y Seyirlik Oyunu<br \/>\nModern Tiyatro: Trajedi, Komedi, Dram<br \/>\n2. D &#8212; Do\u011fru<br \/>\nY &#8212; Yanl\u0131\u015f<br \/>\nD &#8212; Do\u011fru<br \/>\nY &#8212; Yanl\u0131\u015f<br \/>\nD &#8212; Do\u011fru<br \/>\n3. Roman, hik\u00e2ye, masal ve destanlar\u0131n ortak y\u00f6n\u00fc olay \u00f6rg\u00fcs\u00fc, ki\u015filer, zaman ve mek\u00e2n etraf\u0131nda \u015fekillenen bir yap\u0131lar\u0131n\u0131n olmas\u0131, tasvirlere ve ruh tahlillerine yer verilmesidir.<br \/>\n4. Benzerlikler: Metinlerin yap\u0131s\u0131n\u0131n, olay \u00f6rg\u00fcs\u00fc, ki\u015filer, zaman ve mek\u00e2n unsurlar\u0131 \u00fczerine kurulmas\u0131; her ikisinin de edebi bir metin olmas\u0131.<br \/>\nFarkl\u0131l\u0131klar\u0131: Anlatmaya ba\u011fl\u0131 olanlarda anlatma amac\u0131yla yaz\u0131lmas\u0131; g\u00f6stermeye ba\u011fl\u0131 olanlar ise g\u00f6sterme amac\u0131yla yaz\u0131lmas\u0131.<br \/>\n5. Verilen metnin par\u00e7as\u0131nda d\u00f6nemin sosyal ve k\u00fclt\u00fcrel hayat\u0131yla ilgili unsurlar yer almaktad\u0131r. Ramazan gecelerinde birtak\u0131m e\u011flencelerin d\u00fczenlendi\u011fi, kahvehanelerde Karag\u00f6z oynat\u0131ld\u0131\u011f\u0131; halk\u0131n, \u00f6zellikle \u00e7ocuklar\u0131n buna b\u00fcy\u00fck ilgi g\u00f6sterdi\u011finden bahsedilerek d\u00f6nemin sosyal ve k\u00fclt\u00fcrel hayat\u0131na bir \u0131\u015f\u0131k tutulmu\u015ftur.<br \/>\n6. Metin betimlenerek ve kahraman\u0131n ruh haline etkisi y\u00f6n\u00fcyle verilmi\u015ftir.<br \/>\n7. \u201cYazarlar, eserlerini olu\u015ftururken \u00f6nceki ve kendi d\u00f6nemindeki yazarlardan etkilenirler.\u201d C\u00fcmlesi yazarlar\u0131n eserlerini kendinden \u00f6nceki edebiyat birikimini ve d\u00f6nemlerindeki edebiyat anlay\u0131\u015flar\u0131n\u0131 dikkate alarak, onlardan etkilenerek olu\u015fturduklar\u0131n\u0131 ifade etmektedir.<br \/>\n8. F\u0131krada olaylar zinciri: Hoca\u2019n\u0131n kom\u015fusu\u2019ndan kazan istemesi; kazan do\u011furdu, diyerek kazan\u0131 vermesi; tekrar kazan\u0131 isteyip kom\u015fusu geldi\u011finde \u00f6ld\u00fc deyivermesi ve en sonunda kazan\u0131 iade etmesi \u015feklinde s\u0131ralanabilir.<br \/>\nF\u0131krada ki\u015filer: Nasrettin Hoca ve kom\u015fusu.<br \/>\nF\u0131krada zaman: \u201cbir g\u00fcn\u201d ifadesi belirsiz bir zaman\u0131 g\u00f6stermektedir.<br \/>\nF\u0131krada mek\u00e2n: Nasrettin Hoca\u2019n\u0131n ve kom\u015fusunun evi. www.sorubak.com<\/p>\n<p style=\"text-align: center;\">Dok\u00fcman\u0131n G\u00f6rselli Tam Halini \u0130ndirmek i\u00e7in <a href=\"http:\/\/www.sorubak.com\/9sinif-turk-edebiyati-2donem-1yazilisi-20142015_100666.htm\" target=\"_blank\">TIKLAYINIZ<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ad\u0131: 2014\/2015 E\u011e\u0130T\u0130M \u00d6\u011eRET\u0130M YILI BABAESK\u0130 MESLEK L\u0130SES\u0130 T\u00dcRK EDEB\u0130YATI DERS\u0130 9\/F SINIFI II.D\u00d6NEM I. YAZILI SINAVI ALDI\u011eI NOT Soyad\u0131: YAZIYLA RAKAMLA No: S\u0131n\u0131f\u0131: SORULAR 1. Olay \u00e7evresinde olu\u015fan edebi metinler ka\u00e7 gruba ayr\u0131ld\u0131\u011f\u0131n\u0131 yaz\u0131n\u0131z. ( 10 puan) 2. A\u015fa\u011f\u0131daki c\u00fcmlelerin kar\u015f\u0131s\u0131na yarg\u0131lar do\u011fru ise (D), yanl\u0131\u015f ise (Y) yaz\u0131n\u0131z. (10 puan) \u25ac Olay \u00e7evresinde &#8230; <a title=\"9.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 1.yaz\u0131l\u0131s\u0131 2014-2015\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/9-sinif-turk-edebiyati-2-donem-1-yazilisi-2014-2015.html\" aria-label=\"More on 9.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 1.yaz\u0131l\u0131s\u0131 2014-2015\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1686,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17961,17972,13370],"tags":[19996,19995],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/57484"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1686"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=57484"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/57484\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=57484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=57484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=57484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}