{"id":52149,"date":"2014-05-21T13:16:45","date_gmt":"2014-05-21T10:16:45","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=52149"},"modified":"2014-05-19T13:18:57","modified_gmt":"2014-05-19T10:18:57","slug":"11-sinif-turk-edebiyati-2-donem-3-yazili-sorulari-2013-2014","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/11-sinif-turk-edebiyati-2-donem-3-yazili-sorulari-2013-2014.html","title":{"rendered":"11.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 3.yaz\u0131l\u0131 sorular\u0131 2013-2014"},"content":{"rendered":"

www.sorubak.com<\/a><\/p>\n

1. A\u015fa\u011f\u0131dakilerin hangisinde \u015einasi ile ilgili
\nbir bilgi yanl\u0131\u015f\u0131 vard\u0131r?
\n<\/strong>A) Tanzimat Edeb\u0131yat\u0131\u2019n\u0131n kurucusu say\u0131l\u0131r.
\nB) \u0130lk yaz\u0131lar\u0131n\u0131 Tasvir-i Efkar gazetesinde
\nyay\u0131mlam\u0131\u015ft\u0131r.
\nC) \u015eiirlerinde konu b\u00fct\u00fcnl\u00fc\u011f\u00fcne \u00f6nem vermi\u015ftir.
\nD) Eserlerinde kulland\u0131\u011f\u0131 dil, halk\u0131n anlayabilece\u011fi bir dildir. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0E) \u0130lk atas\u00f6zleri kitab\u0131n\u0131 yazmas\u0131<\/p>\n

2. \u015eiirdeki kafiyenin kulak i\u00e7in mi yoksa g\u00f6z i\u00e7in mi oldu\u011fu \u00fczerine yap\u0131lan \u00e7ok ciddi bir tart\u0131\u015fmad\u0131r. Gazete s\u00fctunlar\u0131nda ba\u015flar ve sanat\u00e7\u0131lar\u0131n birbirlerine kar\u015f\u0131 yazd\u0131klar\u0131 \u201cZemzeme ve \u201cDemdeme\u2019 adl\u0131 eserlerde devam eder. Yeni \u015fiire y\u00f6n veren bir tart\u0131\u015fma olmu\u015ftur.
\nYukar\u0131daki par\u00e7ada bahsedilen tart\u0131\u015fma hangi sanat\u00e7\u0131lar aras\u0131nda olmu\u015ftur?<\/strong>
\nA) Ahmet Mithat \u2014 \u015eemseddin Sami
\nB) \u015einasi \u2014 Nam\u0131k Kemal
\nC) Muallim Naci \u2014 Nabizade Naz\u0131m
\nD) Recaizade M. Ekrem \u2014 Muallim Naci
\nE) Samipa\u015fazde Sezai \u2014 Abd\u00fcihak Hamit<\/p>\n

3. A\u015fa\u011f\u0131dakilerden hangisi Recaizde Mahmut Ekrem’in \u00f6zelliklerinden biri de\u011fildir?
\n<\/strong>A) Muallim Naci ile ciddi tart\u0131\u015fmalara girmi\u015ftir.
\nB) Kafiyenin kula\u011fa g\u00f6re olmas\u0131n\u0131 ister.
\nC) Ona g\u00f6re \u015fiirin tek gayesi g\u00fczelliktir.
\nD) Devrin gen\u00e7 nesillerine edebiyat\u0131 \u00f6\u011fretmi\u015ftir.
\nE) Sanat\u0131n toplumu e\u011fiten bir ara\u00e7 oldu\u011funu savunur.<\/p>\n

    \n
  1. \u201cDivan edebiyat\u0131n\u0131 halka kapal\u0131 dili, sanat anlay\u0131\u015f\u0131, ak\u0131l d\u0131\u015f\u0131, soyut esteti\u011fi, m\u00fcbala\u011fal\u0131 hayal d\u00fcnyas\u0131 nedeni ile ele\u015ftirilir. Sanat\u0131n topluma yararl\u0131 oldu\u011fu oranda de\u011fer kazanaca\u011f\u0131na inan\u0131r. Bu nedenle yurt sorunlar\u0131n\u0131 sonuna kadar savunan \u015fair, romanc\u0131 tiyatro yazar\u0131, gazeteci, makale yazard\u0131.
    \nPar\u00e7ada s\u00f6z\u00fc edilen edebiyat\u00e7\u0131m\u0131z kimdir?<\/strong>
    \nA) \u015einasi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B Nam\u0131k Kemal
    \nC) Ziya Pa\u015fa\u00a0\u00a0\u00a0 D) Ziya G\u00f6kalp\u00a0 E) A. Vefik Pa\u015fa<\/li>\n<\/ol>\n

    5. A\u015fa\u011f\u0131dakilerden hangisi Abd\u00fclhak Hamit\u2019te g\u00f6r\u00fclen bir \u00f6zellik de\u011fildir?<\/strong>
    \nA) Oyunlar\u0131nda egzotik ve tarihi konular i\u015flemi\u015ftir.
    \nB) Oyunlar\u0131 \u00fc\u00e7 birlik kural\u0131na uymaz
    \nD) Shakespeare\u2019in etkisinde kalm\u0131\u015ft\u0131r.
    \nD) Oyunlar\u0131nda sade bir dil kullanm\u0131\u015ft\u0131r.
    \nE) Daha \u00e7ok romantizmin etkisinde kalm\u0131\u015ft\u0131r.<\/p>\n

    6. \u015einasi, Nam\u0131k Kemal, Ziya Pa\u015fa, s\u00f6z sanatlar\u0131ndan uzak, ar\u0131nm\u0131\u015f bir \u015fiir getirdiler. Buna …….. \u015fiiri de denebilir. Tanzimat \u015fiirinin b\u00fcy\u00fck \u00f6nc\u00fcleri \u015fiiri sanatlardan kurtararak d\u00fc\u015f\u00fcnceyi \u00e7\u0131plak olarak vermi\u015flerdir.
    \nPar\u00e7ada bo\u015f b\u0131rak\u0131lan yere a\u015fa\u011f\u0131dakilerden hangisi getirilebilir?<\/strong>
    \nA) \u0130nan\u00e7 B) fikir C) toplum D) yeni E) Avrupai<\/p>\n

      \n
    1. \u2018Bu d\u00f6nem sanat\u00e7\u0131lar\u0131 edebiyat\u0131m\u0131za bat\u0131l\u0131 kavramlar\u0131 yaym\u0131\u015flard\u0131r. Kimi realizm, kimi romantizm, kimi de klasizm\u2019in etkisindedir Dilde, bi\u00e7imde b\u00fcy\u00fck yenilikleri ta\u015f\u0131d\u0131klar\u0131ndan gelecek i\u00e7in ayd\u0131n bir ku\u015fa\u011f\u0131n yeti\u015fmesinde b\u00fcy\u00fck katk\u0131lar\u0131 olmu\u015ftur.\u201d Par\u00e7ada s\u00f6z\u00fc edilen edebi d\u00f6nem a\u015fa\u011f\u0131dakilerden hangisidir?<\/strong>
      \nA) Servet-i F\u00fcnun d\u00f6nemi\u00a0\u00a0 B) Fecr-i Ati D\u00f6nemi
      \nC)Yedi Me\u015faleciler\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D)Tanzimat D\u00f6nemi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 E)Milli Edebiyat<\/li>\n<\/ol>\n

      8. A\u015fa\u011f\u0131dakilerden hangisi Tanzimat edebiyat\u0131 roman ve \u00f6yk\u00fclerinin \u00f6zelli\u011fi de\u011fildir?
      \n<\/strong>A) Realizmin etkisi a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcr.
      \nB) Yazarlar kendilerini gizlemezler.
      \n0) Tipler abart\u0131l\u0131d\u0131r, hep iyi hep k\u00f6t\u00fcd\u00fcrler
      \nD) Didaktik yan\u0131 a\u011f\u0131r basar.\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0E) Konular\u0131 tarihi ve sosyaldir.<\/p>\n

      9. A\u015fa\u011f\u0131da verilenlerden hangisi Servet-i F\u00fcnun edebi d\u00f6neminin sanat\u00e7\u0131lar\u0131nda g\u00f6r\u00fclen ortak nitelik de\u011fildir?<\/strong>
      \nA) Hepsi hastal\u0131kl\u0131, hayattan kopuk i\u00e7e d\u00f6n\u00fck ki\u015filerdir.
      \nB) Hayal dedikleri \u201cmali ile ger\u00e7ek dedikleri \u201csiyah kavramlar\u0131n\u0131 ortaya koymu\u015flard\u0131r.
      \nC) Yeni bir d\u00fcnya d\u00fc\u015flerler, titiz ve karamsar ki\u015filerdir.
      \nD) Hepsi de klasisizmin etkisinde kalm\u0131\u015flard\u0131r.
      \nE) Salon edebiyat\u0131, verem edebiyat\u0131 diye nitelendirilen bir edebiyat olu\u015fturmu\u015flard\u0131r.<\/p>\n

        \n
      1. Ayr\u0131 edebi d\u00f6nemin sanat\u00e7\u0131lar olmalar\u0131na kar\u015f\u0131n edebiyat\u0131m\u0131zda bu iki sanat\u00e7\u0131 bir\u00e7ok y\u00f6nden birbirine benzer. \u00d6rne\u011fin her ikisi de Frans\u0131z sembolizminin etkisindedir.Her ikisi de em naz\u0131m, hem de nesir alan\u0131nda olduk\u00e7a g\u00fczel yap\u0131tlar vermi\u015flerdir. Her ikisinin de dili a\u011f\u0131r anlat\u0131mlar\u0131 kapl\u0131d\u0131r Sembollerden \u00e7ok yararlanan \u015fairler te\u015fhis, intak, te\u015fbih ve istiare sanatlar\u0131na da bol yer verirler.
        \nYukar\u0131da ortak \u00f6zellikleri verilen bu iki sanat\u00e7\u0131m\u0131z a\u015fa\u011f\u0131dakilerden hangisinde verilmi\u015ftir?<\/strong>
        \nA) Tevfik Fikret – Mehmet Akif
        \nB) Ziya G\u00f6kalp – Yahya Kemal Beyatl\u0131
        \nC) Ahmet Ha\u015fim – Cenap \u015eahabettin
        \nD) Ziya Pa\u015fa – Tevfik Fikret
        \nE) Mehmet Akif- Yahya Kemal Beyatl\u0131<\/li>\n<\/ol>\n

        11. Abd\u00fclhak Hamit Tarhan ile ilgili olarak a\u015fa\u011f\u0131da verilenlerden hangisi do\u011frudur?
        \n<\/strong>A) T\u00fcrk dili ve tarihi \u00fczerine \u00e7al\u0131\u015fmalar\u0131 vard\u0131r.
        \nB) Eski – yeni tart\u0131\u015fmalar\u0131yla dikkat \u00e7ekmektedir.
        \nC) Oyunlar\u0131nda eski uygarl\u0131klardan ald\u0131\u011f\u0131 konular\u0131 i\u015fler.
        \nD) \u015eiir ve edebiyat ele\u015ftirilerini gazetelerde yay\u0131mlar.
        \nE) D\u00f6nem sanat\u00e7\u0131lar\u0131n\u0131n aksine sosyal konulara a\u011f\u0131rl\u0131k verir.
        \n12.A\u015fa\u011f\u0131dakilerden hangisi Recaizde Mahmut Ekrem\u2019in eserlerinden biri de\u011fildir? <\/strong>A) Ate\u015fpare\u00a0 B) Demdeme C) Name – i seher
        \nD) E\u015fber\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) Pejmurde<\/p>\n

        13. Recaizade Mahmut Ekrem\u2019in a\u015fa\u011f\u0131daki yap\u0131tlar\u0131ndan hangisi t\u00fcr y\u00f6n\u00fcyle \u00f6tekilerden farkl\u0131d\u0131r ?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A) Afife Anjelik B) Atala C) Vuslat\u00a0\u00a0 D) Nijat Ekrem\u00a0\u00a0\u00a0 E) \u00c7ok Bilen \u00c7ok Y.<\/p>\n

        14.\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Tanzimat birinci d\u00f6nem tiyatrosu’ i\u00e7in a\u015fa\u011f\u0131\u00addakilerden hangisi s\u00f6ylenemez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Tiyatro t\u00fcr\u00fcn\u00fcn ilk \u00f6rne\u011fi \u015einasi’nin \u015eair Ev\u00adlenmesi’dir.<\/p>\n

        B)\u00a0\u00a0\u00a0 \u015eair Evlenmesi bir t\u00f6re tiyatrosudur; olaylara yakla\u015f\u0131m\u0131 ger\u00e7ek\u00e7i, ele\u015ftireldir.<\/p>\n

        C)\u00a0\u00a0\u00a0 Bu tiyatro, toplumu e\u011fitmeyi ama\u00e7lar.<\/p>\n

        D)\u00a0\u00a0\u00a0 Oyunlar oynanmaktan \u00e7ok okunmak i\u00e7in yaz\u0131l\u0131r.<\/p>\n

        E)\u00a0\u00a0\u00a0 \u0130lkin klasisizmin, sonralar\u0131 romantizmin etki\u00adsinde kal\u0131r.<\/p>\n

        15 .Tanzimat edebiyat\u0131nda a\u015fa\u011f\u0131daki <\/strong>‘ikileme’ler\u00adden hangisi g\u00f6r\u00fclmez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Eski dil – Sade dil<\/p>\n

        B)\u00a0\u00a0\u00a0 Eski – Yeni d\u00fczyaz\u0131 t\u00fcrleri<\/p>\n

        C)\u00a0\u00a0\u00a0 Yeni – Eski naz\u0131m bi\u00e7imleri<\/p>\n

        D)\u00a0\u00a0\u00a0 Hece – Aruz \u00f6l\u00e7\u00fcs\u00fc<\/p>\n

        E)\u00a0\u00a0\u00a0 Romanda Do\u011fulu – Bat\u0131l\u0131 ya\u015fam bi\u00e7imleri<\/p>\n

        16.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131daki dizilerden hangisi t\u00fcm\u00fcyle Ziya Pa\u00ad\u015fa’n\u0131n eserlerinden olu\u015fmu\u015ftur?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Zafername, Terkib – i bent, Terci – i Bent, Me\u00adraki<\/p>\n

        B)\u00a0\u00a0\u00a0 Zafername, Harabat, R\u00fcya, Defter – i Amal<\/p>\n

        C)\u00a0\u00a0\u00a0 Harabat, R\u00fcya, E\u015far – \u0131 Ziya, Serg\u00fcze\u015ft<\/p>\n

        D)\u00a0\u00a0\u00a0 Yeni\u00e7eriler, Terkib – i bent, Terci – i bent, R\u00fcya<\/p>\n

        E)\u00a0\u00a0\u00a0 R\u00fcya, Zemzeme, Zafername, E\u015far – \u0131 Ziya<\/p>\n

        17.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131dakilerden hangisinin <\/strong>‘Tanzimat roman\u0131’\u00adn\u0131n bir \u00f6zelli\u011fi oldu\u011fu s\u00f6ylenemez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 \u00c7evre betimlemeleri abart\u0131s\u0131z, ger\u00e7ek\u00e7idir.<\/p>\n

        B)\u00a0\u00a0\u00a0 Roman ve \u00f6yk\u00fclerde olaylar abart\u0131larak verilir.<\/p>\n

        C)\u00a0\u00a0\u00a0 Yazar iyileri tutar, olay\u0131n ak\u0131\u015f\u0131na kar\u0131\u015f\u0131r.<\/p>\n

        D)\u00a0\u00a0\u00a0 Rastlant\u0131ya \u00e7ok yer verildi\u011finden ger\u00e7ek\u00e7ilik duygusu zedelenir.<\/p>\n

        E)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kad\u0131n kahramanlar genellikle akrabalar, cari\u00adyelerdir.<\/p>\n

        18) A\u015fa\u011f\u0131dakilerden hangisi Be\u015f Hececiler\u2019in <\/strong><\/p>\n

        \u015fiir \u00f6zelliklerinden biri de\u011fildir ?<\/strong><\/p>\n

        A) Sade bir dil kullanmaya \u00f6zen g\u00f6sterirler.<\/p>\n

        B)Konular\u0131n\u0131 yerli hayattan ve tarihten se\u00e7erler.<\/p>\n

        C) Ulusal \u00f6l\u00e7\u00fc olan heceyi kullan\u0131rlar.<\/p>\n

        D)\u015eiirde \u201cHalka do\u011fru \u201cd\u00fc\u015f\u00fcncesi temel al\u0131r, ulusal kaynaklara y\u00f6nelirler.<\/p>\n

        E)Anadolu\u2019ya ve Anadolu insan\u0131na yapmac\u0131k bir bi\u00e7imde yakla\u015f\u0131rlar.<\/p>\n

        19 ) A\u015fa\u011f\u0131dakilerin hangisi Servet-i F\u00fcnun \u015fairlerinin ortak \u00f6zelli\u011fi de\u011fildir?<\/strong><\/p>\n

        A) Frans\u0131z edebiyat\u0131ndan yeni kavramlar ve imgeler alm\u0131\u015flard\u0131r.<\/p>\n

        B) Toplum i\u00e7in sanat anlay\u0131\u015f\u0131yla yap\u0131t \u00fcretmi\u015flerdir.<\/p>\n

        C) Divan \u015fairlerinden de a\u011f\u0131r bir dil kullanm\u0131\u015flard\u0131r.<\/p>\n

        D) G\u00f6z kafiyesi yerine kulak kafiyesi anlay\u0131\u015f\u0131n\u0131 benimsemi\u015flerdir.<\/p>\n

        E) Parnasizmin ve sembolizmin etkisinde kalm\u0131\u015flard\u0131r.<\/p>\n

        20) <\/strong>1895 y\u0131l\u0131n\u0131n sonunda Muallim Naci ve taraftarlar\u0131n\u0131n yazd\u0131\u011f\u0131 \u201c\u2026.\u201d gazetesi ile R.Mahmut Ekrem aras\u0131nda bir tart\u0131\u015fma ba\u015flar:\u201dKafiye kulak i\u00e7in mi,g\u00f6z i\u00e7in mi olmal\u0131?\u201dEkrem bey, kar\u015f\u0131 tarafa verdi\u011fi cevaplar\u0131 \u201c\u2026.\u201d Dergisinde yay\u0131mlar sonra yeni edebiyat taraftar\u0131 gen\u00e7ler bu dergi etraf\u0131nda toplan\u0131r. Dergiyi de sanat ve edebiyat dergisi haline getirmesi i\u00e7in \u201c\u2026..\u201d g\u00f6revlendirilir. B\u00f6ylece Edebiyat-\u0131 Cedide gelene\u011fi ortaya \u00e7\u0131kar. Bo\u015f b\u0131rak\u0131lan yerlere s\u0131ras\u0131yla hangileri getirilmelidir?<\/strong><\/p>\n

        A) Malumat \u2013 Servet-i F\u00fcnun \u2013 Tevfik Fikret<\/p>\n

        B) Tanin \u2013 Serveti F\u00fcnun \u2013 Ahmet \u0130hsan<\/p>\n

        C) Sabah \u2013 Yedi Me\u015fale \u2013 H\u00fcseyin Cahit<\/p>\n

        D) \u0130rtika \u2013 Musavver Fen ve Edep \u2013 Mehmet Rauf<\/p>\n

        E) Tasviri Efkar \u2013 Gen\u00e7 Kalemler \u2013 Halit Ziya<\/p>\n

        21) A\u015fa\u011f\u0131dakilerden hangisi, Tanzimat sanat\u00e7\u0131lar\u0131 ile Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131n\u0131n ortak \u00f6zelli\u011fidir?<\/strong><\/p>\n

        A) \u015eiir dilini, konu\u015fma diline yakla\u015ft\u0131rmaya \u00e7al\u0131\u015fma<\/p>\n

        B)Dilde sadele\u015fme \u00e7abas\u0131 i\u00e7inde olma<\/p>\n

        C) Bat\u0131l\u0131 edebiyat ak\u0131mlar\u0131ndan etkilenme<\/p>\n

        D) Toplumsal konulara a\u011f\u0131rl\u0131k verme<\/p>\n

        E) \u015eiirde b\u00fct\u00fcn g\u00fczelli\u011fini b\u0131rak\u0131p, par\u00e7a g\u00fczelli\u011fine \u00f6nem verme<\/p>\n

        33)\u00a0\u00a0\u00a0 Geldim i\u015fte mevsim gibi kap\u0131na<\/p>\n

        G\u00f6zlerimde bulut<\/strong> sa\u00e7lar\u0131mda \u00e7i\u011f<\/p>\n

        Bu \u015fiirde a\u015fa\u011f\u0131daki sanatlardan hangisi yap\u0131lm\u0131\u015ft\u0131r?<\/strong><\/p>\n

        A) <\/strong>Kapal\u0131 istiare\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B)<\/strong>Te\u015fbih\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C)<\/strong>Tezat<\/p>\n

        D)<\/strong>A\u00e7\u0131k istiare\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E)<\/strong>Mecaz-\u0131 m\u00fcrsel<\/p>\n

        21.A\u015fa\u011f\u0131dakilerden hangisi ‘romantizm’le ‘kal\u00adsizmin’ ortak \u00f6zelliklerinden biri olabilir?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Dil ve anlat\u0131m \u00f6zellikleri<\/p>\n

        B)\u00a0\u00a0\u00a0 Kahramanlar\u0131n se\u00e7imi, s\u0131radanl\u0131\u011f\u0131<\/p>\n

        C)\u00a0\u00a0\u00a0 Yazar\u0131n eserin d\u0131\u015f\u0131nda kalmas\u0131<\/p>\n

        D)\u00a0\u00a0\u00a0 Olaylar kar\u015f\u0131s\u0131ndaki nesnellik<\/p>\n

        E)\u00a0\u00a0\u00a0 Ki\u015fisel psikolojiye \u00f6ncelik verilmesi<\/p>\n

        22.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131daki dizilerden hangisi, b\u00fct\u00fcn\u00fcyle ‘par\u00adnasist’ sanat\u00e7\u0131lardan olu\u015fmu\u015ftur?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Baudelaire – Verlaine – TRistan Tzara<\/p>\n

        B)\u00a0\u00a0\u00a0 Andre Breton – Banville – Aragon<\/p>\n

        C)\u00a0\u00a0\u00a0 Fran\u00e7ois\u00a0 Coppee – Gautier – S. Prodhamme<\/p>\n

        D)\u00a0\u00a0\u00a0 J. Maria de Heredia – Rimbaud – Mallarme<\/p>\n

        E)\u00a0\u00a0\u00a0 Verlaine – Aragon – Rimbaud<\/p>\n

        23.A\u015fa\u011f\u0131dakilerden hangisi Fecr – i Ati sanat\u00e7\u0131la\u00adr\u0131n\u0131n ama\u00e7lar\u0131ndan biri de\u011fildir?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Ulusal tarih ve kaynaklardan yararlanmak<\/p>\n

        B)\u00a0\u00a0\u00a0 Toplulu\u011fa \u00f6zg\u00fc se\u00e7kin bir kitapl\u0131k kurmak<\/p>\n

        C)\u00a0\u00a0\u00a0 Bat\u0131n\u0131n \u00f6nemli yap\u0131tlar\u0131n\u0131 \u00e7evirmek<\/p>\n

        D)\u00a0\u00a0\u00a0 Yetenekli sanat\u00e7\u0131lar\u0131 toplamak, kamuoyunu ayd\u0131nlatmak<\/p>\n

        E)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E)\u00a0\u00a0\u00a0\u00a0\u00a0 Eserlerini Bat\u0131 dillerine \u00e7evirmek, Bat\u0131 \u00fcr\u00fcnle\u00adrini tan\u0131tmak<\/p>\n

        24.\u00a0\u00a0\u00a0\u00a0\u00a0 Halit Ziya U\u015fakl\u0131gil’in roman\u0131 i\u00e7in a\u015fa\u011f\u0131dakiler\u00adden hangisi s\u00f6ylenemez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Geni\u015f halk tabanlar\u0131n\u0131n sorunlar\u0131n\u0131 i\u015fledi\u011fi<\/p>\n

        B)\u00a0\u00a0\u00a0 Romanlar\u0131nda tutarl\u0131 bir olay \u00f6rg\u00fcs\u00fc oldu\u011fu<\/p>\n

        C)\u00a0\u00a0\u00a0 G\u00f6zlemlerinde ger\u00e7ek\u00e7i, tutarl\u0131 oldu\u011fu<\/p>\n

        D)\u00a0\u00a0\u00a0 Dili a\u011f\u0131r olan sanat\u00e7\u0131n\u0131n, roman dilini ger\u00e7ek\u00adle\u015ftirdi\u011fi<\/p>\n

        E)\u00a0\u00a0\u00a0 Bireysel ya\u015fam ve mutlulu\u011fa gerekenden \u00e7ok \u00f6nem verdi\u011fi<\/p>\n

        25.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131dakilerden hangisi Tevfik Fikret’in eserle\u00adrinden biri de\u011fildir?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Nesr – i Sulh<\/p>\n

        B)\u00a0\u00a0\u00a0 R\u00fcbab – \u0131 \u015eikeste<\/p>\n

        C)\u00a0\u00a0\u00a0 Haluk’un Defteri<\/p>\n

        D)\u00a0\u00a0\u00a0 Rubab’\u0131n Cevab\u0131<\/p>\n

        E)\u00a0 Tarih – i Kadim<\/p>\n

        25.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131daki eserlerden hangisi t\u00fcrce di\u011ferlerin\u00adden farkl\u0131d\u0131r?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Dinle Neyden\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B)\u00c7oban \u00c7e\u015fmesi<\/p>\n

        C)\u00a0\u00a0\u00a0 Han Duvar\u0131\u00a0\u00a0\u00a0 D)Y\u0131ld\u0131z Ya\u011fmuru\u00a0\u00a0\u00a0 E)Bir \u00d6m\u00fcr B\u00f6yle Ge\u00e7ti<\/p>\n

        26.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131daki ele\u015ftirmelerden hangisi do\u011fru de\u00ad\u011fildir?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Orhan Seyfi Orhun: Akbaba, Papa\u011fan, Re\u00adsimli D\u00fcnya<\/p>\n

        B)\u00a0\u00a0\u00a0 Halit Fahri Ozansoy: Bayku\u015f, Hayalet, Edebi\u00adyat\u00e7\u0131lar Ge\u00e7iyor<\/p>\n

        C)\u00a0\u00a0\u00a0 Faruk Nafiz \u00c7aml\u0131bel: Suda Halkalar, Ak\u0131n, \u00d6zyurt<\/p>\n

        D)\u00a0\u00a0\u00a0 Enis Behi\u00e7 Kory\u00fcrek: Sar\u0131 \u00c7izmeli Mehmet A\u011fa, G\u00f6\u00e7, Portreler<\/p>\n

        E)\u00a0\u00a0\u00a0 Yusuf Ziya Orta\u00e7: Sar\u0131 \u00c7izmeli Mehmet A\u011fa, Yanarda\u011f, Bir Selvi G\u00f6lgesi<\/p>\n

        27 -Yakup Kadri Karaosmano\u011flu i\u00e7in a\u015fa\u011f\u0131dakiler\u00adden hangisi s\u00f6ylenemez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 ‘Nirvana’ adl\u0131 tek perdelik oyunuyla edebiyata girdi\u011fi<\/p>\n

        B)\u00a0\u00a0\u00a0 Bir ara eski Yunan, Latin kaynaklar\u0131ndan esinlendi\u011fi<\/p>\n

        C)\u00a0\u00a0\u00a0 Nat\u00fcralizmin y\u00f6nlendirdi\u011fi ger\u00e7ek\u00e7i bir anla\u00ady\u0131\u015fla toplumu konu edindi\u011fi<\/p>\n

        D)\u00a0\u00a0\u00a0 Toplumun \u00e7e\u015fitli d\u00f6nemlerini \u00e7eli\u015fkileriyle verdi\u011fi<\/p>\n

        E)\u00a0\u00a0\u00a0 Dilinin yal\u0131n oldu\u011fu, yabanc\u0131 s\u00f6zc\u00fckler kullan\u00admad\u0131\u011f\u0131<\/p>\n

        28.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131dakilerden hangisi Mehmet A. Ersoy’un bir \u00f6zelli\u011fi de\u011fildir?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 \u015eiirlerinde konu\u015fmalar d\u0131\u015f\u0131nda dili a\u011f\u0131rd\u0131r.<\/p>\n

        B)\u00a0\u00a0\u00a0 Anlat\u0131m\u0131 yal\u0131nd\u0131r.<\/p>\n

        C)\u00a0\u00a0\u00a0 Konular\u0131 \u00f6yk\u00fcleyici bir anlat\u0131m, ger\u00e7ek\u00e7i bir anlay\u0131\u015fla verir.<\/p>\n

        D)\u00a0\u00a0\u00a0 \u015eiirlerinde \u00f6\u011fretici yan a\u011f\u0131r basar.<\/p>\n

        E)\u00a0\u00a0\u00a0 Epik – lirik t\u00fcrde \u015fiiri yoktur.<\/p>\n

        29.\u00a0\u00a0\u00a0\u00a0\u00a0 Halide Edip Ad\u0131var i\u00e7in a\u015fa\u011f\u0131dakilerden hangisi s\u00f6ylenemez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 \u0130lk romanlar\u0131nda kad\u0131ns\u0131 duyarl\u0131klar\u0131, bireysel duygular\u0131 i\u015fler.<\/p>\n

        B)\u00a0\u00a0\u00a0 Sonralar\u0131 kurtulu\u015f Sava\u015f\u0131’ndan etkilenerek toplumsal konulara y\u00f6nelir.<\/p>\n

        C)\u00a0\u00a0\u00a0 Vatan sevgisi, Kurtulu\u015f tutkusu \u00f6ncelik verdi\u011fi konular olur.<\/p>\n

        D)\u00a0\u00a0\u00a0 Ruhsal \u00e7\u00f6z\u00fcmlemeleri, sevgi y\u00fcceltmesiyle d\u00f6neminde belirginle\u015fir.<\/p>\n

        E)\u00a0\u00a0\u00a0\u00a0\u00a0 Dili yaz\u0131 dili kurallar\u0131na uygun ve \u00f6zenlidir.<\/p>\n

        30.\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>“Fecr – i Ati’ye kat\u0131l\u0131r. \u015eiirlerinin b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fc Servet – i F\u00fcnun’da yay\u0131mlan\u0131r. Sonralar\u0131 kendine \u00f6zg\u00fc, ba\u011f\u0131ms\u0131z bir yol izler. Bireysel, kendi anlat\u00adt\u0131\u011f\u0131 \u015fiirleri aray\u0131\u015f, kendini bulma, olgunla\u015fma gibi evrelerden ge\u00e7er. \u0130lk a\u015famada Servet – i F\u00fcnun etkisindedir. Hayal – ger\u00e7ek \u00e7at\u0131\u015fmas\u0131, bireysel mutluluklar, ac\u0131yla dolu ge\u00e7en \u00e7ocukluk d\u00f6nemi g\u00f6r\u00fcl\u00fcr bu \u015fiirlerde. Ger\u00e7e\u011fi, \u00f6znel bir tutumla ve\u00adrir. Empresyonizmin, sembolizsmin etkisindedir.”<\/p>\n

        Yukar\u0131da kendinden s\u00f6z edilen sanat\u00e7\u0131, a\u015fa\u011f\u0131\u00addakilerden hangisidir?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Tevfik Fikret\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0B)Cenap \u015eahabettin<\/p>\n

        C)\u00a0\u00a0\u00a0 Ahmet Ha\u015fim\u00a0\u00a0\u00a0\u00a0\u00a0 D)Mehmet Akif Ersoy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) Yahya Kemal<\/p>\n

        31.\u00a0\u00a0\u00a0\u00a0\u00a0 A\u015fa\u011f\u0131daki dizilerden hangisi t\u00fcm\u00fcyle Oktay R\u0131\u00adfat’\u0131n eserlerinden olu\u015fmu\u015ftur?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Vazge\u00e7emedi\u011fim – G\u00fczelleme – Ya\u015fay\u0131p \u00d6l\u00admek<\/p>\n

        B)\u00a0\u00a0\u00a0 A\u015fk ve Avarelik \u00dcst\u00fcne \u015eiirler – Per\u00e7emli So\u00adkak – Telgrafhane<\/p>\n

        C)\u00a0\u00a0\u00a0 Teknenin \u00d6l\u00fcm\u00fc – Yenisi – S\u00f6zc\u00fckler<\/p>\n

        D)\u00a0\u00a0\u00a0 Ya\u015fay\u0131p \u00d6lmek – G\u00fczelleme – Kar\u015f\u0131<\/p>\n

        E)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Per\u00e7emli Sokak – Ya\u015fay\u0131p \u00d6lmek \u2013 G\u00fczelleme<\/p>\n

        \u00a0<\/strong>\u00a032.\u00a0\u00a0\u00a0 Yahya Kemal i\u00e7in a\u015fa\u011f\u0131dakilerden hangisi s\u00f6y\u00adlenemez?<\/strong><\/p>\n

        A)\u00a0\u00a0\u00a0 Frans\u0131z yazar ve d\u00fc\u015f\u00fcn\u00fcrlerin etkisiyle yeni bir tarih g\u00f6r\u00fc\u015f\u00fc geli\u015ftirdi\u011fi<\/p>\n

        B)\u00a0\u00a0\u00a0 Bir ara Yunan edebiyat\u0131ndan etkilenerek Neo – hellenist denemeler yapt\u0131\u011f\u0131<\/p>\n

        C)\u00a0\u00a0\u00a0 Sonradan ulusal tarihe d\u00f6nd\u00fc\u011f\u00fc<\/p>\n

        D)\u00a0\u00a0\u00a0 Neo – klasisizmin etkisiyle divan bi\u00e7imleri kul\u00adland\u0131\u011f\u0131<\/p>\n

        E)\u00a0\u00a0\u00a0 \u015eiirde bi\u00e7imden \u00e7ok \u00f6z\u00fc \u00f6nemsedi\u011fi<\/p>\n

        www.sorubak.com<\/a><\/p>\n

        Dok\u00fcman\u0131n G\u00f6rselli Tam Halini \u0130ndirmek i\u00e7in TIKLAYINIZ<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

        www.sorubak.com 1. A\u015fa\u011f\u0131dakilerin hangisinde \u015einasi ile ilgili bir bilgi yanl\u0131\u015f\u0131 vard\u0131r? A) Tanzimat Edeb\u0131yat\u0131\u2019n\u0131n kurucusu say\u0131l\u0131r. B) \u0130lk yaz\u0131lar\u0131n\u0131 Tasvir-i Efkar gazetesinde yay\u0131mlam\u0131\u015ft\u0131r. C) \u015eiirlerinde konu b\u00fct\u00fcnl\u00fc\u011f\u00fcne \u00f6nem vermi\u015ftir. D) Eserlerinde kulland\u0131\u011f\u0131 dil, halk\u0131n anlayabilece\u011fi bir dildir. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0E) \u0130lk atas\u00f6zleri kitab\u0131n\u0131 yazmas\u0131 2. \u015eiirdeki kafiyenin kulak i\u00e7in mi yoksa g\u00f6z i\u00e7in mi oldu\u011fu \u00fczerine … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1686,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17961,17972,13370],"tags":[16300,18603],"class_list":["post-52149","post","type-post","status-publish","format-standard","hentry","category-lise-yazili-sorulari","category-turk-edebiyati-yazili-sorulari","category-yazili-sorulari","tag-11-sinif-turk-edebiyati-2-donem-3-yazili-sorulari","tag-11-sinif-turk-edebiyati-2-donem-3-yazili-sorulari-2013-2014"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/52149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1686"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=52149"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/52149\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=52149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=52149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=52149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}