{"id":48960,"date":"2014-01-02T22:23:33","date_gmt":"2014-01-02T20:23:33","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=48960"},"modified":"2014-01-02T23:08:37","modified_gmt":"2014-01-02T21:08:37","slug":"12-sinif-turk-edebiyati-1-done12-sinif-turk-edebiyati-1-donem-3-yazili-sorulari-ve-cevaplari-2013-2014m-3-yazili-sorulari-ve-cevaplari-2013-2014","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/12-sinif-turk-edebiyati-1-done12-sinif-turk-edebiyati-1-donem-3-yazili-sorulari-ve-cevaplari-2013-2014m-3-yazili-sorulari-ve-cevaplari-2013-2014.html","title":{"rendered":"12.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 1.d\u00f6nem 3.yaz\u0131l\u0131 sorular\u0131 ve cevaplar\u0131"},"content":{"rendered":"

Yaz\u0131l\u0131n\u0131n G\u00f6rselli ve Tam Halini \u0130ndirmek \u0130\u00e7in TIKLAYINIZ<\/a><\/p>\n

\n

2013-2014 BARTIN K\u00d6KSAL TOPTAN L\u0130SES\u0130 12.SINIF T\u00dcRK EDEB\u0130YATI 1.D\u00d6NEM <\/b><\/p>\n

3. YAZILI SORULARIDIR.\u00a0 <\/b><\/p>\n

 <\/p>\n<\/div>\n

1. <\/b>\u00a0\u00a0“\u0130yi ile k\u00f6t\u00fcn\u00fcn, akla karan\u0131n \u00e7at\u0131\u015fmas\u0131 az \u00e7ok her romanda vard\u0131r. Fakat XIX. y\u00fczy\u0131l Bat\u0131 roman\u00adc\u0131l\u0131\u011f\u0131n\u0131n yaratt\u0131\u011f\u0131 gelenek, bu \u00e7at\u0131\u015fmada yazar\u0131n apa\u00e7\u0131k taraf tutmamas\u0131n\u0131, insanlar\u0131 kahraman de\u011fil kahramanlar\u0131 insan etmesini, kimi insan\u0131 ak, kimi insan\u0131 kara de\u011fil her insan\u0131 alaca g\u00f6stermesini ister. Oysa yazar ay\u0131r\u0131yor insanlar\u0131: Ak bir yana, kara bir yana; c\u0131l\u0131z bir yana, g\u00fcrb\u00fcz bir yana…”<\/p>\n

Paragrafta s\u00f6z\u00fc edilen <\/b>“ak-kara” \u00e7at\u0131\u015fmas\u0131n\u0131n, en belirgin oldu\u011fu edebiyat ak\u0131m\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A) Klasisizm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Realizm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0C) Romantizm<\/p>\n

D) Nat\u00fcralizm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) Parnasizm<\/p>\n

 <\/p>\n

2. A\u015fa\u011f\u0131daki c\u00fcmlelerin hangisinde <\/b>“Be\u015f Hececiler’ toplulu\u011fuyla ilgili bir bilgi yanl\u0131\u015fl\u0131\u011f\u0131 yap\u0131lm\u0131\u015ft\u0131r?<\/b><\/p>\n

A)\u00a0\u00a0 <\/b>Her \u015feyden \u00f6nce \u015fiirde sade ve \u00f6zentisiz olmaya \u00f6zen g\u00f6sterdiler.<\/p>\n

B)\u00a0\u00a0 Ziya G\u00f6kalp’in, edebiyat dilinin konu\u015fma dili olmas\u0131 gerekti\u011fi yolundaki g\u00f6r\u00fc\u015f\u00fcn\u00fc benimsediler.<\/p>\n

C)\u00a0\u00a0 \u015eiirlerini hece vezniyle olu\u015ftururlar ve naz\u0131m birimi olarak d\u00f6rtl\u00fc\u011f\u00fcn d\u0131\u015f\u0131nda bir aray\u0131\u015fa da y\u00f6nelirler.<\/p>\n

D)\u00a0\u00a0 Halk \u015fiiri \u00f6zelliklerine ba\u011fl\u0131 kalm\u0131\u015f gibi g\u00f6r\u00fcnseler de yerel \u00f6zelliklerin d\u0131\u015f\u0131na \u00e7\u0131karlar.<\/p>\n

E)\u00a0\u00a0 Anadolu’ya a\u00e7\u0131larak \u015fiirin alan\u0131n\u0131 geni\u015fletmi\u015flerdir.<\/p>\n

 <\/p>\n

3.\u00a0 <\/b>Milli edebiyat\u0131n ger\u00e7eklikten uzak memleket\u00e7iliklerine tepki olarak ortaya \u00e7\u0131km\u0131\u015flard\u0131r. “Yaln\u0131z sanat a\u015fk\u0131yla \u00e7al\u0131\u015f\u0131yoruz, taklit\u00e7ilikten ka\u00e7\u0131naca\u011f\u0131z, T\u00fcrk edebiyat\u0131 \u00f6l\u00fcyor.” d\u00fc\u015f\u00fcncesiyle yola \u00e7\u0131karlar. Bunlar\u0131n i\u00e7inden yaln\u0131zca ziya Osman Saba, \u015fair olarak varl\u0131k g\u00f6stermi\u015f\u00adtir.<\/p>\n

Yukar\u0131da sanat anlay\u0131\u015f\u0131 belirtilen edebi topluluk a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 Maviciler\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B)\u00a0\u00a0 Yedi Me\u015faleciler\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C)\u00a0\u00a0 Garip\u00e7iler<\/p>\n

D)\u00a0\u00a0 II. Yeniler\u00a0\u00a0\u00a0\u00a0 E)\u00a0\u00a0 Be\u015f Hececiler<\/p>\n

 <\/p>\n

4.\u00a0 A\u015fa\u011f\u0131daki sanat\u00e7\u0131 – yap\u0131t e\u015fle\u015ftirmelerinden hangi\u00adsi do\u011frudur?<\/b><\/p>\n

A)\u00a0\u00a0 Fenelon – Don Ki\u015fot<\/p>\n

B)\u00a0\u00a0 Balzac – Telemak<\/p>\n

C)\u00a0\u00a0 Moliere – Goriot Baba<\/p>\n

D)\u00a0\u00a0 Dante – \u0130lah\u00ee Komedya<\/p>\n

E)\u00a0\u00a0 Shakespeare – E\u015fek Ar\u0131lar\u0131<\/p>\n

 <\/p>\n

5.\u00a0 A\u015fa\u011f\u0131daki beyitlerin hangisinde redif vard\u0131r?<\/b><\/p>\n

A)\u00a0\u00a0 Bir garip r\u00fcya rengiyle<\/p>\n

R\u00fcyadaki yaprak bile<\/p>\n

B)\u00a0\u00a0 Savrulmada g\u00fcl \u015fimdi havada<\/p>\n

G\u00fcn do\u011fmada bir ba\u015fka ziyada<\/p>\n

C)\u00a0\u00a0 S\u00f6ylenmemi\u015f a\u015fk\u0131n g\u00fczelli\u011fiyledir<\/p>\n

K\u00e2\u011f\u0131tlarda yar\u0131m b\u0131rak\u0131lm\u0131\u015f \u015fiir<\/p>\n

D)\u00a0\u00a0 Bin bah\u00e7eli beldemizi yad ellere b\u0131rakt\u0131k<\/p>\n

G\u00f6lgesinde bar\u0131nacak tek a\u011fac\u0131m yok art\u0131k<\/p>\n

E)\u00a0\u00a0 Bizim mahalle de \u0130stanbul’un kenar\u0131 demek<\/p>\n

Sokaklar\u0131nda y\u00fcr\u00fcnmez ki y\u00fczme bilmeyerek<\/p>\n

 <\/p>\n

6.<\/b>\u00a0\u00a0\u00a0 Cumhuriyet D\u00f6nemi \u00f6yk\u00fcc\u00fclerindendir. En belirgin \u00f6zelli\u011fi ya\u015fama sevincini ve insan sevgisini i\u015flemesidir. Genellikle de deniz hayat\u0131n\u0131, s\u0131radan insanlar\u0131, anl\u0131k olaylar\u0131 konu al\u0131r. \u0130stanbul \u00f6yk\u00fcc\u00fcs\u00fc diye de an\u0131lan sa\u00acnat\u00e7\u0131 \u0130stanbul’u, \u0130stanbul’un adalar\u0131n\u0131 eserlerinde anlat\u0131r. Sanat\u00e7\u0131n\u0131n Kay\u0131p Aran\u0131yor, Medar-\u0131 Mai\u015fet Motoru isimli romanlar\u0131 da vard\u0131r.<\/p>\n

Yukar\u0131da tan\u0131t\u0131lan sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 Cevat \u015eakir Kabaa\u011fa\u00e7l\u0131<\/p>\n

B)\u00a0\u00a0 Sait Faik Abas\u0131yan\u0131k<\/p>\n

C)\u00a0\u00a0 Memduh \u015eevket Esendal<\/p>\n

D)\u00a0\u00a0 Ahmet Hamdi Tanp\u0131nar<\/p>\n

E)\u00a0\u00a0 Haldun Taner<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/b><\/p>\n

7.\u00a0\u00a0 Gazel ve ko\u015fman\u0131n kar\u015f\u0131la\u015ft\u0131r\u0131lmas\u0131 ile ilgili a\u015fa\u00ad\u011f\u0131daki yarg\u0131lardan hangisi yanl\u0131\u015ft\u0131r<\/span>?<\/b><\/p>\n

A)\u00a0\u00a0 Gazel, Divan Edebiyat\u0131’na; ko\u015fma, Halk Edebi\u00adyat\u0131na \u00f6zg\u00fc naz\u0131m bi\u00e7imidir.<\/p>\n

B)\u00a0\u00a0 Gazelde naz\u0131m birimi beyit, ko\u015fmada d\u00f6rtl\u00fck\u00adt\u00fcr.<\/p>\n

C)\u00a0\u00a0 Gazel, aruzun istenilen her kal\u0131b\u0131yla yaz\u0131ld\u0131\u011f\u0131 halde, ko\u015fma, genellikle hece \u00f6l\u00e7\u00fcs\u00fcn\u00fcn 11’li kal\u0131b\u0131yla yaz\u0131l\u0131r.<\/p>\n

D)\u00a0\u00a0 Gazel 10\u201320 beyitten, ko\u015fma 7\u201312 d\u00f6rtl\u00fckten olu\u015fur.<\/p>\n

E)\u00a0\u00a0 Gazellerin konusu sevgilinin g\u00fczelli\u011fi, a\u015fk ve \u015farap; ko\u015fmalar\u0131nki ise genellikle a\u015fk, sevgi ve do\u011fa g\u00fczellikleridir.<\/p>\n

 <\/p>\n

8. <\/b>\u00a0\u00a0\u00a0“Oliver Twist”, toplumun zengin ve yoksul kesimleri ara\u00ads\u0131ndaki u\u00e7urumu, “Gazap \u00dcz\u00fcmleri”, 1929 Amerika’s\u0131\u00adn\u0131n toplumsal olaylar\u0131n\u0131, “Anna Karanina”, toplumsal bask\u0131lara kar\u015f\u0131 direnen, seven bir kad\u0131n\u0131, “Emek” Avru\u00adpa’n\u0131n sanayile\u015firken kendi emek\u00e7ilerine ya\u015fatt\u0131\u011f\u0131 ac\u0131\u00adlar\u0131 yans\u0131t\u0131r.<\/p>\n

Par\u00e7ada a\u015fa\u011f\u0131daki yazarlardan hangisinin eserine de\u011finilmemi\u015ftir<\/span>?<\/b><\/p>\n

A) Dostoyevski\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0B) Tolstoy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C) E. Zola<\/p>\n

D) C. Dickens\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) J. Steinbeck<\/p>\n

 <\/p>\n

9.\u00a0 <\/b>A\u015fa\u011f\u0131dakilerden hangisi Cumhuriyet D\u00f6nemi ede\u00acbiyat\u0131n\u0131n \u00f6zelliklerinden birisi de\u011fildir?<\/p>\n

A)\u00a0\u00a0 Dilde sadele\u015fmeye gidilerek \u015fiir ve roman dilinin halk\u0131n konu\u015ftu\u011fu dile yakla\u015ft\u0131r\u0131lmas\u0131<\/p>\n

B)\u00a0\u00a0 Toplumsal, sosyal konulara hi\u00e7 yer verilmemesi<\/p>\n

C)\u00a0\u00a0 \u015eiirde naz\u0131m birimi olarak “dize”nin temel kabul edilmesi<\/p>\n

D)\u00a0\u00a0 \u015eiirde \u015fekilcili\u011fin ve a\u015f\u0131r\u0131 kuralc\u0131l\u0131\u011f\u0131n terk edilmesi<\/p>\n

E)\u00a0\u00a0 Daha ger\u00e7ek\u00e7i bir edebiyat\u0131n olu\u015fturulmas\u0131<\/p>\n

 <\/p>\n

10.\u00a0 <\/b>A\u015fa\u011f\u0131dakilerin hangisi, Cumhuriyet D\u00f6nemi T\u00fcrk edebiyat\u0131n\u0131n genel \u00f6zelliklerinden de\u011fildir?<\/p>\n

A)\u00a0\u00a0 B\u00fct\u00fcn \u00fcr\u00fcnlerin toplumsal bir ama\u00e7la yaz\u0131lmas\u0131<\/p>\n

B)\u00a0\u00a0 \u015eiirde aruz \u00f6l\u00e7\u00fcs\u00fc yerine hece \u00f6l\u00e7\u00fcs\u00fc kullan\u0131lmas\u0131, serbest \u015fiirin \u00f6nem kazanmas\u0131<\/p>\n

C)\u00a0\u00a0 Bat\u0131 edebiyat\u0131ndan al\u0131nan \u015fiir bi\u00e7imlerinin yan\u0131nda halk edebiyat\u0131 naz\u0131m bi\u00e7imlerinin de kullan\u0131lmas\u0131<\/p>\n

D)\u00a0\u00a0 Bi\u00e7im kayg\u0131s\u0131n\u0131n arka planda kalmas\u0131 ve serbest \u015fiirin \u00f6nem kazanmas\u0131<\/p>\n

E)\u00a0\u00a0 Yerli kaynaklara e\u011filen, yine kendine \u00f6zg\u00fc bir edebiyat yarat\u0131lmaya \u00e7al\u0131\u015f\u0131lmas\u0131<\/p>\n

 <\/p>\n

11.\u00a0 <\/b>M\u00fctareke D\u00f6nemi \u0130stanbul’un karga\u015fas\u0131 i\u00e7inde sezgile\u00acri ve el yordam\u0131yla Kurtulu\u015f Sava\u015f\u0131 bilincine gelen soy\u00aclu zengin Kamil Bey’in uyan\u0131\u015f\u0131, yeni ki\u015fili\u011fini, bulu\u015fu, Anadolu’nun zaferine yard\u0131m etmesi y\u00fcz\u00fcnden hapse sokulu\u015fu.<\/p>\n

Konusu k\u0131saca verilen “Esir \u015eehrin \u0130nsanlar\u0131” a\u015fa\u011f\u0131da verilen yazarlar\u0131m\u0131zdan hangisinin eseridir?<\/p>\n

A)\u00a0\u00a0\u00a0 Kemal Tahir\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B)\u00a0\u00a0\u00a0 Sabahattin Ey\u00fcpo\u011flu<\/p>\n

C)\u00a0\u00a0\u00a0 Falih R\u0131fk\u0131 Atay\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D)\u00a0\u00a0 Ya\u015far Kemal<\/p>\n

E)\u00a0\u00a0\u00a0 Suut Kemal Yetkin<\/p>\n

 <\/p>\n

\u00c7ep\u00e7evre bahar i\u00e7inde bir yer g\u00f6rd\u00fck<\/p>\n

Ferhad ile \u015eirin’i beraber g\u00f6rd\u00fck<\/p>\n

Bakt\u0131k geceden fecre kadar ellerde<\/p>\n

Y\u0131ld\u0131zlara y\u00fckselen kadehler g\u00f6rd\u00fck<\/p>\n

12.\u00a0 Bu d\u00f6rtl\u00fc\u011f\u00fcn naz\u0131m \u015fekli a\u015fa\u011f\u0131dakilerden han\u00adgisidir?<\/b><\/p>\n

A) <\/b>Rubai\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Mani\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/b>C) \u015eark\u0131<\/p>\n

D) Murabba\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) T\u00fcrk\u00fc<\/p>\n

 <\/p>\n

13.\u00a0\u00a0 <\/b>Bal\u0131k tutmak, kahvede oturmak, yan\u0131mda \u00e7ok sevdi\u011fim k\u00f6pe\u011fim, insan tan\u0131mak, Beyo\u011flu’nda bir a\u015fa\u011f\u0131 bir yukar\u0131 dola\u015fmak, arada i\u00e7mek, hikaye yazmak, Velhas\u0131l bir \u015feye ba\u011flanmadan avare gezmek b\u00fct\u00fcn g\u00fcn. \u0130\u015fte ben b\u00f6yle hayattan zevk al\u0131r\u0131m. Buna ya\u015famak derim.<\/p>\n

Ya\u015fam felsefesini b\u00f6yle aktaran, bir \u0130stanbul hika\u00acyecisi olarak bilinen, T\u00fcrk hikayesini adeta siville\u015ftiren sanat\u00e7\u0131m\u0131z a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0\u00a0 Necati Cumal\u0131<\/p>\n

 <\/p>\n

B)\u00a0\u00a0\u00a0 Kemal Tahir<\/p>\n

C)\u00a0\u00a0\u00a0 Halikarnas Bal\u0131k\u00e7\u0131s\u0131<\/p>\n

D)\u00a0\u00a0 \u00d6mer Seyfettin<\/p>\n

E)\u00a0\u00a0\u00a0 Sait Faik Abas\u0131yan\u0131k<\/p>\n

 <\/p>\n

14.<\/b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0Durgun bir ak\u015fam\u0131n erguvan \u00f6rt\u00fcs\u00fcn\u00fc<\/p>\n

Y\u0131rtarken \u00e7ekinerek gecenin kara eli<\/p>\n

Yorgun bir g\u00f6lge, omzunda bir g\u00fcn\u00fcn y\u00fck\u00fc<\/p>\n

S\u00fcr\u00fckl\u00fcyor ufuklara a\u011f\u0131r ad\u0131mlar\u0131n\u0131<\/p>\n

Bu dizelerde ki\u015file\u015ftirilen varl\u0131klar a\u015fa\u011f\u0131dakilerin hangisinde verilmi\u015ftir?<\/b><\/p>\n

A)\u00a0\u00a0 Yorgun omuz – s\u00fcr\u00fcklenen ufuklar<\/p>\n

B)\u00a0\u00a0 Durgun bir ak\u015fam – a\u011f\u0131r ad\u0131mlar<\/p>\n

C)\u00a0\u00a0 Erguvan \u00f6rt\u00fc – bir g\u00fcn\u00fcn y\u00fck\u00fc<\/p>\n

D)\u00a0\u00a0 Ak\u015fam\u0131n \u00f6rt\u00fcs\u00fc – omzun y\u00fck\u00fc<\/p>\n

E)\u00a0\u00a0 Gecenin kara eli – yorgun bir g\u00f6lge<\/p>\n

 <\/p>\n

15.\u00a0 A\u015fa\u011f\u0131daki romanlardan hangisinin konusu, ayd\u0131n halk kopuklu\u011fudur?<\/b><\/p>\n

A) Sinekli Bakkal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Ate\u015ften G\u00f6mlek<\/p>\n

C) Ankara\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) Biz insanlar<\/p>\n

E) Yaban<\/p>\n

 <\/p>\n

16.<\/b>\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0I.\u00a0\u00a0\u00a0 Edebiyat her \u015feyden \u00f6nce halka inmelidir.<\/p>\n

II.\u00a0\u00a0\u00a0 Halka halk diliyle seslenilmelidir.<\/p>\n

III.\u00a0\u00a0 \u015eiirde \u00f6nemli olan konu de\u011fil s\u00f6yleyi\u015f \u00a0\u00a0g\u00fczelli\u011fidir.<\/p>\n

IV.\u00a0\u00a0\u00a0 Milli \u00f6l\u00e7\u00fc ve naz\u0131m birimi kullan\u0131lmal\u0131d\u0131r.<\/p>\n

V.\u00a0\u00a0\u00a0 Sosyal ve ger\u00e7ek\u00e7i konular yerine bilin\u00e7alt\u0131nda<\/p>\n

yatan her \u015fey dile getirilmelidir.<\/p>\n

Yukar\u0131da maddeler halinde belirtilen \u00f6zelliklerden hangi ikisi Faruk Nafiz \u00c7aml\u0131bel’in sanat anlay\u0131\u015f\u0131na ters d\u00fc\u015fer?<\/b><\/p>\n

A)\u00a0 I ve III\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0B)\u00a0 II ve V\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0C)\u00a0 III ve V<\/p>\n

D) \u00a0II ve V\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E)\u00a0 IV ve V<\/p>\n

 <\/p>\n

17.\u00a0\u00a0 Mesneviyle ilgili olarak a\u015fa\u011f\u0131da verilen bilgiler\u00acden hangisi yanl\u0131\u015ft\u0131r?<\/b><\/p>\n

A)\u00a0\u00a0 Uyak d\u00fczeni aa ba ca … bi\u00e7imindedir.<\/p>\n

B)\u00a0\u00a0 Beyit say\u0131s\u0131, konunun i\u015fleni\u015fine g\u00f6re belirlenir.<\/p>\n

C)\u00a0\u00a0 Daha \u00e7ok, aruz vezninin k\u0131sa kal\u0131plar\u0131yla yaz\u0131l\u0131r.<\/p>\n

D)\u00a0\u00a0 Arap ve T\u00fcrk edebiyat\u0131na \u0130ranl\u0131lardan ge\u00e7mi\u015ftir.<\/p>\n

E)\u00a0\u00a0 \u00d6yk\u00fcleme gerektiren konular, bu t\u00fcrde i\u015flen\u00acmi\u015ftir.<\/p>\n

 <\/p>\n

18.<\/b>\u00a0\u00a0 Yazar, uzun bir bekleyi\u015fin ard\u0131ndan kozas\u0131ndan \u00e7\u0131k\u0131yor ve \u00fcretti\u011fi ipekleri okuyucuya sunuyor.<\/p>\n

A\u015fa\u011f\u0131daki a\u00e7\u0131klamalardan hangisi, bu c\u00fcmlede var olan edebi sanat\u0131 kar\u015f\u0131lamaktad\u0131r?<\/b><\/p>\n

A)\u00a0\u00a0 Benzetme amac\u0131 g\u00fcd\u00fclmeden bir s\u00f6zc\u00fc\u011f\u00fcn ba\u015fka bir s\u00f6zc\u00fck yerine kullan\u0131lmas\u0131<\/p>\n

B)\u00a0\u00a0 Bir s\u00f6zc\u00fc\u011f\u00fcn hem ger\u00e7ek hem mecaz anlama gelecek bi\u00e7imde kullan\u0131lmas\u0131<\/p>\n

C)\u00a0\u00a0 Aralar\u0131nda benzerlik olan iki \u015feyden zay\u0131f\u0131n g\u00fc\u00e7l\u00fcye benzetilmesi<\/p>\n

D)\u00a0\u00a0 Aralar\u0131nda mecaz yoluyla ilgi kurulan iki varl\u0131ktan yaln\u0131zca benzeyenin kullan\u0131lmas\u0131<\/p>\n

E)\u00a0\u00a0 Herhangi bir olay\u0131n, ger\u00e7ek nedeninin d\u0131\u015f\u0131nda bamba\u015fka bir nedene ba\u011flanmas\u0131<\/p>\n

 <\/p>\n

19.\u00a0 <\/b>Nam\u0131k Kemal “\u015e\u0131psevdi<\/b>” roman\u0131nda Meftun Bey’in ki\u015fili\u011finde, alafrangal\u0131k modas\u0131n\u0131n, devrin gen\u00e7leri \u00fczerinde yapt\u0131\u011f\u0131 g\u00fcl\u00fcn\u00e7 ve y\u0131k\u0131c\u0131 etkiyi anlat\u0131r.<\/p>\n

Bu c\u00fcmledeki bilgi yanl\u0131\u015fl\u0131\u011f\u0131 a\u015fa\u011f\u0131dakilerin hangisinde belirtilmi\u015ftir?<\/b><\/p>\n

A)\u00a0\u00a0 “\u015e\u0131psevdi” roman\u0131 Nam\u0131k Kemal’in de\u011fil H\u00fcseyin Rahmi’nindir.<\/p>\n

B)\u00a0\u00a0 Alafrangal\u0131\u011f\u0131n olumsuz etkileri “\u015e\u0131psevdi” roman\u0131nda de\u011fil “\u0130ntibah” roman\u0131nda i\u015flen\u00acmi\u015ftir.<\/p>\n

C)\u00a0\u00a0 “\u015e\u0131psevdi” roman de\u011fil bir tiyatro eseridir.<\/p>\n

D)\u00a0\u00a0 “\u015e\u0131psevdi” roman\u0131n\u0131n konusu alafrangal\u0131\u011f\u0131n yerilmesi de\u011fil, g\u00f6rmeden evlenme gelene\u011fi\u00acnin yerilmesidir.<\/p>\n

E)\u00a0\u00a0 Roman\u0131n kahraman\u0131 Meftun Bey de\u011fil, Ali Bey’ dir.<\/p>\n

 <\/p>\n

20.\u00a0 A\u015fa\u011f\u0131dakilerden hangisi, M. Emin Yurdakul, Ziya G\u00f6kalp ve \u00d6mer Seyfettin’in ortak \u00f6zelli\u011fidir?<\/b><\/p>\n

A)\u00a0\u00a0 Fecr-i Ati toplulu\u011funa dahil olmalar\u0131<\/p>\n

B)\u00a0\u00a0 Gen\u00e7 Kalemler hareketinin ba\u015f\u0131nda bulunma\u00aclar\u0131<\/p>\n

C)\u00a0\u00a0 Hem nesir hem naz\u0131m alan\u0131nda eser vermeleri<\/p>\n

D)\u00a0\u00a0 Fikir adam\u0131 ki\u015filiklerinin, sanat\u00e7\u0131 ki\u015filiklerinden g\u00fc\u00e7l\u00fc olmas\u0131<\/p>\n

E)\u00a0\u00a0 T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131n\u0131n \u00f6nc\u00fcleri say\u0131lmalar\u0131<\/p>\n

 <\/p>\n

21.\u00a0\u00a0 A\u015fa\u011f\u0131daki \u015fairlerden hangisi, toplum sorunlar\u0131n\u0131 tart\u0131\u015fmak bunlarla ilgili d\u00fc\u015f\u00fcncelerini a\u00e7\u0131klamak i\u00e7in sanat\u0131 bir ara\u00e7 olarak kullanm\u0131\u015ft\u0131r?<\/b><\/p>\n

A)\u00a0\u00a0 Recaizade Mahmut Ekrem<\/p>\n

B)\u00a0\u00a0 Tevfik Fikret<\/p>\n

C)\u00a0 Abd\u00fclhak Hamit<\/p>\n

D)\u00a0\u00a0 Cenap Sahabettin<\/p>\n

E)\u00a0\u00a0 Ahmet Ha\u015fim<\/p>\n

 <\/p>\n

22.\u00a0\u00a0 <\/b>\u0130lk \u015fiirlerini 1936’da yay\u0131mlamaya ba\u015flam\u0131\u015ft\u0131r. Bunlar o g\u00fcne kadar \u015fiir diye bilinen \u00fcr\u00fcnlere bir t\u00fcr ba\u015fkald\u0131r\u0131d\u0131r. \u00d6yle ki, \u015fiiri birtak\u0131m kal\u0131p ve kli\u015felerden, y\u0131pranm\u0131\u015f benzetmelerden, ba\u015fka bir deyi\u015fle \u015fairanelikten kurtarm\u0131\u015ft\u0131r. Hayali \u015fiirden kovmu\u015f ya da \u00e7ok az bir hayalle yetinmi\u015ftir. Yal\u0131n, g\u00fcndelik bir dilin s\u00f6z kal\u0131plar\u0131na yaslanarak \u015fiirlerini olu\u015fturmu\u015ftur. G\u00fcndelik ya\u015fam\u0131 \u015fiirin \u00e7\u0131k\u0131\u015f noktas\u0131 yapm\u0131\u015ft\u0131r.<\/p>\n

Bu par\u00e7ada s\u00f6z\u00fc edilen \u015fair a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 Cahit S\u0131tk\u0131 Taranc\u0131<\/p>\n

B)\u00a0\u00a0 Faruk Nafiz \u00c7aml\u0131bel<\/p>\n

C)\u00a0\u00a0 Orhan Veli Kan\u0131k<\/p>\n

D)\u00a0\u00a0 Faz\u0131l H\u00fcsn\u00fc Da\u011flarca<\/p>\n

E)\u00a0\u00a0 Cahit K\u00fclebi<\/p>\n

 <\/p>\n

23.\u00a0\u00a0 Divan Edebiyat\u0131 ile Servet-i F\u00fcnun Edebiyat\u0131n\u0131n ortak bir \u00f6zelli\u011fini belirten yarg\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 <\/b>Dil, yabanc\u0131 s\u00f6zc\u00fckler ve yabanc\u0131 dil kurallar\u0131 ile y\u00fckl\u00fcd\u00fcr.<\/p>\n

B)\u00a0\u00a0 Arap ve Fars edebiyatlar\u0131ndan al\u0131nan, kaside, k\u0131ta, mesnevi gibi naz\u0131m bi\u00e7imleri kullan\u0131l\u00adm\u0131\u015ft\u0131r.<\/p>\n

C)\u00a0\u00a0 Konu ile \u00d6l\u00e7\u00fc aras\u0131nda bir uyum olmas\u0131na \u00f6zen g\u00f6sterilmi\u015ftir.<\/p>\n

D)\u00a0\u00a0 Uya\u011f\u0131n g\u00f6z i\u00e7in de\u011fil, kulak i\u00e7in oldu\u011fu g\u00f6r\u00fc\u015f\u00fc egemendir.<\/p>\n

E)\u00a0\u00a0 Beyit, ba\u015fl\u0131 ba\u015f\u0131na bir b\u00fct\u00fcn say\u0131lm\u0131\u015f ve d\u00fc\u015f\u00fcn\u00adceleri anlatan c\u00fcmleler bir beyit i\u00e7inde tamam\u00adlanm\u0131\u015ft\u0131r.<\/p>\n

 <\/p>\n

24.\u00a0\u00a0 <\/b>\u00c7a\u011f\u0131n\u0131n hik\u00e2ye anlay\u0131\u015f\u0131ndan b\u00fcsb\u00fct\u00fcn ayr\u0131 bir yolda y\u00fcr\u00fcm\u00fc\u015ft\u00fcr. O zamana kadar edebiyat\u0131m\u0131zda hep Maupassant hik\u00e2yeleri \u00f6rnek al\u0131n\u0131yor, ba\u015f\u0131, sonu, ortas\u0131 belli olan, ac\u0131kl\u0131 ya da g\u00fcl\u00fcn\u00e7 bir olaya dayanan, \u015fa\u015f\u0131rt\u0131c\u0131 ve \u00e7arp\u0131c\u0131 sonu\u00e7larla biten eserler yaz\u0131l\u0131yordu. Oysa bu hikayecimiz konular\u0131n\u0131 g\u00fcnl\u00fck ya\u015fay\u0131\u015f\u0131n en sade, en silik olaylar\u0131ndan se\u00e7mi\u015ftir. Baz\u0131 yazarlar onun hik\u00e2yelerinin \u00c7ehov hik\u00e2yelerine benzedi\u011fini, onun Maupassant tek\u00adni\u011fine kar\u015f\u0131l\u0131k, edebiyat\u0131m\u0131za \u00c7ehov tekni\u011fi getir\u00addi\u011fini s\u00f6ylerler.<\/p>\n

Bu \u00f6zelliklere sahip olan \u00fcnl\u00fc hikayecimiz a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 \u00d6mer Seyfettin<\/p>\n

B)\u00a0\u00a0 Memduh \u015eevket Esendal<\/p>\n

C)\u00a0\u00a0 Yakup Kadri Karaosmano\u011flu<\/p>\n

D)\u00a0\u00a0 Refik Halit Karay<\/p>\n

E)\u00a0\u00a0 Re\u015fat Nuri G\u00fcntekin<\/p>\n

 <\/p>\n

25.\u00a0 A\u015fa\u011f\u0131daki c\u00fcmlelerin hangisinde bir bilgi yanl\u0131\u015f\u0131 <\/span>vard\u0131r?<\/b><\/p>\n

A)\u00a0\u00a0 <\/b>Edebiyat-\u0131 Cedide sanat\u00e7\u0131lar\u0131 hik\u00e2ye ve roman\u00adda realizm ve nat\u00fcralizm, \u015fiirde parnasizm ve sembolizm ak\u0131mlar\u0131n\u0131n etkisinde kalm\u0131\u015flard\u0131r.<\/p>\n

B)\u00a0\u00a0 Tanzimat Edebiyat\u0131n\u0131n ilk d\u00f6neminde eser veren romanc\u0131lar\u0131m\u0131zda romantizm ak\u0131m\u0131n\u0131n etkileri g\u00f6r\u00fcl\u00fcr.<\/p>\n

C)\u00a0\u00a0 Edebiyat-\u0131 Cedide sanat\u00e7\u0131lar\u0131, \u015fiir, hik\u00e2ye, roman, f\u0131kra, makale t\u00fcrlerinde eser vermi\u015fler\u00addir.<\/p>\n

D)\u00a0\u00a0 \u00d6mer Seyfettin, hik\u00e2yelerinin konular\u0131n\u0131, g\u00fcn\u00adl\u00fck hayattaki g\u00f6zlemlerinden, \u00e7ocukluk an\u0131\u00adlar\u0131ndan ve tarihten alm\u0131\u015ft\u0131r.<\/p>\n

E)\u00a0\u00a0 T\u00fcrk edebiyat\u0131n\u0131n ilk realist eseri, Recaizade Mahmut Ekrem’in \u0130ntibah adl\u0131 roman\u0131d\u0131r.<\/p>\n

 <\/p>\n

26.\u00a0 <\/b>“Paul Valery ‘Bir edebi eserin de\u011feri, her ki\u015fiye g\u00f6re ayr\u0131 bir yoruma meydan vermesindedir.’ demi\u015ftir.”<\/p>\n

A\u015fa\u011f\u0131daki \u015fairlerimizden hangisi, Paul Valery ile ayn\u0131 anlay\u0131\u015ftad\u0131r?<\/b><\/p>\n

A)\u00a0 Tevfik Fikret\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) S\u00fcleyman Nazif<\/p>\n

C)\u00a0 Yahya Kemal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0D) Ahmet Ha\u015fim<\/p>\n

E)\u00a0\u00a0 Orhan Veli<\/p>\n

 <\/p>\n

27.\u00a0\u00a0 A\u015fa\u011f\u0131dakilerden hangisi Ahmet Mithat Efendi ile H\u00fcseyin Rahmi G\u00fcrp\u0131nar’\u0131n ortak bir y\u00f6n\u00fc de\u011fil\u00addir?<\/span><\/b><\/p>\n

A) \u00a0\u00a0<\/b>Geni\u015f halk topluluklar\u0131na seslenmek<\/p>\n

B)\u00a0\u00a0 Tiyatro, roman, gezi, tarih, an\u0131 gibi de\u011fi\u015fik t\u00fcr\u00adlerde eserler vermek<\/p>\n

C)\u00a0\u00a0 Eserlerini, \u00e7a\u011flar\u0131na g\u00f6re, konu\u015fma diliyle ve sade bir \u00fcslupla yazmak<\/p>\n

D)\u00a0\u00a0 “Toplum i\u00e7in sanat” g\u00f6r\u00fc\u015f\u00fcn\u00fc benimsemek<\/p>\n

E)\u00a0\u00a0 Romanlar\u0131nda, olay\u0131n ak\u0131\u015f\u0131n\u0131 kesen a\u00e7\u0131kla\u00admalara yer vermek<\/p>\n

 <\/p>\n

28.\u00a0 <\/b>Edebiyat\u0131m\u0131z\u0131n \u00fcretken yazar ve \u015fairlerindendir. \u0130lk d\u00f6nemlerde destans\u0131 tarzda \u015fiirler yazan \u015fair, sonralar\u0131 duygusal bir \u00e7izgide tek bir insan\u0131n d\u00fcn\u00adyas\u0131ndan kesitler sunmu\u015ftur. Kendine \u00f6zg\u00fc s\u00f6zc\u00fck oyunlar\u0131 onu klasikle\u015ftirmi\u015ftir. “Sisler Bulvar\u0131, Ya\u011fmur Ka\u00e7a\u011f\u0131, Kartallar Y\u00fcksek U\u00e7ar…” ba\u015fl\u0131ca eserleridir.<\/p>\n

Bu par\u00e7ada tan\u0131t\u0131lan sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 Attila \u0130lhan\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Can Y\u00fccel<\/p>\n

C)\u00a0 Ece Ayhan\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0D) Haldun Taner<\/p>\n

E) Turgut Uyar<\/p>\n

 <\/p>\n

29.\u00a0 A\u015fa\u011f\u0131dakilerden hangisi, Yeni Lisanc\u0131lar’\u0131n dil konusundaki g\u00f6r\u00fc\u015flerinden de\u011fildir<\/span>?<\/b><\/p>\n

A)\u00a0\u00a0 Yabanc\u0131 dil kurallar\u0131ndan vazge\u00e7meliyiz.<\/p>\n

B)\u00a0\u00a0 T\u00fcrk\u00e7e’ye yerle\u015fmi\u015f Arap\u00e7a, Fars\u00e7a k\u00f6kenli s\u00f6zc\u00fckleri T\u00fcrk\u00e7e saymak gerekir.<\/p>\n

C)\u00a0\u00a0 Ayn\u0131 kavram i\u00e7in kullan\u0131lan e\u015fanlaml\u0131 s\u00f6z\u00adc\u00fcklerden T\u00fcrk\u00e7e’si tercih edilmelidir.<\/p>\n

D)\u00a0\u00a0 Arap\u00e7a, Fars\u00e7a tamlamalar terk edilmelidir.<\/p>\n

E)\u00a0\u00a0 Yeni kavramlar\u0131 kar\u015f\u0131lamak i\u00e7in yabanc\u0131 s\u00f6z\u00adc\u00fckler al\u0131nmal\u0131d\u0131r.<\/p>\n

 <\/p>\n

30.\u00a0 <\/b>Bu roman, II. Abd\u00fclhamit’in saltanat\u0131n\u0131n son y\u0131llar\u0131n\u0131 konu al\u0131r. Mahalle imam\u0131n\u0131n k\u0131z\u0131 Emine, babas\u0131n\u0131n itirazlar\u0131na kar\u015f\u0131n ortaoyuncu ve bakkal Tevfik’le evlenir. K\u0131sa bir s\u00fcre sonra da kocas\u0131yla anla\u015fama\u00add\u0131\u011f\u0131 i\u00e7in baba evine d\u00f6ner. \u0130mam, torunu Rabia’n\u0131n ola\u011fan\u00fcst\u00fc ses yetene\u011fini g\u00f6r\u00fcp onu yeti\u015ftirir ve haf\u0131z, mevluthan yapar. Roman, \u0130stanbul’un bir mahallesinin insanlar\u0131n\u0131n ya\u015fant\u0131lar\u0131ndan yola \u00e7\u0131karak d\u00f6nemin toplumsal, siyasal olaylar\u0131n\u0131 verir.<\/p>\n

K\u0131saca konusuna de\u011finilen roman ve yazar\u0131, a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 Yaban – Yakup Kadri Karaosmano\u011flu<\/p>\n

B)\u00a0\u00a0 Ate\u015ften G\u00f6mlek – Halide Edip Ad\u0131var<\/p>\n

C)\u00a0\u00a0 Kiral\u0131k Konak – Yakup Kadri Karaosmano\u011flu<\/p>\n

D)\u00a0\u00a0 \u00c7al\u0131ku\u015fu – Re\u015fat Nuri G\u00fcntekin<\/p>\n

E)\u00a0\u00a0 Sinekli Bakkal – Halide Edip Ad\u0131var<\/p>\n

 <\/p>\n

31.<\/b>\u00a0 Bir d\u00f6nem Gen\u00e7 Kalemler dergisinde \u00e7al\u0131\u015fm\u0131\u015f daha sonra Yeni Mecmua’da yay\u0131mlad\u0131\u011f\u0131 hikaye\u00adleriyle \u00fcn kazanm\u0131\u015ft\u0131r. \u0130\u015fledi\u011fi konular, g\u00fcnl\u00fck ya\u015fam\u0131ndan, \u00e7ocukluk an\u0131lar\u0131ndan, baz\u0131lar\u0131 da tarihtendir. Gen\u00e7 ya\u015f\u0131nda \u00f6lmesine ra\u011fmen yazd\u0131\u011f\u0131 \u00e7ok say\u0131da hikayeleriyle T\u00fcrk hik\u00e2yecili\u011finin baba\u00ads\u0131 say\u0131lm\u0131\u015ft\u0131r. Maupassant tarz\u0131 \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcn\u00fcn temsilcisi olarak T\u00fcrk edebiyat\u0131nda \u00f6zel bir yere sahiptir.<\/p>\n

Bu par\u00e7ada s\u00f6z\u00fc edilen sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A)\u00a0\u00a0 Refik Halit Karay<\/p>\n

B)\u00a0\u00a0 Yakup Kadri Karaosmano\u011flu<\/p>\n

C)\u00a0\u00a0 \u00d6mer Seyfettin<\/p>\n

D)\u00a0\u00a0 Selahattin Enis<\/p>\n

E)\u00a0\u00a0 Erc\u00fcment Ekrem Talu<\/p>\n

 <\/p>\n

32.\u00a0\u00a0\u00a0 <\/b>A\u011f\u0131r a\u011f\u0131r \u00e7\u0131kacaks\u0131n bu merdivenlerden,<\/p>\n

Eteklerinde g\u00fcne\u015f rengi bir y\u0131\u011f\u0131n yaprak,<\/p>\n

Ve bir zaman bakacaks\u0131n semaya a\u011flayarak,<\/p>\n

Sular sarard\u0131 y\u00fcz\u00fcn perde perde solmakta<\/p>\n

K\u0131z\u0131l havalar\u0131 seyret ki ak\u015fam olmakta<\/p>\n

A\u015fa\u011f\u0131dakilerden hangisi Ahmet Ha\u015fim’in bu \u015fiirinin \u00f6zelliklerinden biri olamaz<\/span>?<\/b><\/p>\n

A)\u00a0\u00a0 \u00d6l\u00e7\u00fc ve uya\u011fa \u00f6nem verilmi\u015ftir.<\/p>\n

B)\u00a0\u00a0 Ki\u015fisel duygular a\u011f\u0131rl\u0131ktad\u0131r.<\/p>\n

C)\u00a0\u00a0 Herkes i\u00e7in ayn\u0131 anlam\u0131 ifade eder.<\/p>\n

D)\u00a0\u00a0 Semboller kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

E)\u00a0\u00a0 Edebi sanatlara yer verilmi\u015ftir.<\/p>\n

 <\/p>\n

33.\u00a0 A\u015fa\u011f\u0131dakilerden hangisi Tevfik Fikret’in sanat\u00adsal \u00f6zelliklerinden de\u011fildir<\/span>?<\/b><\/p>\n

A)\u00a0\u00a0 Didaktik \u015fiir \u00f6rnekleri verme<\/p>\n

B)\u00a0\u00a0 \u0130stanbul’a duydu\u011fu sevgiyi i\u015fleme<\/p>\n

C)\u00a0\u00a0 \u015eiiri d\u00fczyaz\u0131ya yakla\u015ft\u0131rma<\/p>\n

D)\u00a0 <\/b>Parnasizmin etkisini yans\u0131tma<\/b><\/p>\n

E)\u00a0 <\/b>Aruzun yan\u0131nda hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc de kullanma<\/p>\n

 <\/p>\n

AD SOYAD :\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………….\u2026\u2026 <\/i><\/b><\/p>\n

\u00a0<\/i><\/b><\/p>\n

NUMARA\u00a0\u00a0 :\u2026\u2026\u2026\u2026\u2026……………\u2026\u2026\u2026\u2026\u2026……….. <\/i><\/b><\/p>\n

\u00a0<\/i><\/b><\/p>\n

SINIF\u00a0\u00a0\u00a0\u00a0\u00a0 :……………………………………<\/i><\/b><\/p>\n

 <\/p>\n

DO\u011eRU SAYISI:……………………………….<\/i><\/b><\/p>\n

\u00a0<\/i><\/b><\/p>\n

ALDI\u011eI NOT:…………………………………..<\/i><\/b><\/p>\n

\u00a0<\/i><\/b><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
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18<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
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20<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
21<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
22<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
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24<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
25<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
26<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
27<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
28<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
29<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
30<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
31<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
32<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n
33<\/b><\/td>\n\u00a0<\/b><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

www.sorubak.com<\/a><\/p>\n

Dok\u00fcman\u0131n Tam Halini \u0130ndirmek \u0130\u00e7in TIKLAYINIZ<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Yaz\u0131l\u0131n\u0131n G\u00f6rselli ve Tam Halini \u0130ndirmek \u0130\u00e7in TIKLAYINIZ 2013-2014 BARTIN K\u00d6KSAL TOPTAN L\u0130SES\u0130 12.SINIF T\u00dcRK EDEB\u0130YATI 1.D\u00d6NEM 3. YAZILI SORULARIDIR.\u00a0   1. \u00a0\u00a0“\u0130yi ile k\u00f6t\u00fcn\u00fcn, akla karan\u0131n \u00e7at\u0131\u015fmas\u0131 az \u00e7ok her romanda vard\u0131r. Fakat XIX. y\u00fczy\u0131l Bat\u0131 roman\u00adc\u0131l\u0131\u011f\u0131n\u0131n yaratt\u0131\u011f\u0131 gelenek, bu \u00e7at\u0131\u015fmada yazar\u0131n apa\u00e7\u0131k taraf tutmamas\u0131n\u0131, insanlar\u0131 kahraman de\u011fil kahramanlar\u0131 insan etmesini, kimi insan\u0131 ak, … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1686,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13370],"tags":[17888,17887],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/48960"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1686"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=48960"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/48960\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=48960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=48960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=48960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}