{"id":45854,"date":"2013-10-05T22:28:45","date_gmt":"2013-10-05T19:28:45","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=45854"},"modified":"2013-10-05T22:28:45","modified_gmt":"2013-10-05T19:28:45","slug":"atilla-ilhanin-fikri-ve-edebi-kisiligi","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/atilla-ilhanin-fikri-ve-edebi-kisiligi.html","title":{"rendered":"Atilla \u0130lhan\u0131n Fikri ve Edebi Ki\u015fili\u011fi"},"content":{"rendered":"<p><strong>Atilla \u0130lhan&#8217;\u0131n fikri ve edebi ki\u015fili\u011fi, Atilla \u0130lhan&#8217;\u0131n esertleri,Atilla \u0130lhan&#8217;\u0131n \u015fiirleri<\/strong><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0 Toplumcu-m\u00fccadeleci g\u00f6r\u00fc\u015flerini bireysel romantizmle b\u00fct\u00fcnle\u015ftirmi\u015ftir.<br \/>\n\uf0fc Dili zengindir.<br \/>\n\uf0fc \u00c7e\u015fitli dallarda eserler vermi\u015ftir.<br \/>\n\uf0fc Romanlar\u0131: Sokaktaki Adam , Kurtlar Sofras\u0131, Yaraya Tuz Basmak..<br \/>\n\uf0fc \u015eiirleri: Duvar, Ben Sana Mecburum, Elde Var H\u00fcz\u00fcn ,Korkunun Krall\u0131\u011f\u0131 Yasak Sevi\u015fmek Tutuklunun G\u00fcnl\u00fc\u011f\u00fc\u2026<\/p>\n<p><strong>Haz\u0131rl\u0131k ve Aray\u0131\u015f D\u00f6nemi<\/strong><br \/>\nRomanda &#8216;haz\u0131rl\u0131k ve aray\u0131\u015f d\u00f6nemi&#8217; diye nitelendirilebilecek d\u00f6nemde, yay\u0131mlad\u0131\u011f\u0131 Sokaktaki Adam ve Zenciler Birbirine Benzemez&#8217;de yazar\u0131n Paris&#8217;te ya\u015fad\u0131\u011f\u0131 y\u0131llara ait deneyimlerinin ve g\u00f6zlemlerinin karakterlere yans\u0131d\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr. Yaz\u0131ld\u0131\u011f\u0131 y\u0131llarda T\u00fcrkiye&#8217;deki bat\u0131l\u0131la\u015fma u\u011fruna toplumdan kopan ki\u015filerin bocalamalar\u0131 Sokaktaki Adam&#8217;da ele al\u0131n\u0131rken, Zenciler Birbirine Benzemez&#8217;de Avrupa&#8217;da kom\u00fcnist ve anti-kom\u00fcnist m\u00fcltecilerle kar\u015f\u0131la\u015fan, hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015f bir devrimci anlat\u0131l\u0131r. Her b\u00f6l\u00fcm\u00fcn farkl\u0131 bir karakterin a\u011fz\u0131ndan aktar\u0131ld\u0131\u011f\u0131 Sokaktaki Adam, Attil\u00e2 \u0130lhan&#8217;\u0131n edebiyat\u0131m\u0131za getirdi\u011fi yeni bir s\u00f6ylem olarak al\u0131nabilir. Daha sonraki romanlar\u0131nda da g\u00f6r\u00fclece\u011fi gibi, diyalektik bir yakla\u015f\u0131mla i\u015flenen olaylarda kahramanlar g\u00fc\u00e7l\u00fc ve zay\u0131f yanlar\u0131yla okura ula\u015f\u0131r; birbirlerini su\u00e7lamaz ve okuyucuda \u00f6nyarg\u0131 olu\u015fturmazlar. Attil\u00e2 \u0130lhan, Zenciler Birbirine Benzemez i\u00e7in bak\u0131n neler diyor:&#8221; Kitap &#8216;so\u011fuk sava\u015f&#8217;\u0131n en belal\u0131 d\u00f6neminde yaz\u0131ld\u0131, yay\u0131nland\u0131. \u00c7ok ikircikli bir sorunu tart\u0131\u015f\u0131yordum. Roman\u0131n kahraman\u0131, \u0130stanbul&#8217;daki ve Paris&#8217;teki &#8216;solcu&#8217; \u00e7evrelerle d\u00fc\u015f\u00fcp kalk\u0131yor, bunlarla ili\u015fkilerini ve tart\u0131\u015fmalar\u0131n\u0131 anlat\u0131yordu, her \u015feyi oldu\u011fu gibi yazmak, roman\u0131n yay\u0131mlanmas\u0131ndan vazge\u00e7mekle e\u015fitti. Bu bak\u0131mdan, i\u00e7eri\u011fine hafif flu bir hava verdim.&#8221;<\/p>\n<p>Roman\u0131n dilinin farkl\u0131l\u0131\u011f\u0131n\u0131 ise yaz\u0131ld\u0131\u011f\u0131 d\u00f6nem i\u00e7erisinde yo\u011fun Frans\u0131zca \u00e7al\u0131\u015fmas\u0131na ba\u011flayan yazar, baz\u0131 c\u00fcmleleri Frans\u0131zca d\u00fc\u015f\u00fcn\u00fcp T\u00fcrk\u00e7e yazm\u0131\u015ft\u0131r.<\/p>\n<p><strong>Olgunluk d\u00f6nemi<\/strong><br \/>\nYazar\u0131n &#8220;olgunluk d\u00f6nemi&#8221; diye tan\u0131mlanabilecek edebiyat s\u00fcreci Kurtlar Sofras\u0131 ile ba\u015flar. Sokaktaki Adam&#8217;da ne istedi\u011fini de\u011fil, ne istemedi\u011fini bilen biri anlat\u0131l\u0131rken; Zenciler Birbirine Benzemez&#8217;de Mehmed-Ali istedikleri ile istemedikleri aras\u0131nda m\u00fctereddit bir karakteri yans\u0131tmaktad\u0131r. Oysa Kurtlar Sofras\u0131&#8217;nda Mahmud ne istedi\u011fini \u00e7ok iyi bilen bir karakteri \u00e7izer. Bu \u00fc\u00e7 roman\u0131yla Attil\u00e2 \u0130lhan T\u00fcrk ayd\u0131n\u0131na farkl\u0131 a\u00e7\u0131lardan bakar, fikirlerini diyalektik-materyalist bir sentez i\u00e7inde derleyerek T\u00fcrkiye i\u00e7in bir sentez \u00f6nerir- ki sonradan yazd\u0131\u011f\u0131 yedi kitapl\u0131k Aynan\u0131n \u0130\u00e7indekiler serisi de bu zemine oturmaktad\u0131r. B\u0131\u00e7a\u011f\u0131n Ucu, S\u0131rtlan Pay\u0131, Yaraya Tuz Basmak, Dersaadet&#8217;te Sabah Ezanlar\u0131, O Karanl\u0131kta Biz, Allah&#8217;\u0131n S\u00fcng\u00fcleri: Reis Pa\u015fa ve Gazi Pa\u015fa bu seriyi olu\u015fturan romanlard\u0131r. Her romanda yer alan karakterler, T\u00fcrkiye&#8217;nin tarihinde k\u00f6\u015feba\u015flar\u0131n\u0131 olu\u015fturmu\u015f d\u00f6nemlere ayna tutan ayd\u0131nlard\u0131r. Tarihi olaylar, politik ve sosyal dengelerle ele al\u0131n\u0131r. Birbirleriyle ba\u011flant\u0131s\u0131 olan karakterlerden herbiri bir romanda \u00f6n plana \u00e7\u0131kar ve olaylar onun g\u00f6zlemleriyle aktar\u0131l\u0131r. Bu serinin b\u00fct\u00fcn\u00fc irdelendi\u011finde yine, yazar\u0131n T\u00fcrk ayd\u0131n\u0131na yak\u0131n tarihimize bir bakma \u015fans\u0131 tan\u0131d\u0131\u011f\u0131n\u0131 ve kendi toplumcu-ger\u00e7ek\u00e7i bak\u0131\u015f a\u00e7\u0131s\u0131yla \u00f6nergeler sundu\u011fu g\u00f6r\u00fcl\u00fcr.<\/p>\n<p><strong>Romanlar\u0131<\/strong><br \/>\nSokaktaki Adam (1953)<br \/>\nZenciler Birbirine Benzemez (1957)<br \/>\nKurtlar Sofras\u0131 (1963)<br \/>\nAynan\u0131n \u0130\u00e7indekiler serisi<br \/>\nB\u0131\u00e7a\u011f\u0131n Ucu (1973)<br \/>\nS\u0131rtlan Pay\u0131 (1974) Yunus Nadi Roman Arma\u011fan\u0131<br \/>\nYaraya Tuz Basmak (1978)<br \/>\nDersaadet&#8217;te Sabah Ezanlar\u0131 (1981)<br \/>\nO Karanl\u0131kta Biz (1988)<br \/>\nAllah&#8217;\u0131n S\u00fcng\u00fcleri: Reis Pa\u015fa (2002)<br \/>\nGazi Pa\u015fa (2006)<br \/>\nFena Halde Leman (1980)<br \/>\nHaco Han\u0131m Vay (1984)<br \/>\nO Sar\u0131\u015f\u0131n Kurt (2007)<br \/>\nYengecin K\u0131skac\u0131 (2001)<\/p>\n<p><strong>\u015eiirleri<\/strong><br \/>\nAd\u0131m Sonbahar<br \/>\nAd\u0131mla Nas\u0131l Berabersem<br \/>\nA\u011f\u0131r Kan Kayb\u0131<br \/>\nA\u011fustos \u00c7\u0131kmaz\u0131<br \/>\nAh<br \/>\nAllende Allende (Salvador Allende an\u0131s\u0131na)<br \/>\nAn Gelir<br \/>\nArabesk<br \/>\nArt\u0131 Sonsuz<br \/>\nAyd\u0131nl\u0131k Neyin Oluyor Senin?<br \/>\nAyr\u0131l\u0131k Sevdaya Dahil -1<br \/>\nAyr\u0131l\u0131k Sevdaya Dahil -2<br \/>\nAyr\u0131l\u0131k Sevdaya Dahil -3<br \/>\nAyr\u0131l\u0131k Sevdaya Dahil -4<br \/>\nAyr\u0131l\u0131k Sevdaya Dahil -5<br \/>\nAysel Git Ba\u015f\u0131mdan<br \/>\nBakarsak<br \/>\nBana Bir \u015eim\u015fek \u00c7ak<br \/>\nBatan Bu K\u00f6hne \u015eileb&#8230;<br \/>\nBekle<br \/>\nBela \u00c7i\u00e7e\u011fi<br \/>\nBelki Gelmem Gelemem<br \/>\nBelma Sebil<br \/>\nBen Art\u0131k K\u00fcs\u00fcm<br \/>\nBen Sana Mecburum<br \/>\nBence Malumdur<br \/>\nBir \u00dc\u00e7 Be\u015f<br \/>\nBiraz Paris&#8217; &#8216;<br \/>\nB\u00f6yle Bir Sevmek<br \/>\nB\u00fcy\u00fck Yollar\u0131n Haydudu<br \/>\nCar\u0131c\u0131n De Ge\u00e7en K\u0131\u015f<br \/>\nCebber O\u011flu Memmed<br \/>\nCinayet Saati<br \/>\nCinnet \u00c7ar\u015f\u0131s\u0131<br \/>\nClaude Diye Bir \u00dclke<br \/>\nDelik De\u015fik<br \/>\nDiyalektik Gazel<br \/>\nDuvar<br \/>\nElde Var H\u00fcz\u00fcn<br \/>\nElimden Gelen Bu<br \/>\nEmirganda \u00c7ay Saati<br \/>\nEmperyal Oteli<br \/>\nGece Bulu\u015fmas\u0131<br \/>\nGecenin Kap\u0131lar\u0131<br \/>\nGe\u00e7 Kalm\u0131\u015f \u00d6l\u00fc<br \/>\nGe\u00e7erdi Hep<br \/>\nGibi Redifli Gazel<br \/>\nHac\u0131 Murad In \u00d6l\u00fcm\u00fc<br \/>\nHannelise<br \/>\nHarp Kald\u0131r\u0131mda A\u015fk<br \/>\nHay\u0131r&#8230;<br \/>\nHer Sabah, Yan\u0131lmak!..<br \/>\nHer\u015feyi Birden \u0130stemek<br \/>\nIss\u0131zl\u0131\u011f\u0131n \u00c7\u0131\u011fl\u0131\u011f\u0131<br \/>\nI\u015f\u0131k Mezarl\u0131\u011f\u0131<br \/>\n\u0130htiyar Ballad\u0131<br \/>\n\u0130ki Y\u00fczl\u00fc Melekler<br \/>\n\u0130kinizden Hanginiz<br \/>\n\u0130stanbul A\u011fr\u0131s\u0131<br \/>\nJilet Yiyen K\u0131z<br \/>\nKad\u0131nlar Sonbahar<br \/>\nKalk Gidelim Kad\u0131nlar Ballad\u0131<br \/>\nKaptan -1<br \/>\nKarantinal\u0131 Despina<br \/>\nK\u0131rm\u0131z\u0131 Pazar<br \/>\nKim Kald\u0131<br \/>\nKim O?<br \/>\nKimi<br \/>\nKimi Sevsem Sensin<br \/>\nKorkar\u0131m<br \/>\nKorkunun \u0130si<br \/>\nKorkunun Krall\u0131\u011f\u0131<br \/>\nMahur Beste<br \/>\nMaria Missakian<br \/>\nMemleket Havas\u0131<br \/>\nMevsimdir<br \/>\nMihaka<br \/>\nMuhalif R\u00fczgar<br \/>\nMuhayyer<br \/>\nMustafa Kemal&#8230;<br \/>\nM\u00fcjgan&#8217;a A\u015fk \u015eark\u0131lar\u0131<br \/>\nNas\u0131l Bir Sevdaysa<br \/>\nNas\u0131l Olduysa<br \/>\nNefesler -4<br \/>\nNeydi O Bir Zamanlar<br \/>\nN\u00f6bet De\u011fi\u015fimi<br \/>\nO S\u00f6zler Ki<br \/>\nOnsekiz<br \/>\n\u00d6lmek Yasak<br \/>\n\u00d6mer Haybonun Son G\u00fcnleri<br \/>\nPia<br \/>\nPusudaki<br \/>\nRast &#8220;Zenci&#8221; Pe\u015frevi<br \/>\nRinna-Rinnan-Nay<br \/>\nR\u00fczgar G\u00fcl\u00fc&#8230;<br \/>\nSa\u00e7lar\u0131n \u00d6r\u00fclm\u00fc\u015f Olmal\u0131<br \/>\nSak\u0131n Ha<br \/>\nSakl\u0131 Sevda<br \/>\nSal\u0131 Sabaha Kar\u015f\u0131<br \/>\nSana Ne Yapt\u0131lar<br \/>\nSen Benim Hi\u00e7bir \u015eeyimsin<br \/>\nSen Beyaz Bir Kad\u0131ns\u0131n<br \/>\nSen Burda Bir Yabanc\u0131s\u0131n<br \/>\nSen Yoksun<br \/>\nSer\u00fcvenin Sonu<br \/>\nSevmek \u0130\u00e7in Ge\u00e7 \u00d6lmek \u0130\u00e7in Erken<br \/>\nSilahl\u0131 D\u00f6rt Besmele<br \/>\nSisler Bulvar\u0131<br \/>\nSoka\u011fa \u00c7\u0131kma Yasa\u011f\u0131<br \/>\nSokaklarda M\u0131z\u0131ka \u00c7alma \u00c7ocuk<br \/>\nS\u00f6yler<br \/>\nSultan-\u0131 Yegah<br \/>\nS\u00fcheyla De\u011fildi Ad\u0131n<br \/>\nS\u00fcleyman<br \/>\n\u015eahane Serseri<br \/>\n\u015eeyh Bedrettin-i Simaviye Gazel<br \/>\n\u015eubat Yolcusu<br \/>\nTarz-\u0131 Kadim<br \/>\nTatyosun Kahr\u0131<br \/>\nTut Ki Gecedir<br \/>\nTutuklunun G\u00fcnl\u00fc\u011f\u00fc<br \/>\nUsturan\u0131n A\u011fz\u0131nda<br \/>\n\u00dc\u00e7\u00fcnc\u00fc \u015eahs\u0131n \u015eiiri<br \/>\nVarsa\u011f\u0131 -1<br \/>\nVarsa\u011f\u0131 -2<br \/>\nVarsa\u011f\u0131 -3<br \/>\nWaldorf Astoria<br \/>\nYa\u011fmur Gemileri<br \/>\nYa\u011fmur Ka\u00e7a\u011f\u0131<br \/>\nYa\u011fmurda Sis D\u00fcd\u00fckleri<br \/>\nYaln\u0131zl\u0131\u011f\u0131 Denemek<br \/>\nYaln\u0131zl\u0131k \u015eiiri&#8230;<br \/>\nYan\u0131lsama<br \/>\nYasak Sevi\u015fmek<br \/>\nYaz\u0131n Son G\u00fcnleri<br \/>\nYirmibe\u015finci K\u0131s\u0131m<br \/>\nZeynep Beni Bekle<\/p>\n<p><strong>Deneme-An\u0131<\/strong><br \/>\nAbbas Yolcu (1957)<br \/>\nYanl\u0131\u015f Kad\u0131nlar Yanl\u0131\u015f Erkekler (1985)<br \/>\nDenemeler[de\u011fi\u015ftir | kayna\u011f\u0131 de\u011fi\u015ftir]Hangi Sol (1970)<br \/>\nHangi Bat\u0131 (1972)<br \/>\nHangi Seks (1976)<br \/>\nHangi Sa\u011f (1980)<br \/>\nHangi Atat\u00fcrk (1981)<br \/>\nSa\u011f\u0131m Solum Sobe (1985)<br \/>\nHangi Edebiyat (1991)<br \/>\nSosyalizm As\u0131l \u015eimdi (1991)<br \/>\nHangi Laiklik (1995)<br \/>\nHangi K\u00fcreselle\u015fme (1997)<br \/>\nCumhuriyet s\u00f6yle\u015fileri[de\u011fi\u015ftir | kayna\u011f\u0131 de\u011fi\u015ftir]Bir Sap K\u0131rm\u0131z\u0131 Karanfil (1998)<br \/>\nUfkun Arkas\u0131n\u0131 G\u00f6rebilmek (1999)<br \/>\nSultan Galiyef &#8211; Avrasya`da Dola\u015fan Hayalet (2000)<br \/>\nD\u00f6nek Bereketi (2002)<br \/>\nY\u0131ld\u0131z, Hil\u00e2l ve kalpak<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Atilla \u0130lhan&#8217;\u0131n fikri ve edebi ki\u015fili\u011fi, Atilla \u0130lhan&#8217;\u0131n esertleri,Atilla \u0130lhan&#8217;\u0131n \u015fiirleri \u00a0\u00a0\u00a0\u00a0 Toplumcu-m\u00fccadeleci g\u00f6r\u00fc\u015flerini bireysel romantizmle b\u00fct\u00fcnle\u015ftirmi\u015ftir. \uf0fc Dili zengindir. \uf0fc \u00c7e\u015fitli dallarda eserler vermi\u015ftir. \uf0fc Romanlar\u0131: Sokaktaki Adam , Kurtlar Sofras\u0131, Yaraya Tuz Basmak.. \uf0fc \u015eiirleri: Duvar, Ben Sana Mecburum, Elde Var H\u00fcz\u00fcn ,Korkunun Krall\u0131\u011f\u0131 Yasak Sevi\u015fmek Tutuklunun G\u00fcnl\u00fc\u011f\u00fc\u2026 Haz\u0131rl\u0131k ve Aray\u0131\u015f D\u00f6nemi Romanda &#8230; <a title=\"Atilla \u0130lhan\u0131n Fikri ve Edebi Ki\u015fili\u011fi\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/atilla-ilhanin-fikri-ve-edebi-kisiligi.html\" aria-label=\"More on Atilla \u0130lhan\u0131n Fikri ve Edebi Ki\u015fili\u011fi\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[224],"tags":[],"class_list":["post-45854","post","type-post","status-publish","format-standard","hentry","category-edebiyat-dil-anlatim"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=45854"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45854\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=45854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=45854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=45854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}