{"id":45840,"date":"2013-10-05T21:57:56","date_gmt":"2013-10-05T18:57:56","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=45840"},"modified":"2013-10-05T21:57:56","modified_gmt":"2013-10-05T18:57:56","slug":"bedri-rahmi-eyuboglunun-fikri-ve-edebi-kisiligi","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/bedri-rahmi-eyuboglunun-fikri-ve-edebi-kisiligi.html","title":{"rendered":"Bedri Rahmi Ey\u00fcbo\u011flunun Fikri ve Edebi Ki\u015fili\u011fi"},"content":{"rendered":"<p>\u00a0\u00a0\u00a0 <strong>Bedri Rahmi Ey\u00fcbo\u011flu&#8217;nun fikri ve edebi ki\u015fili\u011fi,\u00a0Bedri Rahmi Ey\u00fcbo\u011flu&#8217;nun eserleri,\u00a0\u00a0Bedri Rahmi Ey\u00fcbo\u011flu&#8217;nun \u015fiirleri<\/strong><\/p>\n<p>\u00a0\u00a0\u00a0 \u00a0Milli konulara e\u011filmi\u015ftir.<br \/>\n\uf0fc Halk folklor\u00fcn\u00fc i\u015flemeye \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.<br \/>\n\uf0fc \u015eiirlerinde; masallardan, t\u00fcrk\u00fclerden yararlanarak, do\u011fa tutkusunu, insan sevgisini, ya\u015fama sevincini, toplumsal sorunlar\u0131 yans\u0131tt\u0131.<br \/>\n\uf0fc Ayn\u0131 zamanda Cumhuriyet d\u00f6neminin \u00fcnl\u00fc ressamlar\u0131ndand\u0131r.<br \/>\n\uf0fc Yaz\u0131lar\u0131, Tezek (1975), Deli fi\u015fek (1975), Resme Ba\u015flarken (1977) adl\u0131 kitaplarda topland\u0131.<\/p>\n<p>Bedri Rahmi daha orta okulda \u015fiire ilgi duymu\u015ftur. 1928&#8217;de Lise \u00f6\u011frencisiyken \u015fiir yazmaya ba\u015flad\u0131. \u015eiirlerine, 1933&#8217;ten sonra Yeditepe, Ses, G\u00fcney, \u0130nsan, Ink\u0131lap\u00e7\u0131 Gen\u00e7lik ve Varl\u0131k dergilerinde yer verildi. 1941&#8217;den ba\u015flayarak \u00e7e\u015fitli \u015fiir kitaplar\u0131 yay\u0131mland\u0131. Halk edebiyat\u0131n\u0131n masal, \u015fiir, deyi\u015f gibi her t\u00fcr\u00fcne kar\u015f\u0131 duydu\u011fu hayranl\u0131k, \u015fiirlerine de yans\u0131d\u0131. Halk dilinden ve \u015fiirinden ald\u0131\u011f\u0131 \u00f6\u011feleri kendine \u00f6zg\u00fc bir bi\u00e7imde kullanarak halk diline yakla\u015fma \u00e7abas\u0131n\u0131 sonuna dek g\u00f6t\u00fcrd\u00fc. Bu nitelikleriyle \u015fiirleri, resimleriyle b\u00fcy\u00fck bir benzerlik g\u00f6sterir. Ak\u0131c\u0131, rahat bir dille kaleme ald\u0131\u011f\u0131 gezi ve deneme yaz\u0131lar\u0131nda ise s\u00fcrekli g\u00fcndeminde olan halk k\u00fclt\u00fcr\u00fc, halk sanat\u0131 konular\u0131ndaki g\u00f6r\u00fc\u015flerini sergilemi\u015ftir.<\/p>\n<p><strong>Ba\u015fl\u0131ca yap\u0131tlar\u0131 <\/strong><br \/>\n<strong>Resimleri<\/strong><br \/>\nParis, 1930<br \/>\nMustafa Ey\u00fcbo\u011flu, 1933<br \/>\nYaz\u0131l\u0131 Nat\u00fcrmort, 1936<br \/>\nSal\u0131 Pazar\u0131, 1938<br \/>\nEren, 1940<br \/>\nNallanan \u00d6k\u00fcz, 1947<br \/>\nD\u00fc\u015f\u00fcnen Adam, 1953<br \/>\nK\u00f6yl\u00fc Kad\u0131n (Tren-Yatakl\u0131 Vagon)<br \/>\nKaradut Sat\u0131c\u0131s\u0131, 1954<br \/>\n\u00c7\u00f6melmi\u015f K\u00f6yl\u00fc, 1972<br \/>\nAnkara&#8217;n\u0131n Kavaklar\u0131, 1973<br \/>\nHan Kahvesi, 1973<br \/>\nMor Takkeli Hac\u0131, 1974<br \/>\nSon Kahve, 1975<br \/>\nAnadolu hisar\u0131<br \/>\n\u00c7\u0131plak<br \/>\nEv \u0130\u00e7i<br \/>\nHan, 1975 (son resmi)<\/p>\n<p><strong>Duvar resmi<\/strong><br \/>\nLido Y\u00fczme Havuzu&#8217;nda duvar resmi<br \/>\n\u0130stanbul Hilton Oteli&#8217;nde duvar resmi<br \/>\nDivan Oteli&#8217;nde duvar resmi<br \/>\nMozaik pano[de\u011fi\u015ftir]1958 Br\u00fcksel Expo\u2019sundaki T\u00fcrk Pavyonu i\u00e7in mozaik pano, 1958<br \/>\nNATO yap\u0131s\u0131nda mozaik pano, 1959, Br\u00fcksel<br \/>\n\u0130stanbul E\u011fitim ve Ara\u015ft\u0131rma Hastanesi&#8217;ndeki seramik pano, 1959, Samatya\/\u0130stanbul<br \/>\nEtibank yap\u0131s\u0131nda seramik pano, Ankara<br \/>\nMarmara Oteli&#8217;nde mozaik pano, Ankara<br \/>\nVakko Fabrikas\u0131&#8217;nda mozaik pano, Topkap\u0131\/\u0130stanbul<\/p>\n<p><strong>Duvar kabartmas\u0131<\/strong><br \/>\n\u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131&#8217;ndaki duvar kabartmas\u0131, Unkapan\u0131, \u0130stanbul<br \/>\nAksu \u0130\u015fhan\u0131&#8217;nda duvar kabartmas\u0131, Karak\u00f6y\/\u0130stanbul<\/p>\n<p><strong>\u015eiir kitaplar\u0131<\/strong><br \/>\nYaradana Mektuplar, 1941<br \/>\nKaradut, 1948<br \/>\nTuz, 1952<br \/>\n\u00dc\u00e7\u00fc Birden, 1953<br \/>\nD\u00f6rd\u00fc Birden, 1956<br \/>\nKaradut 69, 1969<br \/>\nDol Karabak\u0131r Dol, 1974<br \/>\nYa\u015fad\u0131m, 1977<br \/>\n7 Tane Erik A\u011fac\u0131<br \/>\nT\u00fcrk\u00fcler Dolusu<\/p>\n<p><strong>Gezi ve deneme<\/strong><br \/>\nC\u00e2n\u0131m Anadolu, 1956<br \/>\nTezek, 1975<br \/>\nDelifi\u015fek, 1975<br \/>\nResme Ba\u015flarken, 1977 (\u00f6l\u00fcm\u00fcnden sonra)<\/p>\n<p><strong>Monografi<\/strong><br \/>\nNazmi Ziya, 1937<br \/>\nResim Alb\u00fcm\u00fc: Binbir Bedros, 1977 (\u00f6l\u00fcm\u00fcnden sonra)<br \/>\nKaradut, 1979 (\u00f6l\u00fcm\u00fcnden sonra)<br \/>\nBabatomiler, 1979 (\u00f6l\u00fcm\u00fcnden sonra)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0\u00a0\u00a0 Bedri Rahmi Ey\u00fcbo\u011flu&#8217;nun fikri ve edebi ki\u015fili\u011fi,\u00a0Bedri Rahmi Ey\u00fcbo\u011flu&#8217;nun eserleri,\u00a0\u00a0Bedri Rahmi Ey\u00fcbo\u011flu&#8217;nun \u015fiirleri \u00a0\u00a0\u00a0 \u00a0Milli konulara e\u011filmi\u015ftir. \uf0fc Halk folklor\u00fcn\u00fc i\u015flemeye \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. \uf0fc \u015eiirlerinde; masallardan, t\u00fcrk\u00fclerden yararlanarak, do\u011fa tutkusunu, insan sevgisini, ya\u015fama sevincini, toplumsal sorunlar\u0131 yans\u0131tt\u0131. \uf0fc Ayn\u0131 zamanda Cumhuriyet d\u00f6neminin \u00fcnl\u00fc ressamlar\u0131ndand\u0131r. \uf0fc Yaz\u0131lar\u0131, Tezek (1975), Deli fi\u015fek (1975), Resme Ba\u015flarken (1977) adl\u0131 &#8230; <a title=\"Bedri Rahmi Ey\u00fcbo\u011flunun Fikri ve Edebi Ki\u015fili\u011fi\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/bedri-rahmi-eyuboglunun-fikri-ve-edebi-kisiligi.html\" aria-label=\"More on Bedri Rahmi Ey\u00fcbo\u011flunun Fikri ve Edebi Ki\u015fili\u011fi\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[224],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45840"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=45840"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45840\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=45840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=45840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=45840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}