{"id":45786,"date":"2013-10-05T10:21:17","date_gmt":"2013-10-05T07:21:17","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=45786"},"modified":"2013-10-05T10:21:17","modified_gmt":"2013-10-05T07:21:17","slug":"melih-cevdet-andayin-fikri-ve-edebi-kisiligi","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/melih-cevdet-andayin-fikri-ve-edebi-kisiligi.html","title":{"rendered":"Melih Cevdet Anday&#8217;\u0131n Fikri ve Edebi Ki\u015fili\u011fi"},"content":{"rendered":"<p><strong>Melih Cevdet Anday&#8217;\u0131n Fikri ve Edebi Ki\u015fili\u011fi<\/strong><\/p>\n<p>\uf0fc Garip ak\u0131m\u0131n\u0131n temsilcilerindendir.<br \/>\n\uf0fc \u015eiirlerinde toplumsal ger\u00e7ekli\u011fi inceler.<br \/>\n\uf0fc Daha sonra ilk \u015fiirlerindeki romantizmden s\u0131yr\u0131larak duygulardan \u00e7ok akl\u0131n egemenli\u011fine, g\u00fczel g\u00fcnlerin \u00f6zlemine b\u0131rak\u0131r.<br \/>\n\uf0fc S\u00f6z oyunlar\u0131nda ar\u0131nm\u0131\u015f yal\u0131n bir dil vard\u0131r. D\u00fcz yaz\u0131lar\u0131nda ise yo\u011fun bir d\u00fc\u015f\u00fcnce, \u015fiirsel, esprili, \u00f6zl\u00fc bir dil vard\u0131r.<br \/>\n\uf0fc F\u0131kra, makale, gezi, roman, tiyatro ve \u015fiir yazm\u0131\u015ft\u0131r. \u00c7evirilerde yapm\u0131\u015ft\u0131r.<br \/>\n\uf0fc \u015eiirleri: Garip, Rahat\u0131 Ka\u00e7an A\u011fa\u00e7, Telgrafname, Yanyana.<br \/>\n\uf0fc Denemeleri: \u00c7evirileri; \u0130ngiliz Edebiyat\u0131ndan Denemeler<br \/>\nTiyatrolar\u0131: Komedya, \u0130\u00e7erdekiler, Gizli Emi<\/p>\n<p>Melih Cevdet Anday (13 Mart 1915, \u0130stanbul \u2013 28 Kas\u0131m 2002, \u0130stanbul), \u015fair, tiyatro oyunu, roman, deneme, makale yazar\u0131d\u0131r.<br \/>\nLise arkada\u015flar\u0131 Orhan Veli ve Oktay Rifat&#8217;la birlikte ortaya \u00e7\u0131kard\u0131klar\u0131 Garip Ak\u0131m\u0131 ile T\u00fcrk \u015fiirindeki yenilenmeyi ba\u015flatm\u0131\u015ft\u0131r. Kollar\u0131 Ba\u011fl\u0131 Odysseus ile kendine \u00f6zg\u00fc felsefi \u015fiir ak\u0131m\u0131n\u0131 ba\u015flatm\u0131\u015f, Garip Ak\u0131m\u0131`ndan ayr\u0131lm\u0131\u015ft\u0131r. UNESCO&#8217;nun Courrier dergisi, 1971 y\u0131l\u0131nda onu Cervantes, Dante, Tolstoy, Unamuno, Seferis ve Kawabata d\u00fczeyinde bir edebiyat adam\u0131 olarak g\u00f6rd\u00fc\u011f\u00fcn\u00fc a\u00e7\u0131klam\u0131\u015ft\u0131r.<\/p>\n<p><strong>\u015eiir<\/strong><br \/>\nGarip (1941, Orhan Veli ve Oktay Rifat&#8217;la birlikte)<br \/>\nRahat\u0131 Ka\u00e7an A\u011fa\u00e7 (1946)<br \/>\nTelgrafname (1952)<br \/>\nYanyana (1956)<br \/>\nKollar\u0131 Ba\u011fl\u0131 Odysseus (1962)<br \/>\nG\u00f6\u00e7ebe Denizin \u00dcst\u00fcnde (1970)<br \/>\nTeknenin \u00d6l\u00fcm\u00fc (1975)<br \/>\nS\u00f6zc\u00fckler (1978, toplu \u015fiirler)<br \/>\n\u00d6l\u00fcms\u00fczl\u00fck Ard\u0131nda G\u0131lgam\u0131\u015f (1981)<br \/>\nTan\u0131d\u0131k D\u00fcnya (1984)<br \/>\nG\u00fcne\u015fte (1989)<br \/>\nYa\u011fmurun Alt\u0131nda (1995)<br \/>\nYalan<br \/>\n\u015einanay<br \/>\nTohum<br \/>\nTek Ba\u015f\u0131na<br \/>\nAn\u0131<\/p>\n<p><strong>\u015eiir \u00c7evirileri<\/strong><br \/>\nAnnabel Lee &#8211; Edgar Allan Poe<br \/>\nAtl\u0131n\u0131n T\u00fcrk\u00fcs\u00fc &#8211; Federico Garcia Lorca<br \/>\nBen de &#8211; Langston Hughes<br \/>\nBir Zenci K\u0131z\u0131n T\u00fcrk\u00fcs\u00fc &#8211; Langston Hughes<br \/>\n\u00c7ayhane &#8211; Ezra Pound<br \/>\nGece. \u015eehir Uyumu\u015f. &#8211; Aleksandr Blok<br \/>\nH\u00fcrriyet &#8211; Paul \u00c9luard<br \/>\nKanun &#8211; Wystan Hugh Auden<br \/>\nPan \u00d6ld\u00fc &#8211; Ezra Pound<br \/>\n\u015eiir Sanat\u0131 &#8211; Paul Verlaine<\/p>\n<p><strong>Roman \u00c7evirisi<\/strong><br \/>\nBuz Saray\u0131 (1973 &#8211; Tarjei Vesaas)<br \/>\nBabalar ve O\u011fullar ( 1983- [Turgenyev] )<br \/>\n\u00d6l\u00fc Canlar (1982- [Gogol] )<\/p>\n<p><strong>Roman<\/strong><br \/>\nZifaftan \u00d6nce (1957 &#8211; Murat Tek ad\u0131yla)<br \/>\nYa\u011fmurlu Sokak (1959 &#8211; Murat Tek ad\u0131yla)<br \/>\nDullar \u00c7\u0131kmaz\u0131 (1962 &#8211; Murat Tek ad\u0131yla)<br \/>\nBir Gecede \u00dc\u00e7 Erkek (Murat Tek ad\u0131yla)<br \/>\nAylaklar (1965)<br \/>\nGizli Emir (1970)<br \/>\n\u0130sa&#8217;n\u0131n G\u00fcncesi (1974)<br \/>\nRaziye (1975)<\/p>\n<p><strong>\u015eiir \u00dczerine Yaz\u0131lar<\/strong><br \/>\nAnlam\u0131n Anlam\u0131<br \/>\n\u00c7a\u011flar Ge\u00e7iyor<br \/>\n\u015eiir \u00dczerine<br \/>\n\u015eiirin Vazge\u00e7ilmez \u00dc\u00e7 D\u00f6nemi<br \/>\n\u015eiirin Anlam\u0131<br \/>\nUzun \u015eiir &#8211; K\u0131sa \u015eiir<br \/>\nYar\u0131n D\u00fc\u015f\u00fcncesi<\/p>\n<p><strong>Tiyatro Oyunu<\/strong><br \/>\n\u0130\u00e7erdekiler (1965)<br \/>\nMikadonun \u00c7\u00f6pleri (1967)<br \/>\nYar\u0131n Ba\u015fka Koruda<br \/>\nDikkat K\u00f6pek Var<br \/>\n\u00d6l\u00fcler Konu\u015fmak \u0130ster<br \/>\nM\u00fcfetti\u015fler (1972)<br \/>\n\u00d6l\u00fcms\u00fczler (1984)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Melih Cevdet Anday&#8217;\u0131n Fikri ve Edebi Ki\u015fili\u011fi \uf0fc Garip ak\u0131m\u0131n\u0131n temsilcilerindendir. \uf0fc \u015eiirlerinde toplumsal ger\u00e7ekli\u011fi inceler. \uf0fc Daha sonra ilk \u015fiirlerindeki romantizmden s\u0131yr\u0131larak duygulardan \u00e7ok akl\u0131n egemenli\u011fine, g\u00fczel g\u00fcnlerin \u00f6zlemine b\u0131rak\u0131r. \uf0fc S\u00f6z oyunlar\u0131nda ar\u0131nm\u0131\u015f yal\u0131n bir dil vard\u0131r. D\u00fcz yaz\u0131lar\u0131nda ise yo\u011fun bir d\u00fc\u015f\u00fcnce, \u015fiirsel, esprili, \u00f6zl\u00fc bir dil vard\u0131r. \uf0fc F\u0131kra, makale, gezi, &#8230; <a title=\"Melih Cevdet Anday&#8217;\u0131n Fikri ve Edebi Ki\u015fili\u011fi\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/melih-cevdet-andayin-fikri-ve-edebi-kisiligi.html\" aria-label=\"More on Melih Cevdet Anday&#8217;\u0131n Fikri ve Edebi Ki\u015fili\u011fi\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[224],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45786"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=45786"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45786\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=45786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=45786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=45786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}