{"id":45703,"date":"2013-10-03T00:04:57","date_gmt":"2013-10-02T21:04:57","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=45703"},"modified":"2013-10-03T00:04:57","modified_gmt":"2013-10-02T21:04:57","slug":"ziya-gokalpin-fikri-ve-edebi-kisiligi","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/ziya-gokalpin-fikri-ve-edebi-kisiligi.html","title":{"rendered":"Ziya G\u00f6kalpin Fikri ve Edebi Ki\u015fili\u011fi"},"content":{"rendered":"<p><strong>Ziya G\u00f6kalp&#8217;in Fikri ve Edebi Ki\u015fili\u011fi<\/strong><\/p>\n<p>\uf0fc T\u00fcrk milliyet\u00e7ili\u011fini esaslara ba\u011flam\u0131\u015ft\u0131r.Sistematize etmi\u015ftir.<br \/>\n\uf0fc Sosyal hayat\u0131 ve kurumlar\u0131m\u0131z\u0131 Bat\u0131\u2019ya g\u00f6re d\u00fczenlenmelidir.<br \/>\n\uf0fc Eserlerinde halk dilini kullanm\u0131\u015ft\u0131r.<br \/>\n\uf0fc Halk\u0131n dertlerini isteklerini yans\u0131tmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.<br \/>\n\uf0fc \u201cT\u00fcrk\u00e7\u00fcl\u00fck, T\u00fcrk milletini y\u00fckseltmektir\u201d diyerek bu ifade do\u011frultusunda hareket etmi\u015ftir.<br \/>\n\uf0fc Eserleri: T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Esaslar\u0131, K\u0131z\u0131l Elma, T\u00fcrkle\u015fmek-\u0130slamla\u015fmak -Muas\u0131rla\u015fmak, T\u00fcrk Medeniyet Tarihi, Malta Mektuplar\u0131.<\/p>\n<p>Mehmet Ziya G\u00f6kalp (23 Mart 1876, Diyarbak\u0131r \u2013 25 Ekim 1924, \u0130stanbul), yap\u0131tlar\u0131 ve g\u00f6r\u00fc\u015fleriyle T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fc ve T\u00fcrk milliyet\u00e7ili\u011fini \u00f6nemli \u00f6l\u00e7\u00fcde etkileyen Osmanl\u0131 ve T\u00fcrk toplumbilimci, yazar, \u015fair ve siyaset\u00e7idir. Meclis-i Mebusan&#8217;da ve T\u00fcrkiye B\u00fcy\u00fck Millet Meclisi&#8217;nde milletvekilli\u011fi yapm\u0131\u015ft\u0131r. &#8220;T\u00fcrk milliyet\u00e7ili\u011finin babas\u0131&#8221; olarak da an\u0131l\u0131r<\/p>\n<p>Osmanl\u0131 Devleti&#8217;nin par\u00e7alanma s\u00fcrecinde yeni bir ulusal kimlik aray\u0131\u015f\u0131na girdi. D\u00fc\u015f\u00fcncesinin temelinde, T\u00fcrk toplumunun kendine \u00f6zg\u00fc ahl\u00e2k\u00ee ve k\u00fclt\u00fcrel de\u011ferleriyle, Bat\u0131&#8217;dan ald\u0131\u011f\u0131 baz\u0131 de\u011ferleri kayna\u015ft\u0131rarak bir senteze ula\u015fma \u00e7abas\u0131 yat\u0131yordu. &#8220;T\u00fcrkle\u015fmek, \u0130sl\u00e2mla\u015fmak, Muas\u0131rla\u015fmak&#8221; diye \u00f6zetledi\u011fi bu yakla\u015f\u0131m\u0131n k\u00fclt\u00fcrel \u00f6\u011fesi T\u00fcrk\u00e7\u00fcl\u00fck, ahl\u00e2k\u00ee \u00f6\u011fesi de \u0130sl\u00e2md\u0131. Uluslararas\u0131 k\u00fclt\u00fcr\u00fcn yap\u0131c\u0131 \u00f6\u011fesinin ulusal k\u00fclt\u00fcrler oldu\u011funu savundu. Saray edebiyat\u0131n\u0131n kar\u015f\u0131s\u0131na halk edebiyat\u0131n\u0131 koydu. Bat\u0131&#8217;n\u0131n teknolojik ve bilimsel geli\u015fmesini sa\u011flayan pozitif bilim anlay\u0131\u015f\u0131n\u0131 benimsedi. Dini, toplumsal birli\u011fin sa\u011flanmas\u0131nda yard\u0131mc\u0131 bir \u00f6\u011fe olarak de\u011ferlendirdi.<br \/>\nToplumsal modeli, Emile Durkheim&#8217;in teorik temellerini kurdu\u011fu &#8220;dayan\u0131\u015fmac\u0131l\u0131k&#8221; temelinde \u015fekillendi. Bireyi temel alan liberalizm ve kapitalist toplumun s\u0131n\u0131f m\u00fccadelesiyle y\u0131k\u0131larak s\u0131n\u0131fs\u0131z toplumun kurulmas\u0131n\u0131 hedefleyen Marksizm&#8217;e kar\u015f\u0131; s\u0131n\u0131fsal ayr\u0131mlar\u0131 de\u011fil mesleki ayr\u0131mlar\u0131 g\u00f6ren, mesleki \u00f6rg\u00fctleri temel toplum birimi olarak kabul eden, meslek \u00f6rg\u00fctlerinin dayan\u0131\u015fmas\u0131yla toplumsal huzurun kurulabilece\u011fini savunan solidarizmde karar k\u0131ld\u0131. Toplumsal ve siyasi g\u00f6r\u00fc\u015flerini anlatt\u0131\u011f\u0131 say\u0131s\u0131z makale yazd\u0131. &#8220;T\u00fcrk\u00e7\u00fcl\u00fck&#8221; d\u00fc\u015f\u00fcncesini sistemle\u015ftirdi. Milli edebiyat\u0131n kurulmas\u0131 ve geli\u015fmesinde \u00f6nemli rol oynad\u0131. Ziya G\u00f6kalp \u00f6nce T\u00fcrkiye T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fc sonras\u0131nda O\u011fuzculuk daha sonra ise Turanc\u0131l\u0131k fikirlerinin destek\u00e7isidir.<\/p>\n<p><strong>Eserleri<\/strong><\/p>\n<p>Limni ve Malta Mektuplar\u0131<br \/>\nK\u0131z\u0131l Elma (1914)<br \/>\nT\u00fcrkle\u015fmek, \u0130sl\u00e2mla\u015fmak, Muas\u0131rla\u015fmak (1929)<br \/>\nYeni Hayat (1930)<br \/>\nAlt\u0131n I\u015f\u0131k (1927)<br \/>\nT\u00fcrk T\u00f6resi (1923)<br \/>\nDo\u011fru Yol (1923)[8]<br \/>\nT\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Esaslar\u0131 (1923)<br \/>\nT\u00fcrk Medeniyet Tarihi (1926, \u00f6l\u00fcm\u00fcnden sonra)<br \/>\nK\u00fcrt A\u015firetleri Hakk\u0131nda Sosyolojik Tetkikler (\u00f6l\u00fcm\u00fcnden sonra)<br \/>\nAlt\u0131n Destan<br \/>\n\u00dc\u00e7 Cereyan<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ziya G\u00f6kalp&#8217;in Fikri ve Edebi Ki\u015fili\u011fi \uf0fc T\u00fcrk milliyet\u00e7ili\u011fini esaslara ba\u011flam\u0131\u015ft\u0131r.Sistematize etmi\u015ftir. \uf0fc Sosyal hayat\u0131 ve kurumlar\u0131m\u0131z\u0131 Bat\u0131\u2019ya g\u00f6re d\u00fczenlenmelidir. \uf0fc Eserlerinde halk dilini kullanm\u0131\u015ft\u0131r. \uf0fc Halk\u0131n dertlerini isteklerini yans\u0131tmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. \uf0fc \u201cT\u00fcrk\u00e7\u00fcl\u00fck, T\u00fcrk milletini y\u00fckseltmektir\u201d diyerek bu ifade do\u011frultusunda hareket etmi\u015ftir. \uf0fc Eserleri: T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Esaslar\u0131, K\u0131z\u0131l Elma, T\u00fcrkle\u015fmek-\u0130slamla\u015fmak -Muas\u0131rla\u015fmak, T\u00fcrk Medeniyet Tarihi, Malta Mektuplar\u0131. &#8230; <a title=\"Ziya G\u00f6kalpin Fikri ve Edebi Ki\u015fili\u011fi\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/ziya-gokalpin-fikri-ve-edebi-kisiligi.html\" aria-label=\"More on Ziya G\u00f6kalpin Fikri ve Edebi Ki\u015fili\u011fi\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[224],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45703"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=45703"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45703\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=45703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=45703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=45703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}