{"id":45665,"date":"2013-10-01T22:21:58","date_gmt":"2013-10-01T19:21:58","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=45665"},"modified":"2013-10-01T22:21:58","modified_gmt":"2013-10-01T19:21:58","slug":"huseyin-rahmi-gurpinarin-fikri-ve-edebi-kisiligi","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/huseyin-rahmi-gurpinarin-fikri-ve-edebi-kisiligi.html","title":{"rendered":"H\u00fcseyin Rahmi G\u00fcrp\u0131nar\u2019\u0131n Fikri ve Edebi Ki\u015fili\u011fi"},"content":{"rendered":"

H\u00dcSEY\u0130N RAHM\u0130 G\u00dcRPINAR(1864\u20131944)<\/strong><\/p>\n

\uf0fc Realist-nat\u00fcralist bir yazard\u0131r.
\n\uf0fc Toplum i\u00e7in sanat g\u00f6r\u00fc\u015f\u00fcndedir.
\n\uf0fc Hemen her \u015fey onun eserlerine konu olmu\u015ftur.
\n\uf0fc Mizaha, g\u00fcnl\u00fck konu\u015fmalara \u00e7ok s\u0131k ba\u015fvurmu\u015ftur.
\n\uf0fc Ona g\u00f6re roman soka\u011f\u0131n aynas\u0131d\u0131r.
\n\uf0fc Yabanc\u0131 hayranl\u0131\u011f\u0131, m\u00fcrebbiye tak\u0131nt\u0131s\u0131n\u0131, kad\u0131n dedikodular\u0131n\u0131 eserlerinde s\u0131k\u00e7a i\u015flemi\u015ftir.
\n\uf0fc Eserleri \u0130stanbul merkezlidir. Anadolu yoktur.
\n\uf0fc Eserleri: \u015e\u0131k, M\u00fcrebbiye, \u0130ffet, \u015e\u0131psevdi, Gulyabani, Kuyruklu Y\u0131ld\u0131z Alt\u0131nda Bir \u0130zdiva\u00e7, Ben **** Miyim? Nimet\u015finas <\/p>\n

Edebiyat hayat\u0131<\/strong><\/p>\n

H\u00fcseyin Rahmi G\u00fcrp\u0131nar; \u0130stanbul halk\u0131n\u0131n toplumsal, t\u00f6resel ya\u015fant\u0131lar\u0131n\u0131, aile ge\u00e7imsizliklerini, bat\u0131l inan\u00e7lar\u0131n\u0131, ya\u015fad\u0131\u011f\u0131 \u00e7a\u011fdaki T\u00fcrk toplumunun ge\u00e7irmekte oldu\u011fu krizleri h\u00fcmuristik bir mizah dehasile anlat\u0131r. Servet-i F\u00fcnuncular\u0131n ya\u015f\u0131t\u0131 oldu\u011fu halde, ayr\u0131 bir sanat g\u00f6r\u00fc\u015f\u00fcn\u00fc s\u00fcrd\u00fcr\u00fcr. Romanlar\u0131ndaki kahramanlar\u0131n \u00e7o\u011fu 19. yy sonu \u0130stanbul’un canl\u0131, renkli insan, hayat manzaralar\u0131d\u0131r. Eserlerinde Anadolu yoktur. Mizah\u0131, g\u00fcld\u00fcr\u00fcc\u00fc oldu\u011fu kadar, g\u00fcl\u00fcn\u00e7 y\u00f6nlerimizin yans\u0131t\u0131lmas\u0131, hicvedilmesi i\u00e7in gerekli bir ara\u00e7t\u0131r. H\u00fcseyin Rahmi, se\u00e7ti\u011fi tipleri seviyelerine uygun, ustaca konu\u015fturur ve olaylar\u0131 g\u00fcl\u00fcn\u00e7l\u00fc, ac\u0131kl\u0131 y\u00f6nleriyle belirtir. Kuvvetli bir g\u00f6zlem g\u00fcc\u00fc vard\u0131r. Realist, nat\u00fcralist bir g\u00f6r\u00fc\u015fle “toplum i\u00e7in sanat” yapar. Ertem E\u011filmez taraf\u0131ndan 1976 y\u0131l\u0131nda \u00e7ekilen S\u00fct Karde\u015fler sinemafilminin konusu H\u00fcseyin Rahmi’nin Gulyabani (1913) isimli roman\u0131ndan uyarlanm\u0131\u015ft\u0131r.<\/p>\n

Edebi Ki\u015fili\u011fi ve edebiyat anlay\u0131\u015f\u0131<\/strong>
\n Naturalist bir yazard\u0131r.
\n Ahmet Mithat Efendi’nin temsil etti\u011fi edebi gelene\u011fi s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr.
\n Romanlar\u0131 teknik a\u00e7\u0131dan kusurludur.
\n Dili sadedir. Eserlerindeki ki\u015fileri, y\u00f6resel \u015fiveleriyle yans\u0131t\u0131r.
\n Soka\u011f\u0131 edebiyata getiren sanat\u00e7\u0131d\u0131r.
\n Romanlar\u0131nda s\u0131k s\u0131k olayla ilgisiz bilgiler verir ve olaya kendisini katar.
\n Yap\u0131tlar\u0131nda \u0130stanbul halk\u0131n\u0131n g\u00fcnl\u00fck ya\u015fant\u0131s\u0131ndan bahseder; eski \u0130stanbul hayat\u0131n\u0131 son derece canl\u0131 tasvirlerle ve k\u0131vrak bir \u00fcslupla hik\u00e2yele\u015ftirir.
\n Eserlerinde 19 ve 20. y\u00fczy\u0131l\u0131 ger\u00e7ek\u00e7i ve yal\u0131n bir dil kullanarak betimlemi\u015ftir. Bundan dolay\u0131 halk taraf\u0131ndan sevilen bir yazar olmu\u015ftur.<\/p>\n

H\u00fcseyin Rahmi G\u00fcrp\u0131nar\u2019\u0131n romanlar\u0131 ve \u00f6yk\u00fcleri yeni nesiller taraf\u0131ndan da kolayca anla\u015f\u0131labilmesi i\u00e7in 1960 sonras\u0131nda i\u00e7inde Mustafa Nihat \u00d6z\u00f6n’\u00fcn de yer ald\u0131\u011f\u0131 bir edeb\u00ee kurulca sadele\u015ftirilmi\u015fti. Bu sadele\u015ftirme kimilerince yerinde bulunurken kimileri de \u00f6zg\u00fcn dilin dokunulmadan b\u0131rak\u0131lmas\u0131 gerekti\u011fini savunmu\u015flard\u0131[1].<\/p>\n

Eserleri<\/strong><\/p>\n

Hikaye, oyun ve roman t\u00fcr\u00fcndeki eserlerinin say\u0131s\u0131 54’t\u00fcr.<\/p>\n

Eserlerinden baz\u0131lar\u0131:<\/strong>
\n \u015e\u0131k (1899)
\n \u0130ffet (1896)
\n Son Arzu (1922)
\n Tesad\u00fcf (1900)
\n Metres (1899)
\n \u015e\u0131psevdi (1911)
\n Nimet\u015finas (1911)
\n Kuyruklu Y\u0131ld\u0131z Alt\u0131nda Bir \u0130zdiva\u00e7 (1912)
\n Mutallaka(bo\u015fanm\u0131\u015f kad\u0131n) (1898)
\n Gulyabani (roman) (1913)
\n Hakka S\u0131\u011f\u0131nd\u0131k (1919)
\n Efsuncu Baba (1924)
\n Evlere \u015eenlik, Kaynanam Nas\u0131l Kudurdu (1927)
\n Muhabbet T\u0131ls\u0131m\u0131 (1928)
\n Namusla A\u00e7l\u0131k Meselesi (\u00d6yk\u00fc, 1933)
\n Utanmaz Adam (1934)
\n E\u015fkiya \u0130ninde (1935)
\n \u0130ki H\u00f6d\u00fc\u011f\u00fcn Seyahati (1933)
\n Katil Buse ( \u00d6yk\u00fc, 1933)
\n Kad\u0131n Erkekle\u015fince (Oyun, 1933)
\n G\u00f6n\u00fcl Ticareti (1939)
\n G\u00f6n\u00fcl Bir Yelde\u011firmedinidir Sevda \u00d6\u011f\u00fct\u00fcr (1943)
\n D\u00fcnyan\u0131n Mihveri Kad\u0131n M\u0131? (1949)
\n Melek Sanm\u0131\u015ft\u0131m \u015eeytan\u0131 (1943)
\n Dirilen \u0130skelet (1946)
\n Deli Filozof (1964)
\n Kaderin Cilvesi (1964)
\n Namuslu Kokotlar (1973)
\n Shikure Babezu (1974)
\n Kaderin Cilvesi (1912)
\n G\u00f6n\u00fcl Ticareti (1911)
\n \u00d6l\u00fcm\u00fcne Sevgi
\n Namussuz Necdet
\n Fiyasko
\n M\u00fcrebbiye (1889)
\n Hayattan Sayfalar
\n Kad\u0131nlar Vaizi
\n Kesik Ba\u015f (1942)
\n \u0130stanbul’da Bir Frank
\n Ben Deli Miyim? (1925)
\n \u0130nsan \u00d6nce Maymun Muydu?
\n Meyhanede Han\u0131mlar (1924)
\n Can Pazar\u0131
\n \u00d6l\u00fcler Ya\u015f\u0131yor Mu? (1973)
\n \u015eeytan \u0130\u015fi (1933)
\n Cad\u0131 (1912)
\n Cad\u0131 \u00c7arp\u0131yor
\n Bir Muadele-i Sevda (1899)
\n T\u00fcnelden \u0130lk \u00c7\u0131k\u0131\u015f (\u00d6yk\u00fc, 1934)<\/p>\n","protected":false},"excerpt":{"rendered":"

H\u00dcSEY\u0130N RAHM\u0130 G\u00dcRPINAR(1864\u20131944) \uf0fc Realist-nat\u00fcralist bir yazard\u0131r. \uf0fc Toplum i\u00e7in sanat g\u00f6r\u00fc\u015f\u00fcndedir. \uf0fc Hemen her \u015fey onun eserlerine konu olmu\u015ftur. \uf0fc Mizaha, g\u00fcnl\u00fck konu\u015fmalara \u00e7ok s\u0131k ba\u015fvurmu\u015ftur. \uf0fc Ona g\u00f6re roman soka\u011f\u0131n aynas\u0131d\u0131r. \uf0fc Yabanc\u0131 hayranl\u0131\u011f\u0131, m\u00fcrebbiye tak\u0131nt\u0131s\u0131n\u0131, kad\u0131n dedikodular\u0131n\u0131 eserlerinde s\u0131k\u00e7a i\u015flemi\u015ftir. \uf0fc Eserleri \u0130stanbul merkezlidir. Anadolu yoktur. \uf0fc Eserleri: \u015e\u0131k, M\u00fcrebbiye, \u0130ffet, \u015e\u0131psevdi, … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[224],"tags":[],"class_list":["post-45665","post","type-post","status-publish","format-standard","hentry","category-edebiyat-dil-anlatim"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=45665"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45665\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=45665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=45665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=45665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}