{"id":45599,"date":"2013-09-30T13:15:12","date_gmt":"2013-09-30T10:15:12","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=45599"},"modified":"2013-09-30T13:15:12","modified_gmt":"2013-09-30T10:15:12","slug":"ahmet-mithat-efendinin-fikri-ve-edebi-yonu","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/ahmet-mithat-efendinin-fikri-ve-edebi-yonu.html","title":{"rendered":"Ahmet Mithat Efendi’nin Fikri ve Edebi Y\u00f6n\u00fc"},"content":{"rendered":"

Ahmet Mithat Efendi’nin Fikri ve Edebi Y\u00f6n\u00fc<\/strong><\/p>\n

AHMET M\u0130THAT EFEND\u0130 (1844\u20131912)<\/strong><\/p>\n

\uf0fc Halk i\u00e7in roman gelene\u011fini benimsemi\u015ftir. Halk\u0131n anlayaca\u011f\u0131 bir dilde ve onlar\u0131 ilgilendiren konularda eserler vermi\u015ftir.
\n\uf0fc \u0130lk hik\u00e2ye \u00f6rneklerimizden biri say\u0131lan :\u201dLetaif-i Rivayet\u201di yazm\u0131\u015ft\u0131r.\uf0fc Romantizmden etkilenmi\u015ftir.
\n\uf0fc Hasan Mellah, H\u00fcseyin Fellah, Falatun Bey ve Rak\u0131m Efendi, Yer Y\u00fcz\u00fcnde Bir Melek, Hen\u00fcz On Yedi Ya\u015f\u0131nda.<\/p>\n

\u00d6l\u00fcm\u00fcne dek ikiy\u00fczden fazla eser yay\u0131mlayan Ahmet Mithat, T\u00fcrk edebiyat\u0131n\u0131n ger\u00e7ek anlamda ilk pop\u00fcler yazar\u0131d\u0131r. En b\u00fcy\u00fck arzusu kitap okuyan bir toplum yaratmak idi.[1] \u00c7o\u011funlu\u011fa hitap etmek, dertlerine terc\u00fcman olmak kayg\u0131s\u0131yla \u00e7ok say\u0131da eser verdi \u201ck\u0131rk beygir g\u00fcc\u00fcnde yaz\u0131 makinesi\u201d olarak tan\u0131nd\u0131.<\/p>\n

Eserlerinde Avrupa’n\u0131n bilim, sanayi ve \u00e7al\u0131\u015fkanl\u0131\u011f\u0131n\u0131 \u00f6verken Osmanl\u0131 toplumunun ahlaki de\u011ferlerinin korunmas\u0131 gerekti\u011fini vurgulad\u0131. Gen\u00e7 yazarlara destek verdi, dilde sadele\u015fmeyi savundu, devlete ve dine itaatsizli\u011fi, tembelli\u011fi, m\u00fcsrifli\u011fi, \u00f6zentili\u011fi ele\u015ftirdi. \u00dcr\u00fcnlerini daha \u00e7ok \u00f6yk\u00fc ve roman t\u00fcr\u00fcnde vermi\u015ftir. Romanc\u0131l\u0131\u011f\u0131 ve \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fc, halk \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcnden Bat\u0131 tarz\u0131 \u00f6yk\u00fc ve romanc\u0131l\u0131\u011f\u0131na ge\u00e7i\u015f olarak kabul edilebilir.[3] Ayr\u0131ca tiyatro alan\u0131nda da \u00e7al\u0131\u015fmalar yapm\u0131\u015f, \u201cA\u00e7\u0131kba\u015f, Ahz-i Sar, Ziba\u201d adl\u0131 kitaplar\u0131yla dram ve operet t\u00fcrlerinde \u00fcr\u00fcnler vermi\u015ftir.<\/p>\n

Frans\u0131zca\u2019dan yapt\u0131\u011f\u0131 roman \u00e7evirileri, Bat\u0131 yaz\u0131n\u0131n\u0131n ilk \u00e7eviri \u00f6rneklerini olu\u015fturur. Romanlar\u0131, Nam\u0131k Kemal, \u015eemseddin Sami ve Samipa\u015fazade Sezai ile birlikte onu ilk T\u00fcrk romanc\u0131lar ku\u015fa\u011f\u0131n\u0131n bir \u00fcyesi yapt\u0131.<\/p>\n

Gazetecili\u011fin d\u0131\u015f\u0131nda tarih, co\u011frafya ve felsefeye ilgi duymu\u015f; \u00e7o\u011funlukla Bat\u0131 kaynaklar\u0131ndan yararlanarak kaleme ald\u0131\u011f\u0131 bu eserleri hem kitap oylumunda, hem de fasik\u00fcl olarak \u00e7\u0131karm\u0131\u015ft\u0131r<\/p>\n

Yap\u0131tlar\u0131<\/strong><\/p>\n

Romanlar\u0131[de\u011fi\u015ftir]
\nHasan Mell\u00e2h y\u00e2hud S\u0131r \u0130\u00e7inde Esrar (1874)
\nD\u00fcnyaya \u0130kinci Geli\u015f y\u00e2hud \u0130stanbul\u2019da Neler Olmu\u015f (1874)
\nH\u00fcseyin Fellah (1875)
\nFel\u00e2tun Bey ile R\u00e2k\u0131m Efendi (1875)
\nKar\u0131-Koca Masal\u0131 (1875)
\nParis’de Bir T\u00fcrk (1876)
\n\u00c7engi (1877, oyun)
\nS\u00fcleyman Mus\u00fbl\u00ee (1877)
\nYery\u00fcz\u00fcnde Bir Melek (1879)
\nHen\u00fcz On Yedi Ya\u015f\u0131nda (1881)
\nKarnaval (1881)
\nAmiral Bing (1881)
\nVah! (1882)
\nAc\u00e2ib-i \u00c2lem (1882)
\nD\u00fcrd\u00e2ne Han\u0131m (1882)
\nEsr\u00e2r-\u0131 Cin\u00e2y\u00e2t (1884)
\nCell\u00e2d (1884)
\nVolter Yirmi Ya\u015f\u0131nda (1884)
\nHayret (1885)
\nCinli Han (1885)
\n\u00c7ingene (1886)
\nDemir Bey y\u00e2hud \u0130nki\u015f\u00e2f-\u0131 Esr\u00e2r (1887)
\nFenn\u00ee Bir Roman Y\u00e2hud Amerika Doktorlar\u0131 (1888)
\nHaydut Montari (1888)
\nArnavutlar-Solyotlar (1888)
\nG\u00fcrc\u00fc K\u0131z\u0131 y\u00e2hud \u0130ntikam (1888)
\nNed\u00e2met mi? Heyh\u00e2t (1889)
\nRikalda y\u00e2hut Amerika’da Vah\u015fet \u00c2lemi (1889)
\nAleksandr Stradella (1889)
\n\u015eeytankaya T\u0131ls\u0131m\u0131 (1889)
\nM\u00fc\u015f\u00e2hed\u00e2t (1890)
\nAhmed Metin ve \u015e\u00eerz\u00e2t (1891)
\nBir Ac\u00eebe-i Saydiyye (1894)
\nTaaff\u00fcf (1895)
\nG\u00f6n\u00fcll\u00fc (1896)
\nEski Mekt\u00fbblar (1897)
\nMes\u00e2il-i Mu\u011flaka (1898)
\nAlt\u0131n \u00c2\u015f\u0131klar\u0131 (1899)
\nHikmet-i Peder (1900)
\nJ\u00f6n T\u00fcrkler (1910)<\/p>\n

\u00d6yk\u00fcleri<\/strong>
\nK\u0131ssadan Hisse (1870)
\nLet\u00e2if-i rivayat
\n1.Suni’fi Zann(1870)
\n2.Gen\u00e7lik (1870)
\n3.Es\u00e2ret (1870)
\n4.Teehh\u00fcl (1870)
\n5.Felsefe-i Zen\u00e2n (1870)
\n6.G\u00f6n\u00fcl (1870)
\n7.Mihnetke\u015f\u00e2n (1870)
\n8.Firkat (1870)
\n9.Yeni\u00e7eriler (1871)
\n10.\u00d6l\u00fcm All\u00e2h\u0131n Emri (1873)
\n11.Bir Ger\u00e7ek Hik\u00e2ye (1876)
\n12.Bir Fitnek\u00e2r (1876)
\n13.Nas\u00eeb (1877)
\n14.\u00c7ifte \u0130ntikam (1887)
\n15.Para (1887)
\n16.K\u0131smetinde Olan\u0131n Ka\u015f\u0131\u011f\u0131nda \u00c7\u0131kar (1887)
\n17.Diplomal\u0131 K\u0131z (1890)
\n18.Dolabdan Tem\u00e2\u015f\u00e2 (1890)
\n19.\u0130ki Hud’ak\u00e2r (1893)
\n20.Em\u00e2net\u00e7i S\u0131dk\u0131 (1893)
\n21.Cankurtaranlar (1893)
\n22.Ana-K\u0131z (1893)
\nDur\u00fbb-u Ems\u00e2l-i Osm\u00e2niyye Hikamiyyat\u0131n\u0131n Ahk\u00e2m\u0131n\u0131 Tasvir (1872)
\nHay\u00e2l-Hak\u00eekat (1891)<\/p>\n","protected":false},"excerpt":{"rendered":"

Ahmet Mithat Efendi’nin Fikri ve Edebi Y\u00f6n\u00fc AHMET M\u0130THAT EFEND\u0130 (1844\u20131912) \uf0fc Halk i\u00e7in roman gelene\u011fini benimsemi\u015ftir. Halk\u0131n anlayaca\u011f\u0131 bir dilde ve onlar\u0131 ilgilendiren konularda eserler vermi\u015ftir. \uf0fc \u0130lk hik\u00e2ye \u00f6rneklerimizden biri say\u0131lan :\u201dLetaif-i Rivayet\u201di yazm\u0131\u015ft\u0131r.\uf0fc Romantizmden etkilenmi\u015ftir. \uf0fc Hasan Mellah, H\u00fcseyin Fellah, Falatun Bey ve Rak\u0131m Efendi, Yer Y\u00fcz\u00fcnde Bir Melek, Hen\u00fcz On Yedi … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[224],"tags":[],"class_list":["post-45599","post","type-post","status-publish","format-standard","hentry","category-edebiyat-dil-anlatim"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=45599"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/45599\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=45599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=45599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=45599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}