{"id":42558,"date":"2013-05-25T18:00:57","date_gmt":"2013-05-25T16:00:57","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=42558"},"modified":"2013-05-25T18:00:57","modified_gmt":"2013-05-25T16:00:57","slug":"11-sinif-turk-edebiyati-2-donem-3-yazili-sorulari-27-mayis-2013","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/11-sinif-turk-edebiyati-2-donem-3-yazili-sorulari-27-mayis-2013.html","title":{"rendered":"11.s\u0131n\u0131f t\u00fcrk edebiyat\u0131 2.d\u00f6nem 3.yaz\u0131l\u0131 sorular\u0131 27 May\u0131s 2013"},"content":{"rendered":"

Yaz\u0131l\u0131n\u0131n G\u00f6rselli ve Tam Halini \u0130ndirmek \u0130\u00e7in TIKLAYINIZ<\/span><\/a><\/span><\/strong><\/p>\n

\u00a02012\u20132013 E\u011e\u0130T\u0130M \u00d6\u011eRET\u0130M YILI<\/b><\/p>\n

\n

\u00a0\u2026\u2026\u2026\u2026\u2026\u2026\u2026..L\u0130SES\u0130 11. SINIFLAR T\u00dcRK EDEB\u0130YATI DERS\u0130<\/b><\/p>\n

\u00a0II. D\u00d6NEM III. <\/b>SINAV<\/b> SORULARI <\/b>(ORTAK)<\/b><\/b><\/p>\n

 <\/p>\n<\/div>\n

1) <\/b>\u00a01860\u2019tan g\u00fcn\u00fcm\u00fcze de\u011fin edebiyat\u0131m\u0131z\u0131n ge\u00e7irdi\u011fi d\u00f6nemler zaman s\u0131ras\u0131na g\u00f6re a\u015fa\u011f\u0131daki dizelerden hangisine uygundur?<\/b><\/p>\n

A)\u00a0\u00a0\u00a0\u00a0 Tanzimat\/Servet-iF\u00fbnun\/Milli Edebiyat \/ Fecr-i \u00c2ti \/ Cumhuriyet<\/b><\/p>\n

B)\u00a0\u00a0\u00a0\u00a0 Servet-i F\u00fbnun\/Tanzimat\/Fecr-i \u00c2ti\/Milli Edebiyat\/Cumhuriyet<\/p>\n

C)\u00a0\u00a0\u00a0\u00a0 Fecr-i \u00c2ti\/Tanzimat\/Servet-i F\u00fbnun\/Cumhuriyet\/Milli Edebiyat<\/p>\n

D)\u00a0\u00a0\u00a0\u00a0 Tanzimat\/Fecr-i \u00c2ti\/Servet-i F\u00fbnun\/Milli Edebiyat\/Cumhuriyet<\/p>\n

E)\u00a0\u00a0\u00a0\u00a0 Tanzimat\/Servet-i F\u00fbnun\/Fecr-i \u00c2ti\/Milli Edebiyat\/Cumhuriyet<\/p>\n

2) <\/b>(…), Servet-i F\u00fcnun edebiyat\u0131n\u0131n haz\u0131rlay\u0131c\u0131s\u0131d\u0131r. \u015eiir, roman, oyun ve ele\u015ftiri t\u00fcr\u00fcnde eserler verdi. Sanat sanat i\u00e7indir, anlay\u0131\u015f\u0131na ba\u011fl\u0131d\u0131r. Sanat\u00e7\u0131m\u0131z as\u0131l \u00fcn\u00fcn\u00fc Tanzimat ve bat\u0131 d\u00fc\u015f\u00fcnce ve g\u00f6r\u00fc\u015flerini yaymas\u0131yla yapt\u0131. (…) ise sanat\u00e7\u0131n\u0131n yeni edebiyat anlay\u0131\u015f\u0131na kar\u015f\u0131 eski edebiyat\u0131 savundu, onun i\u00e7in ele\u015ftiriler yazd\u0131.<\/p>\n

Bu par\u00e7ada bo\u015f b\u0131rak\u0131lan yerlere a\u015fa\u011f\u0131dakilerden hangisinde\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 verilenler s\u0131ras\u0131yla getirilmelidir?<\/b><\/p>\n

A)\u00a0\u00a0\u00a0\u00a0 Muallim Naci-Recaizade Mahmut Ekrem<\/p>\n

B)\u00a0\u00a0\u00a0\u00a0 Recaizade Mahmut Ekrem-\u0130brahim \u015einasi<\/p>\n

C)\u00a0\u00a0\u00a0\u00a0 Recaizade Mahmut Ekrem-Muallim Naci<\/p>\n

D)\u00a0\u00a0\u00a0\u00a0 \u0130brahim \u015einasi-Abd\u00fclhak Hamit Tarhan<\/p>\n

E)\u00a0\u00a0\u00a0\u00a0 Recaizade Mahmut Ekrem-Nabizade Naz\u0131m<\/p>\n

3) <\/b>A\u015fa\u011f\u0131daki sanat\u00e7\u0131lardan hangisi, T\u00fcrk edebiyat\u0131nda sembolizmin en \u00f6nemli temsilcisidir?<\/b><\/p>\n

A)\u00a0\u00a0\u00a0\u00a0 Halit Ziya U\u015fakl\u0131gil\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Yakup Kadri Karaosmano\u011flu<\/p>\n

C)\u00a0\u00a0\u00a0 Tevfik Fikret\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) Ahmet Ha\u015fim<\/p>\n

E)\u00a0\u00a0\u00a0 Mehmet Rauf<\/p>\n

4) <\/b>\u00a0D\u00f6nemin Bat\u0131l\u0131 anlamda nitelikti ilk roman \u00f6rneklerini vermi\u015ftir. Bu a\u00e7\u0131dan T\u00fcrk roman\u0131n\u0131n kurucusu olarak de\u011ferlendirilir. Realizm ve nat\u00fcralizmin etkisindeki sanat\u00e7\u0131n\u0131n \u00f6yk\u00fc ve roman tekni\u011fi olduk\u00e7a sa\u011flamd\u0131r. Ahmet Cemil, Lamia, Adnan Bey, Firdevs Han\u0131m, Bihter onun yap\u0131tlar\u0131nda kimlik bulmu\u015f kahramanlardan baz\u0131lar\u0131d\u0131r.<\/p>\n

Bu par\u00e7ada s\u00f6z\u00fc edilen sanat\u00e7\u0131m\u0131z a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A) Yakup Kadri\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Mehmet Rauf<\/p>\n

C) Halit Ziya U\u015fakl\u0131gil\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) H\u00fcseyin Rahmi G\u00fcrp\u0131nar<\/p>\n

E) Halide Edip Ad\u0131var<\/p>\n

5) <\/b>A\u015fa\u011f\u0131dakilerden hangisi Servet-i F\u00fcnun edebiyat\u0131n\u0131n \u00f6zellikleri aras\u0131nda yer almaz?<\/b><\/p>\n

A) Bu d\u00f6nemde aruz vezni b\u0131rak\u0131lm\u0131\u015f, hece vezni kullan\u0131lmaya ba\u015flanm\u0131\u015ft\u0131r.<\/p>\n

B) Daha \u00e7ok bireysel konular i\u015flenmi\u015ftir.<\/p>\n

C) Beyit h\u00e2kimiyeti k\u0131r\u0131lm\u0131\u015f anlam b\u00fct\u00fcne yay\u0131lm\u0131\u015ft\u0131r.<\/p>\n

D) S\u00fcsl\u00fc ve s\u00f6z sanatlar\u0131yla dolu bir anlat\u0131m g\u00f6r\u00fcl\u00fcr.<\/p>\n

E) Bat\u0131\u2019dan sone ve terza-rima gibi naz\u0131m bi\u00e7imleri al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

6) <\/b>Servet- F\u00fcnun edebiyat\u0131n\u0131n en b\u00fcy\u00fck \u015fairidir. \u00d6nceleri daha \u00e7ok bireysel konularda yazan \u015fair, 1896\u2019dan sonra toplumsal konulara y\u00f6nelmeye ba\u015flar. \u201cBal\u0131k\u00e7\u0131lar\u201d, \u201cSeza\u201d, \u201cVerin Zavall\u0131lara\u201d adl\u0131 \u015fiirleri toplumsal i\u00e7erikli \u015fiirleridir. O\u011flu Haluk\u2019un \u00fczerine yazd\u0131\u011f\u0131 \u015fiirlerde onu T\u00fcrk gen\u00e7li\u011finin gelecekteki temsilcisi olarak g\u00f6rm\u00fc\u015ft\u00fcr. \u015eiirlerinde aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullan\u0131r. \u00c7ocuklar i\u00e7in yazd\u0131\u011f\u0131 \u201c\u015eermin\u201dde ise hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc tercih eder.<\/p>\n

Bu paragrafta s\u00f6z\u00fc edilen sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A) Cenap \u015eahabettin<\/p>\n

B) Tevfik Fikret<\/p>\n

C) Ahmet Ha\u015fim<\/p>\n

D) Yahya Kemal Beyatl\u0131<\/p>\n

E) Cahit S\u0131tk\u0131 Taranc\u0131<\/p>\n

7) <\/b>\u00a0\u00a0\u00a0\u00a0\u00a0I. Tanzimat edebiyat\u0131na tepki olarak do\u011fmu\u015ftur.<\/p>\n

II.\u00a0\u00a0 Sanat \u015fahsi ve muhteremdir g\u00f6r\u00fc\u015f\u00fcne ba\u011fl\u0131d\u0131rlar.<\/p>\n

III. Arap\u00e7a, Fars\u00e7a kelimelerle ve tamlamalarla\u00a0y\u00fckl\u00fc bir dil kullanm\u0131\u015flard\u0131r.<\/p>\n

IV.\u00a0 Belli bir sanat anlay\u0131\u015f\u0131nda birle\u015femedikleri i\u00e7in k\u0131sa s\u00fcrede da\u011f\u0131lm\u0131\u015flard\u0131r.<\/p>\n

V.\u00a0 Edebiyat\u0131m\u0131zdaki ilk edebi bildiriyi yay\u0131nlayan topluluktur.<\/p>\n

Yukar\u0131daki \u00f6zelliklerden hangisi, Fecr-i Ati edebiyat\u0131n\u0131n \u00f6zelliklerinden biri de\u011fildir?<\/b><\/p>\n

A) I\u00a0\u00a0 B) II\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C) III\u00a0\u00a0\u00a0\u00a0 D) IV\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E) V<\/p>\n

8) <\/b>A\u015fa\u011f\u0131dakilerden hangisi Servet-i F\u00fcnun sanat\u00e7\u0131lar\u0131ndan biri de\u011fildir?<\/b><\/p>\n

A)\u00a0\u00a0\u00a0\u00a0 Mehmet Rauf<\/p>\n

B)\u00a0\u00a0\u00a0\u00a0 Tevfik Fikret<\/p>\n

C)\u00a0\u00a0\u00a0\u00a0 Halit Ziya U\u015fakl\u0131gil<\/p>\n

D)\u00a0\u00a0\u00a0\u00a0 Ahmet Mithat Efendi<\/p>\n

E)\u00a0\u00a0\u00a0\u00a0 Cenap \u015eahabettin<\/p>\n

9) <\/b>A\u015fa\u011f\u0131dakilerden hangisi Milli Edebiyat d\u00f6nemi edebiyat\u0131n\u0131n \u00f6zelliklerinden biri de\u011fildir?<\/b><\/p>\n

A) Eserlerde, hayata d\u00f6n\u00fck memleket sorunlar\u0131 dile getirilmi\u015ftir.<\/p>\n

B) Hece vezni as\u0131l vezin olarak kabul edilmi\u015ftir.<\/p>\n

C) Hik\u00e2ye ve romanlarda ilk kez \u0130stanbul d\u0131\u015f\u0131na \u00e7\u0131k\u0131l\u0131r.<\/p>\n

D) T\u00fcrk tarihine ve milli kaynaklara y\u00f6nelme g\u00f6r\u00fcl\u00fcr.<\/p>\n

E) \u015eiirde sembolizmin, romanda romantizmin etkisinde kalm\u0131\u015flard\u0131r.<\/p>\n

 <\/p>\n

10) <\/b>Milli Edebiyat ak\u0131m\u0131 1911 y\u0131l\u0131nda<\/span> (I)\u00a0 \u00d6mer Seyfettin<\/span> (II) ve Ali Canip\u2019in<\/span> (III) \u00e7\u0131kard\u0131klar\u0131 \u201cYeni Mecmua<\/span>\u201d (IV) dergisi ile ba\u015flar. Bu edebiyat, yaz\u0131 diliyle konu\u015fma dilinin birle\u015ftirilmesini, dilde sadeli\u011fi<\/span>,(V) T\u00fcrk tarihine ve milli kaynaklara y\u00f6nelmeyi ama\u00e7lar.<\/p>\n

Yukar\u0131daki par\u00e7ada numaraland\u0131r\u0131lm\u0131\u015f yerlerden hangisinde bilgi yanl\u0131\u015fl\u0131\u011f\u0131 yap\u0131lm\u0131\u015ft\u0131r?<\/b><\/p>\n

A) I\u00a0\u00a0 B) II\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 III\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) IV\u00a0\u00a0\u00a0\u00a0\u00a0 E) V<\/p>\n

 <\/p>\n

11) <\/b>A\u015fa\u011f\u0131daki yazarlardan hangisi Milli Edebiyat D\u00f6nemi yazarlar\u0131m\u0131zdan biri de\u011fildir?<\/b><\/p>\n

A) Yakup Kadri Karaosmano\u011flu<\/p>\n

B) Tevfik Fikret<\/p>\n

C) Refik Halit Karay<\/p>\n

D) Re\u015fat Nuri G\u00fcntekin<\/p>\n

E) Halide Edip Ad\u0131var<\/p>\n

12) <\/b>A\u015fa\u011f\u0131daki eserlerden hangisi Ziya G\u00f6kalp\u2019e aittir?<\/b><\/p>\n

A) Aziz \u0130stanbul<\/p>\n

B) Bir Serencam<\/p>\n

C) T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Esaslar\u0131<\/p>\n

D) \u015e\u0131k<\/p>\n

E) Ankara<\/p>\n

13) <\/b>\u015eiir, yazmaya Servet-i F\u00fcnun d\u00f6neminde ba\u015flam\u0131\u015ft\u0131r. Milliyet\u00e7i, halk\u00e7\u0131 bir anlay\u0131\u015f\u0131n \u015fiirini sade bir dil ve hece \u00f6l\u00e7\u00fcs\u00fcyle ortaya koymu\u015ftur. \u015eiirlerinde toplumsal konular\u0131 ele alm\u0131\u015ft\u0131r. \u201cT\u00fcrk \u015fairi\u201d, \u201cmilli \u015fair\u201d diye an\u0131lm\u0131\u015ft\u0131r. \u201cT\u00fcrk Saz\u0131,\u201d \u201cEy T\u00fcrk Uyan,\u201d \u201cTan Sesleri\u201d tan\u0131nm\u0131\u015f eserlerindendir.<\/p>\n

Bu par\u00e7ada tan\u0131t\u0131lan sanat\u00e7\u0131 a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A) Mehmet Emin Yurdakul<\/p>\n

B) Ziya G\u00f6kalp<\/p>\n

C) Tevfik Fikret<\/p>\n

D) \u00d6mer Seyfettin<\/p>\n

E) Ziya G\u00f6kalp<\/p>\n

14) <\/b>A\u015fa\u011f\u0131daki romanlardan hangisi Kurtulu\u015f Sava\u015f\u0131 d\u00f6nemini anlatmaktad\u0131r?<\/b><\/p>\n

A) Mai ve Siyah<\/p>\n

B) Ak\u015fam G\u00fcne\u015fi<\/p>\n

C) Eyl\u00fcl<\/p>\n

D) \u0130ntibah<\/p>\n

E) Yaban<\/p>\n

15)A\u015fa\u011f\u0131daki \u00f6zelliklerden hangisi, Tevfik Fikret ile Yahya Kemal\u2019de ortakt\u0131r?<\/b><\/p>\n

A) \u0130stanbul\u2019a kar\u015f\u0131 duyulan sevgiyi dile getirme<\/p>\n

B) Divan edebiyat\u0131 gelene\u011fini s\u00fcrd\u00fcrme<\/p>\n

C) Toplum sorunlar\u0131n\u0131 i\u015fleme<\/p>\n

D) \u015eiiri d\u00fczyaz\u0131ya (nesre) yakla\u015ft\u0131rma<\/p>\n

E) T\u00fcrk\u00e7eyi aruza ustal\u0131kla uydurma<\/p>\n

16) A\u015fa\u011f\u0131dakilerden hangisi<\/b>, \u201cMilli Edebiyat ak\u0131m\u0131\u201dn\u0131<\/b> belirleyen \u00f6zelliklerden biri de\u011fildir?<\/b><\/p>\n

A) Anlat\u0131mda ger\u00e7ek\u00e7ilikten ka\u00e7\u0131nma<\/p>\n

B) Hece veznini kullanma<\/p>\n

C) Halk edebiyat\u0131ndan yararlanma<\/p>\n

D) Memleket hayat\u0131n\u0131 yans\u0131tma<\/p>\n

E) Dilde sadele\u015fmeye gitme<\/p>\n

17) Kurtulu\u015f Sava\u015f\u0131 d\u00f6neminin havas\u0131n\u0131 yans\u0131tan romanlar\u0131m\u0131zdan \u00fc\u00e7\u00fc, a\u015fa\u011f\u0131dakilerden hangisinde bir araya getirlimi\u015ftir?<\/b><\/p>\n

A) Vurun Kahpeye, Sinekli Bakkal, Kiral\u0131k Konak<\/p>\n

B) Ate\u015ften G\u00f6mlek, Ankara, Sinekli Bakkal<\/p>\n

C) Yaban, Sodom ve Gomore, Ate\u015ften G\u00f6mlek<\/p>\n

D) Vurun Kahpeye, Yorgun Sava\u015f\u00e7\u0131, Ate\u015ften G\u00f6mlek<\/p>\n

E) Yorgun Sava\u015f\u00e7\u0131, \u00c7al\u0131ku\u015fu, Kiral\u0131k Konak<\/p>\n

18) <\/b>\u201cYergi ve g\u00fclmece (hiciv ve mizah) yaz\u0131lar\u0131yla deneme, f\u0131kra ve an\u0131lar\u0131n\u0131 ayr\u0131 ayr\u0131 kitaplarda toplam\u0131\u015f olan yazar, edebiyat alan\u0131nda, konular\u0131n\u0131 Birinci D\u00fcnya Sava\u015f\u0131 y\u0131llar\u0131nda yak\u0131ndan g\u00f6rd\u00fc\u011f\u00fc Anadolu halk ve ya\u015fam\u0131ndan alan hik\u00e2yeleri ile tan\u0131nd\u0131. 1938\u2019de Suriye\u2019den d\u00f6nd\u00fckten sonra edebi \u00e7al\u0131\u015fmalar\u0131n\u0131 roman t\u00fcr\u00fcnde s\u00fcrd\u00fcrd\u00fc,\u201d<\/p>\n

Yukar\u0131da s\u00f6z\u00fc edilen yazar, a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A) Ahmet Rasim<\/p>\n

B) Halide Edip Ad\u0131var<\/p>\n

C) Refik Halit Karay<\/p>\n

D) Re\u015fat Nuri G\u00fcntekin<\/p>\n

E) Aka G\u00fcnd\u00fcz<\/p>\n

19)<\/b> \u201cTarihi ve sosyal olaylardan her birini bir roman\u0131na konu edinerek, Tanzimat d\u00f6nemiyle Atat\u00fcrk T\u00fcrkiyesi aras\u0131ndaki d\u00f6nem ve ku\u015faklar\u0131n ge\u00e7irdikleri sosyal de\u011fi\u015fiklik ve bunal\u0131mlar\u0131, ya\u015fay\u0131\u015f ve g\u00f6r\u00fc\u015f ayr\u0131mlar\u0131n\u0131 i\u015fledi; d\u00fc\u015f\u00fcnce ve teze dayanan \u00f6zl\u00fc yap\u0131tlar verdi.\u201d<\/p>\n

Yukar\u0131da s\u00f6z\u00fc edilen yazar\u0131m\u0131z, a\u015fa\u011f\u0131dakilerden hangisidir?<\/b><\/p>\n

A) Yakup Kadri Karaosmano\u011flu<\/p>\n

B) Halit Ziya U\u015fakl\u0131gil<\/p>\n

C) Refik Halit Karay<\/p>\n

D) H\u00fcseyin Rahmi G\u00fcrp\u0131nar<\/p>\n

E) Halide Edip Ad\u0131var<\/p>\n

20)<\/b> \u201c1911 y\u0131l\u0131nda, o zaman bizim olan Selanik\u2019te \u00d6mer Seyfettin ve Ali Canip\u2019in \u00e7\u0131kard\u0131klar\u0131 Gen\u00e7 Kalemler dergisinin edebiyat tarihimizde b\u00fcy\u00fck bir \u00f6nemi vard\u0131r.\u201d<\/p>\n

Bu derginin edebiyat tarihimizdeki \u00f6nemi nereden kaynaklanmaktad\u0131r?<\/b><\/p>\n

A) Yazarlar\u0131n\u0131n, sanatta \u201ctoplumculuk\u201d fikrini<\/p>\n

savunmalar\u0131ndan<\/p>\n

B) \u201cSade T\u00fcrk\u00e7e\u2019nin bir dava olarak ilk kez bu<\/p>\n

dergide ele al\u0131nm\u0131\u015f olmas\u0131ndan<\/p>\n

C) Milli edebiyat d\u00f6neminin ilk yay\u0131n organ\u0131<\/p>\n

olmas\u0131ndan<\/p>\n

D) \u00d6mer Seyfettin\u2019in sade T\u00fcrk\u00e7e ile yazd\u0131\u011f\u0131<\/p>\n

hik\u00e2yelerinin yay\u0131mland\u0131\u011f\u0131 bir dergi olmas\u0131ndan<\/p>\n

E) Bug\u00fcnk\u00fc ulusal s\u0131n\u0131rlar\u0131m\u0131z d\u0131\u015f\u0131nda yay\u0131mlanan<\/p>\n

T\u00fcrk\u00e7e, edebi ve bilimsel bir dergi olmas\u0131ndan<\/p>\n

21)<\/b> Paul Valery \u201cBir edebi eserin de\u011feri, her ki\u015fiye g\u00f6re ayr\u0131 bir yoruma meydan vermesindedir.\u201d demi\u015ftir.<\/p>\n

A\u015fa\u011f\u0131daki \u015fairlerimizden hangisi, Paul Valery ile ayn\u0131 anlay\u0131\u015ftad\u0131r?<\/b><\/p>\n

A) Tevfik Fikret\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Cenap \u015eehabettin<\/p>\n

C) Yahya Kemal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) Ahmet Ha\u015fim<\/p>\n

E) Yakup Kadri<\/p>\n

22) A\u015fa\u011f\u0131dakilerden hangisi Cenap \u015eehabettin\u2019le Ahmet Ha\u015fim\u2019de ortak de\u011fildir?<\/b><\/p>\n

A) Hem \u015fiir hem nesir alan\u0131nda eser vermi\u015f olmalar\u0131<\/p>\n

B) Ayn\u0131 edebi d\u00f6nemde yer almalar\u0131<\/p>\n

C) Sanat i\u00e7in sanat ilkesini benimsemeleri<\/p>\n

D) Frans\u0131z sembolistlerinden etkilenmeleri<\/p>\n

E) Aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullanmalar\u0131<\/p>\n

23)<\/b> Yeni bir duyarl\u0131\u011f\u0131, yeni bir \u015fiir ak\u0131m\u0131n, geli\u015ftirirken Bat\u0131\u2019y\u0131 g\u00fcn\u00fc g\u00fcn\u00fcne izlerler. Ama bir aray\u0131\u015f d\u00f6neminin b\u00fct\u00fcn kar\u0131\u015f\u0131k etkilerini i\u00e7erir \u015fiirleri. Romantik, Parnas\u00e7\u0131, Sembolisttirler. Do\u011faya y\u00f6nelirler. Ama bir resimdir do\u011fa onlar i\u00e7in. D\u00fc\u015fle ger\u00e7ek \u00e7at\u0131\u015fmas\u0131, karamsarl\u0131k, ka\u00e7\u0131\u015f egemendir \u015fiirlerine. Hem benimsedikleri sanat anlay\u0131\u015f\u0131, hem de d\u00f6nemin siyasal ko\u015fullar\u0131, i\u00e7ine kapan\u0131k, bireyci bir \u015fiire y\u00f6nelmelerine yol a\u00e7m\u0131\u015ft\u0131r.<\/p>\n

Bu par\u00e7ada \u015fiirlerinin ortak \u00f6zelliklerinden s\u00f6z edilen \u015fairler, a\u015fa\u011f\u0131dakilerden hangisiyle adland\u0131r\u0131l\u0131r?<\/b><\/p>\n

A) Be\u015f Hececiler\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Tanzimat\u00e7\u0131lar<\/p>\n

C) Yedi Me\u015faleciler\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) Servet-i F\u00fcnuncular<\/p>\n

E) Milli Edebiyat\u00e7\u0131lar<\/p>\n

24)<\/b> \u015eiirinde sonsuzlu\u011fa ula\u015fma duygusu, \u00f6l\u00fcm kayg\u0131s\u0131, a\u015fk ve lirizm ba\u015fl\u0131ca temalar olarak g\u00f6r\u00fcl\u00fcr. Eski \u015fiiri g\u00fcn\u00fcm\u00fczde de ya\u015fatm\u0131\u015f bir \u015fairdir. \u0130stanbul\u2019un do\u011fa g\u00fczelliklerini yans\u0131tan bir \u015fair olarak tan\u0131nm\u0131\u015ft\u0131r. Divan \u015fiirini \u00e7a\u011fda\u015f bir yorumla veren \u015fiirleri de vard\u0131r.<\/p>\n

Yukar\u0131da s\u00f6z\u00fc edilen \u015fair kimdir?<\/b><\/p>\n

A) Yahya Kemal Beyatl\u0131\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B) Ahmet Ha\u015fim<\/p>\n

C) Faruk Nafiz \u00c7aml\u0131bel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D) Ahmet Hamdi Tanp\u0131nar<\/p>\n

E) Cahit S\u0131tk\u0131 Taranc\u0131<\/p>\n

25) A\u015fa\u011f\u0131daki yazar- eser e\u015fle\u015ftirmelerinden hangisi yanl\u0131\u015ft\u0131r?<\/b><\/p>\n

A) Halit Ziya U\u015fakl\u0131gil – A\u015fk-\u0131 Memnu
\nB) H\u00fcseyin Rahmi G\u00fcrp\u0131nar – M\u00fcrebbiye
\nC) Mehmet Rauf – Eyl\u00fcl
\nD) Ahmet Ha\u015fim – Hac Yolunda
\nE) \u00d6mer Seyfettin – Efruz Bey<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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X<\/b><\/p>\n<\/td>\n

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A GRUBU CEVAP K\u00c2\u011eIDI<\/b><\/p>\n<\/td>\n

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15<\/b><\/p>\n<\/td>\n

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3<\/b><\/p>\n<\/td>\n

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16<\/p>\n<\/td>\n

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17<\/b><\/p>\n<\/td>\n

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5<\/b><\/p>\n<\/td>\n

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6<\/p>\n<\/td>\n

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X<\/b><\/p>\n<\/td>\n

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X<\/b><\/p>\n<\/td>\n

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X<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Not:<\/span><\/b><\/p>\n

\u2014 Her sorunun do\u011fru yan\u0131t\u0131 4 puand\u0131r. (25*4=100)<\/b><\/p>\n

\u2014 4 yanl\u0131\u015f cevap 1 do\u011fruyu G\u00d6T\u00dcR\u00dcR<\/span>.<\/b><\/p>\n

\u2014 S\u0131nav s\u00fcresi 30 dakikad\u0131r.<\/b><\/p>\n

\u2014 Cevap k\u00e2\u011f\u0131d\u0131 \u00fczerinde yap\u0131lmayan i\u015faretlemeler ge\u00e7ersiz say\u0131lacakt\u0131r.<\/b><\/p>\n

BA\u015eARILAR\u2026<\/b><\/p>\n

T\u00dcRK D\u0130L\u0130 ve EDEB\u0130YATI \u00d6\u011eRETMENLER\u0130<\/b><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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\u00a0<\/b><\/p>\n<\/td>\n

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A GRUBU CEVAP ANAHTARI<\/b><\/p>\n<\/td>\n

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B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

8<\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n

\n

21<\/b><\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

9<\/b><\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n

\n

22<\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

10<\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n

\n

23<\/b><\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

11<\/b><\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n

\n

24<\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

12<\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n

\n

25<\/b><\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n<\/tr>\n

\n

13<\/b><\/p>\n<\/td>\n

\n

A<\/b><\/p>\n<\/td>\n

\n

B<\/p>\n<\/td>\n

\n

C<\/b><\/p>\n<\/td>\n

\n

D<\/p>\n<\/td>\n

\n

E<\/b><\/p>\n<\/td>\n

\n

X<\/b><\/p>\n<\/td>\n

\n

X<\/b><\/p>\n<\/td>\n

\n

X<\/b><\/p>\n<\/td>\n

\n

X<\/b><\/p>\n<\/td>\n

\n

X<\/b><\/p>\n<\/td>\n

\n

X<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nYaz\u0131l\u0131n\u0131n G\u00f6rselli ve Tam Halini \u0130ndirmek \u0130\u00e7in TIKLAYINIZ<\/span><\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Yaz\u0131l\u0131n\u0131n G\u00f6rselli ve Tam Halini \u0130ndirmek \u0130\u00e7in TIKLAYINIZ \u00a02012\u20132013 E\u011e\u0130T\u0130M \u00d6\u011eRET\u0130M YILI \u00a0\u2026\u2026\u2026\u2026\u2026\u2026\u2026..L\u0130SES\u0130 11. SINIFLAR T\u00dcRK EDEB\u0130YATI DERS\u0130 \u00a0II. D\u00d6NEM III. SINAV SORULARI (ORTAK)   1) \u00a01860\u2019tan g\u00fcn\u00fcm\u00fcze de\u011fin edebiyat\u0131m\u0131z\u0131n ge\u00e7irdi\u011fi d\u00f6nemler zaman s\u0131ras\u0131na g\u00f6re a\u015fa\u011f\u0131daki dizelerden hangisine uygundur? A)\u00a0\u00a0\u00a0\u00a0 Tanzimat\/Servet-iF\u00fbnun\/Milli Edebiyat \/ Fecr-i \u00c2ti \/ Cumhuriyet B)\u00a0\u00a0\u00a0\u00a0 Servet-i F\u00fbnun\/Tanzimat\/Fecr-i \u00c2ti\/Milli Edebiyat\/Cumhuriyet C)\u00a0\u00a0\u00a0\u00a0 Fecr-i \u00c2ti\/Tanzimat\/Servet-i … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1686,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13370],"tags":[16300,16302,16301],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/42558"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1686"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=42558"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/42558\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=42558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=42558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=42558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}