Servet-i F\u00fcnun ilkelerini benimseyerek yazd\u0131\u011f\u0131 eserlerdir.1896 y\u0131l\u0131nda Servet-i F\u00fcnn Toplulu\u011fun’a kat\u0131l\u0131r. Bu d\u00f6nemde hik\u00e2ye t\u00fcr\u00fcnde yazd\u0131\u011f\u0131 iki eser vard\u0131r Haristan ve G\u00fclistan’d\u0131r<\/p>\n
Ahmed Hikmet’in\u00a0 Edebiyat merak\u0131 daha lise y\u0131llar\u0131nda ba\u015flam\u0131\u015ft\u0131. Bu alandaki merak\u0131n\u0131n, aileden gelen bir haslet oldu\u011funu ifade eder. \u0130lk olarak As\u0131r K\u00fct\u00fcphanesi ne\u015friyat\u0131 aras\u0131nda \u00e7\u0131kan Leyla Yahut Bir Mecnunun \u0130ntikam\u0131 yay\u0131nland\u0131. Daha sonra Frans\u0131zcadan Tuvalet ve Letafet ve Bir Riyaz\u00eenin Mua\u015fakas\u0131 adlar\u0131nda iki eser terc\u00fcme ettiyse de, do\u011fu ile bat\u0131 k\u00fclt\u00fcr\u00fcn\u00fcn \u00e7ok farkl\u0131 oldu\u011funu g\u00f6rerek bir daha eser terc\u00fcme etmedi.<\/p>\n
Ahmet Hikmet’in Edebiyat\u00e7\u0131 \u015f\u00f6hretini yapan ilk \u00f6nemli eseri, i\u00e7inde birtak\u0131m k\u00fc\u00e7\u00fck hikayeler bulunan “Haristan ve G\u00fclistan” adl\u0131 kitab\u0131d\u0131r Bu eserin edebi neviler a\u00e7\u0131s\u0131ndan dikkate de\u011fer par\u00e7as\u0131 ayn\u0131 zamanda b\u00fct\u00fcn kitaba ismi verilen masal kitab\u0131d\u0131r Avrupal\u0131lar\u0131n “Comte” dedikleri masal \u00e7e\u015fidinin Yeni T\u00fcrk Edebiyat\u0131ndaki ilk g\u00fczel \u00f6rne\u011fidir .Bu eser eski\u00a0 Edebiyat tarz\u0131 \u00fczerine yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n
Servet-i F\u00fcnun devrinde, \u0130kdam ve\u00a0 Servet-i F\u00fcnun Dergisinde yazd\u0131\u011f\u0131 hik\u00e2ye ve nesirlerini 1901 y\u0131l\u0131nda Haristan ve G\u00fclistan adl\u0131 eserlerde toplad\u0131. Bu iki eserinde Ahmed Hikmet M\u00fcft\u00fco\u011flu, daha iyi tesir yapmak, g\u00f6n\u00fclleri heyecanland\u0131rmak i\u00e7in m\u00fcbala\u011fal\u0131 bir \u00fcslub kulland\u0131\u011f\u0131n\u0131, a\u011f\u0131r ve anla\u015f\u0131lmas\u0131 g\u00fc\u00e7 Serveti F\u00fcnun dilini i\u015fledi\u011fini ve hayal mahsul\u00fc konular anlatt\u0131\u011f\u0131n\u0131 bizzat kendisi s\u00f6yler. Kendisinin de ifade etti\u011fi sebeplerden dolay\u0131 bu iki eseri fazla itibar kazanamam\u0131\u015ft\u0131r.<\/p>\n
2)T\u00fcrk\u00e7\u00fcl\u00fck Ak\u0131m\u0131n\u0131 Benimsedi\u011fi D\u00f6nem<\/strong><\/p>\n \u0130kinci Me\u015frutiyetten sonra, zaman\u0131n modas\u0131na uyarak o da Turanc\u0131l\u0131k Edebiyat\u0131 ak\u0131m\u0131na uymu\u015ftur. Bu ak\u0131ma ba\u011fl\u0131 olarak yazd\u0131\u011f\u0131 yaz\u0131lar\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 \u00c7a\u011flayanlar (1922) adl\u0131 eserinde toplam\u0131\u015ft\u0131r. Bu eserinde yazar ar\u0131 T\u00fcrk\u00e7ecili\u011fe y\u00f6nelmi\u015f, fakat bu defa da kelime uydurma ve Serveti F\u00fcnundan kalma hayalcilikten kendini kurtaramam\u0131\u015ft\u0131r. \u00c7a\u011flayanlar isimli, tamamen Milli hikayeler ve nesirler kitab\u0131d\u0131r. \u00c7a\u011flayanlar 1908′ den sonraki T\u00fcrk\u00e7\u00fcl\u00fck hareketlerinin, Milli k\u00fclt\u00fcr ve Milli heyecanla yo\u011frulmu\u015f zengin verimlerden biridir.<\/p>\n G\u00f6n\u00fcl Han\u0131m adl\u0131 roman\u0131 Tasvir-i Efk\u00e2r Gazetesinde tefrika edilmi\u015f ve 1970’de kitap olarak bast\u0131r\u0131lm\u0131\u015ft\u0131r. Ahmed Hikmet, yaz\u0131lar\u0131nda daha ziyade kelime bulmaya ve \u00fcsluba dikkat etti\u011fi i\u00e7in, konulara dikkat etmemi\u015f ve bu y\u00fczden zaman\u0131ndakilerin ayar\u0131nda bir edebiyat\u00e7\u0131 olamam\u0131\u015ft\u0131r.<\/p>\n G\u00f6n\u00fcl Han\u0131m roman\u0131 Ahmet Hikmet’in T\u00fcrk\u00e7\u00fcl\u00fck idealini sembolle\u015ftiren bir romand\u0131r. Teknik bak\u0131m\u0131ndan bir romanda bulunmas\u0131 gereken b\u00fct\u00fcn unsurlar\u0131 bu romanda g\u00f6rmek m\u00fcmk\u00fcn de\u011fildir. Roman daha \u00e7ok bir tarih ara\u015ft\u0131rmas\u0131, ilmi bir inceleme niteli\u011findedir. B\u00fct\u00fcnl\u00fckten uzakt\u0131r. \u0130stenilen yerden a\u00e7\u0131l\u0131p okunabilir. Yani olaylar zincirleme olarak birbirine iyi ba\u011flanmam\u0131\u015f, olay \u00f6rg\u00fcs\u00fc zay\u0131ft\u0131r .<\/p>\n K\u00fclt\u00fcrel manada Turanc\u0131l\u0131kt\u0131r. Onun Turanc\u0131l\u0131\u011f\u0131 co\u011frafi ve siyasiden \u00e7ok, kendi ifadesiyle” Bence T\u00fcrk birli\u011fi hatta \u0130slam Birli\u011fi demek T\u00fcrk K\u00fclt\u00fcr\u00fcn\u00fcn, \u0130slam \u0130lminin Birli\u011fi demektir.”<\/p>\n Fikirleri ve Edebi\u00a0 Ki\u015fili\u011fi:<\/strong><\/p>\n T\u00fcrk\u00e7\u00fc ve T\u00fcrk\u00e7eci yazarlar\u0131m\u0131z\u0131n \u00f6nde gelenlerinden Ahmet Hikmet M\u00fcft\u00fco\u011flu Milli Edebiyatc\u0131lar\u0131m\u0131z\u0131n milliyet\u00e7i hareketini temsil etmi\u015ftir.T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fc siyasi sahada savunan isimlerimizdendir. Yazarl\u0131\u011fa Servet-i F\u00fcnuncular i\u00e7inde ba\u015flam\u0131\u015f, me\u015frutiyetten sonra T\u00fcrk\u00e7\u00fcl\u00fck \u00fclk\u00fcs\u00fcn\u00fc benimsemi\u015f ve Servet-i F\u00fcnunculardan ayr\u0131lm\u0131\u015ft\u0131r. M\u00fcsbet ilimlerle ilgili terc\u00fcmeler yapm\u0131\u015f ve Hazine-i F\u00fcnun ile Servet-i F\u00fcnun dergilerinde yay\u0131mlatm\u0131\u015ft\u0131r. 1894\u20131900 y\u0131llar\u0131 aras\u0131nda ayn\u0131 dergilerde hik\u00e2yelerini sunmu\u015ftur. 1908’den sonra sanat\u0131n\u0131 sosyal konulara y\u00f6nlendirmi\u015ftir. \u00d6l\u00fcm\u00fcne kadar bu fikre ba\u011fl\u0131 kalm\u0131\u015f, edebi alanda \u00c7a\u011flayanlarda hik\u00e2yeleri ve G\u00f6n\u00fcl Han\u0131m adl\u0131 roman\u0131nda bunu sergilemi\u015ftir. T\u00fcrk toplum yap\u0131s\u0131n\u0131 \u00c7a\u011flayanlar\u2019daki 16 hik\u00e2yesinde ortaya koymu\u015ftur.<\/p>\n Eserleri:<\/p>\n G\u00f6n\u00fcl Han\u0131m\u2019da; Birinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda Kafkas cephesinde Ruslara esir d\u00fc\u015fen bir askerin T\u00fcrkistan\u2019daki esir kamp\u0131nda G\u00f6n\u00fcl adl\u0131 bir Tatar k\u0131z\u0131n\u0131n rehberli\u011finde, eski T\u00fcrk \u00fclkelerini dola\u015fmas\u0131n\u0131 ve \u00fclk\u00fc birli\u011fi yapt\u0131\u011f\u0131 bu k\u0131zla aras\u0131ndaki sevday\u0131 anlat\u0131r. T\u00fcrk tarih ve medeniyetinin eskili\u011fi ve T\u00fcrk birli\u011fi \u00fczerinde durur. T\u00fcrk\u00e7\u00fcl\u00fck \u00e7al\u0131\u015fmalar\u0131na kat\u0131ld\u0131ktan sonra ortaya koydu\u011fu eserlerinde mill\u00ee kimlik \u00f6n plana \u00e7\u0131km\u0131\u015f, dil sadele\u015fmi\u015ftir. Eserlerinden di\u011ferleri; Leyla Yahud Bir Mecnunun \u0130ntikam\u0131 (1890), Haristan ve G\u00fclistan (1890), \u00c7a\u011flayanlar (1922), G\u00f6n\u00fcl Han\u0131m (Tasvir-i Efkar\u2019da tefrika, 1920, yeni yay\u0131n\u0131 1971), Salon K\u00f6\u015feleri, Bir Tesad\u00fcf, Bir Safha-i Kalb, Kad\u0131n Ruhu, Silinmi\u015f \u00c7ehreler, Beliren Simalar adl\u0131 kitaplard\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":" Servet-i F\u00fcnun ilkelerini benimseyerek yazd\u0131\u011f\u0131 eserlerdir.1896 y\u0131l\u0131nda Servet-i F\u00fcnn Toplulu\u011fun’a kat\u0131l\u0131r. Bu d\u00f6nemde hik\u00e2ye t\u00fcr\u00fcnde yazd\u0131\u011f\u0131 iki eser vard\u0131r Haristan ve G\u00fclistan’d\u0131r Ahmed Hikmet’in\u00a0 Edebiyat merak\u0131 daha lise y\u0131llar\u0131nda ba\u015flam\u0131\u015ft\u0131. Bu alandaki merak\u0131n\u0131n, aileden gelen bir haslet oldu\u011funu ifade eder. \u0130lk olarak As\u0131r K\u00fct\u00fcphanesi ne\u015friyat\u0131 aras\u0131nda \u00e7\u0131kan Leyla Yahut Bir Mecnunun \u0130ntikam\u0131 yay\u0131nland\u0131. Daha sonra … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[224],"tags":[14922],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/40923"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=40923"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/40923\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=40923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=40923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=40923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}