{"id":39310,"date":"2012-12-06T23:35:38","date_gmt":"2012-12-06T21:35:38","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=39310"},"modified":"2012-12-06T23:35:38","modified_gmt":"2012-12-06T21:35:38","slug":"mevlananin-eserleri","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/mevlananin-eserleri.html","title":{"rendered":"Mevlana’n\u0131n eserleri"},"content":{"rendered":"

Mesnevi
\nDivan<\/a>-\u0131 Kebir
\nFihi-Ma-Fih
\nMektubat
\nMecalis-i Seb ‘a<\/p>\n

MESNEV\u0130<\/strong><\/p>\n

Mesnev\u00ee, kl\u00e2sik do\u011fu edebiyat\u0131nda, bir \u015fiir tarz\u0131n\u0131n ad\u0131d\u0131r. S\u00f6zl\u00fck anlam\u0131yla “\u0130ki\u015fer, iki\u015ferlik” demektir. Edebiyatta ayn\u0131 vezinde ve her beyti kendi aras\u0131nda ayr\u0131 ayr\u0131 kafiyeli naz\u0131m \u015fekillerine Mesnev\u00ee ad\u0131 verilmi\u015ftir.<\/p>\n

Her beytin ayn\u0131 vezinde fakat ayr\u0131 ayr\u0131 kafiyeli olmas\u0131 nedeniyle Mesnev\u00ee’de b\u00fcy\u00fck bir yazma kolayl\u0131\u011f\u0131 vard\u0131r. Bu nedenle uzun s\u00fcrecek konular veya hik\u00e2yeler \u015fiir yoluyla s\u00f6ylenilecekse, kafiye kolayl\u0131\u011f\u0131 nedeniyle mesnev\u00ee tarz\u0131 se\u00e7ilir. Bu suretle \u015fiir, beyit beyit s\u00fcr\u00fcp gider.<\/p>\n

Mesnev\u00ee her ne kadar kl\u00e2sik do\u011fu’\u015fiirinin bir \u015fiir tarz\u0131 ise de “Mesnev\u00ee” denildi\u011fi zaman akla “Mevl\u00e2na’n\u0131n Mesnev\u00ee’si”gelir. Mevl\u00e2na Mesnev\u00ee’yi \u00c7elebi H\u00fcsameddin’in iste\u011fi \u00fczerine yazm\u0131\u015ft\u0131r. K\u00e2tibi H\u00fcsameddin \u00c7elebi’nin s\u00f6yledi\u011fine g\u00f6re Mevlan\u00e2, Mesnev\u00ee beyitlerini Meram<\/a>‘da gezerken,otururken, y\u00fcr\u00fcrken hatta sem\u00e2 ederken s\u00f6ylermi\u015f, \u00c7elebi H\u00fcsameddin de yazarm\u0131\u015f.<\/p>\n

Mesnev\u00ee’nin dili Fars\u00e7a’d\u0131r. Halen Mevl\u00e2na M\u00fczesi’nde te\u015fhirde bulunan 1278 tarihli, elde bulunan en eski Mesnev\u00ee n\u00fcshas\u0131na g\u00f6re, beyit say\u0131s\u0131 25618 dir.<\/p>\n

Mesnev\u00ee’nin vezni : F\u00e2 i l\u00e2 t\u00fcn- F\u00e2 i l\u00e2 t\u00fcn – F\u00e2 i l\u00fcn’d\u00fcr<\/p>\n

Mevl\u00e2na 6 b\u00fcy\u00fck cilt olan Mesnev\u00ee’sinde, tasavvuf\u00ee fikir ve d\u00fc\u015f\u00fcncelerini, birbirine ulanm\u0131\u015f hikayeler halinde anlatmaktad\u0131r<\/p>\n

D\u0130VAN-I KEB\u0130R<\/strong><\/p>\n

D\u00eev\u00e2n, \u015fairlerin \u015fiirlerini toplad\u0131klar\u0131 deftere denir. D\u00eev\u00e2n-\u0131 Keb\u00eer “B\u00fcy\u00fck Defter” veya “B\u00fcy\u00fck D\u00eev\u00e2n” manas\u0131na gelir. Mevl\u00e2na’n\u0131n \u00e7e\u015fitli konularda s\u00f6yledi\u011fi \u015fiirlerin tamam\u0131 bu divandad\u0131r. D\u00eev\u00e2n-\u0131 Keb\u00eer’in dili de Fars\u00e7a olmakla beraber, D\u00eev\u00e2n-\u0131 Keb\u00eer i\u00e7inde az say\u0131da Arap\u00e7a, T\u00fcrk\u00e7e ve Rumca \u015fiir de yar almaktad\u0131r. D\u00eev\u00e2n-\u0131 Keb\u00eer 21 k\u00fc\u00e7\u00fck d\u00eev\u00e2n (Bahir) ile Rub\u00e2\u00ee D\u00eev\u00e2n\u0131’n\u0131n bir araya getirilmesiyle olu\u015fmu\u015ftur. D\u00eev\u00e2n-\u0131 Keb\u00eer’in beyit adedi 40.000 i a\u015fmaktad\u0131r. Mevl\u00e2na, D\u00eev\u00e2n-\u0131 Keb\u00eer’deki baz\u0131 \u015fiirlerini \u015eems Mahlas\u0131 ile yazd\u0131\u011f\u0131 i\u00e7in bu d\u00eev\u00e2na, D\u00eev\u00e2n-\u0131 \u015eems de denilmektedir. D\u00eev\u00e2nda yer alan \u015fiirler vezin ve kafiyeler g\u00f6z \u00f6n\u00fcne al\u0131narak d\u00fczenlenmi\u015ftir.<\/p>\n

MEKTUBAT<\/strong><\/p>\n

Mevl\u00e2na’n\u0131n ba\u015fta Sel\u00e7uklu H\u00fck\u00fcmdarlar\u0131na ve devrin ileri gelenlerin.e nasihat i\u00e7in, kendisinden sorulan ve halli istenilen di\u0131\u00fc ve ilmi konularda ise a\u00e7\u0131klay\u0131c\u0131 bilgiler vermek i\u00e7in yazd\u0131\u011f\u0131 147 adet mektuptur. Mevl\u00e2na bu mektuplar\u0131nda, edeb\u00ee mektup yazma kaidelerine uymam\u0131\u015f, aynen konu\u015ftu\u011fu gibi yazm\u0131\u015ft\u0131r. Mektuplar\u0131nda “kulunuz, bendeniz” gibi kelimelere hi\u00e7 yer vermemi\u015ftir. Hitaplar\u0131nda mevki ve memuriyet adlar\u0131 m\u00fcstesna, mektup yazd\u0131\u011f\u0131 ki\u015finin akl\u0131na, inanc\u0131na ve yapt\u0131\u011f\u0131 iyi i\u015flere g\u00f6re kendisine hangi hitap tarz\u0131 yak\u0131\u015f\u0131yorsa o s\u00f6zlerle ve o vas\u0131fl\u00e2rla hitap etmi\u015ftir.<\/p>\n

F\u0130 H\u0130 MA F\u0130 H<\/strong><\/p>\n

F\u00eehi M\u00e2 Fih “Onun i\u00e7indeki i\u00e7indedir” manas\u0131na gelmektedir.. Bu eser Mevl\u00e2na’n\u0131n \u00e7e\u015fitli meclislerde yapt\u0131\u011f\u0131 sohbetlerin, o\u011flu Sultan Veled taraf\u0131ndan toplanmas\u0131 ile meydana gelmi\u015ftir. 61 b\u00f6l\u00fcmden olu\u015fmaktad\u0131r. Bu b\u00f6l\u00fcmlerden bir k\u0131sm\u0131, Sel\u00e7uklu Veziri S\u00fcleyman Pervane’ye hitaben kaleme al\u0131nm\u0131\u015ft\u0131r. Eserde baz\u0131 siyasi olaylara da temas edilmesi y\u00f6n\u00fcnden, bu eser ayn\u0131 zamanda tarihi bir kaynak olarak da kabul edilmektedir. Eserde cennet ve cehennem, d\u00fcnya ve \u00e2hiret, m\u00fcr\u015fit ve m\u00fcr\u00eed, a\u015fk ve sem\u00e2 gibi konular i\u015flenmi\u015ftir.<\/p>\n

MEC\u00c2L\u0130S-\u0130 SEB’A<\/strong><\/p>\n

(Yedi Meclis<\/a>) Mec\u00e2lis-i Seb’a, ad\u0131ndan da anla\u015f\u0131laca\u011f\u0131 \u00fczere Mevl\u00e2na’n\u0131n yedi meclisi’nin, yedi vaaz\u0131’n\u0131n not edilmesinden meydana gelmi\u015ftir. Mevl\u00e2na’n\u0131n vaazlar\u0131, \u00c7elebi H\u00fcsameddin veya o\u011flu Sultan Veled taraf\u0131ndan not edilmi\u015f, ancak \u00f6z\u00fcne dokunulmamak kayd\u0131 ile eklentiler yap\u0131lm\u0131\u015ft\u0131r. Eserin d\u00fczenlemesi yap\u0131ld\u0131ktan sonra Mevl\u00e2na’n\u0131n tashihinden ge\u00e7mi\u015f olmas\u0131 kuvvetle muhtemeldir. \u015eiiri ama\u00e7 de\u011fil, fikirlerini s\u00f6ylemede bir ara\u00e7 olarak kabul eden Mevl\u00e2na, yedi meclisinde \u015ferh etti\u011fi Hadis<\/a>‘lerin konular\u0131 bak\u0131m\u0131ndan tasnifi \u015f\u00f6yledir :<\/p>\n

1. Do\u011fru yoldan ayr\u0131lm\u0131\u015f toplumlar\u0131n hangi yolla kurtulaca\u011f\u0131.
\n2. Su\u00e7tan kurtulu\u015f. Ak\u0131l yolu ile gafletten uyan\u0131\u015f.
\n3. \u0130nan\u00e7’daki kudret.
\n4. T\u00f6vbe edip do\u011fru yolu bulanlar Allah’\u0131n sevgili kullar\u0131 olurlar.
\n5. Bilginin de\u011feri.
\n6. Gaflete dal\u0131\u015f.
\n7. Akl\u0131n \u00f6nemi.<\/p>\n

Bu yedi meclis’de, as\u0131l \u015ferh edilen hadislerle beraber, 41 Hadis daha ge\u00e7mektedir. Mevl\u00e2na taraf\u0131ndan se\u00e7ilen her Hadis i\u00e7timaidir. Mevl\u00e2na yedi meclisinde her b\u00f6l\u00fcme “Hamd \u00fc sena” ve “M\u00fcnacaat” ile ba\u015flamakta, a\u00e7\u0131klanacak konular\u0131 ve tasavvuf\u00ee g\u00f6r\u00fc\u015flerini hikaye ve \u015fiirlerle cazip hale getirmektedir. Bu yol Mesnev\u00ee’nin yaz\u0131l\u0131\u015f\u0131nda da aynen kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/div>\n","protected":false},"excerpt":{"rendered":"

Mesnevi Divan-\u0131 Kebir Fihi-Ma-Fih Mektubat Mecalis-i Seb ‘a MESNEV\u0130 Mesnev\u00ee, kl\u00e2sik do\u011fu edebiyat\u0131nda, bir \u015fiir tarz\u0131n\u0131n ad\u0131d\u0131r. S\u00f6zl\u00fck anlam\u0131yla “\u0130ki\u015fer, iki\u015ferlik” demektir. Edebiyatta ayn\u0131 vezinde ve her beyti kendi aras\u0131nda ayr\u0131 ayr\u0131 kafiyeli naz\u0131m \u015fekillerine Mesnev\u00ee ad\u0131 verilmi\u015ftir. Her beytin ayn\u0131 vezinde fakat ayr\u0131 ayr\u0131 kafiyeli olmas\u0131 nedeniyle Mesnev\u00ee’de b\u00fcy\u00fck bir yazma kolayl\u0131\u011f\u0131 vard\u0131r. Bu … Devam\u0131n\u0131 oku…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13400],"tags":[13671,13672],"class_list":["post-39310","post","type-post","status-publish","format-standard","hentry","category-felsefe","tag-mevlana","tag-mevlana-eserleri"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/39310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=39310"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/39310\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=39310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=39310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=39310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}