{"id":2311,"date":"2010-11-28T21:40:36","date_gmt":"2010-11-28T19:40:36","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=2311"},"modified":"2010-11-28T21:40:42","modified_gmt":"2010-11-28T19:40:42","slug":"yedi-mesaleciler-2","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/yedi-mesaleciler-2.html","title":{"rendered":"Yedi Me\u015faleciler"},"content":{"rendered":"

CUMHUR\u0130YET D\u00d6NEM\u0130 \u015e\u0130\u0130R ANLAYI\u015eI
\n<\/strong>Fecr-i \u00c2ti edebi toplulu\u011fundan sonra 1928 y\u0131l\u0131nda Ya\u015far Nabi Nay\u0131r, Sabri Esat Siyavu\u015fgil, Muammer L\u00fctfi Bah\u015fi, Kenan Hulusi Koray, Ziya Osman Saba, Vasfi Mahir Kocat\u00fcrk, Cevdet Kudret Solok gibi biri hikayeci di\u011feri \u015fair olan yedi gencin bir kitap \u00e7\u0131kararak ba\u015flatmak istedikleri edeb\u00ee harekettir.<\/p>\n

Yedi Me\u015faleciler hareketini ba\u015flatan gen\u00e7lerin kimi lisede kimi \u00fcniversitede \u00f6\u011frencidir. Toplulu\u011fa ad olarak Yedi Kollu \u015eamdan, Yedi Da\u011f\u0131n \u00c7i\u00e7e\u011fi, Yedi Veren Yedi Ses, Yedi Y\u0131ld\u0131z gibi isimler d\u00fc\u015f\u00fcnd\u00fckten sonra Yedi Me\u015faleciler ismine karar verirler. Servet-i F\u00fcnun<\/a> Dergisi’nin 22 Mart 1928 tarihli say\u0131s\u0131nda Yedi Me\u015fale isminde bir kitap \u00e7\u0131karacaklar\u0131n\u0131 ilan ederler. Kitap Nisan<\/a> ay\u0131nda piyasaya \u00e7\u0131kar ve b\u00fcy\u00fck ilgi g\u00f6r\u00fcr. Kitaba yaz\u0131lan \u00f6ns\u00f6zde edebi alanda neler yapacaklar\u0131n\u0131 anlat\u0131l\u0131r. Kitapta her ismin bir b\u00f6l\u00fcm\u00fc bulunmaktad\u0131r. <\/p>\n

Sabri Esat Siyavu\u015fgil: Kukla Oyunu
\nYa\u015far Nabi Nay\u0131r: \u015eairin Bah\u00e7esi
\nVasfi Mahir Kocat\u00fcrk: Da\u011flar\u0131n Derdi
\nZiya Osman Saba: Sebil ve G\u00fcvercinler
\nCevdet Kudret Solok: Cenaze \u0130lahisi
\nKenan Hulusi Koray : Denizin Zaferi
\nMuammer L\u00fctf\u00fc: Dante’nin Ruhuna<\/p>\n

Ahmet Ha\u015fim, iki ay sonra \u00e7\u0131kan Me\u015fale Dergisi’nde onlar\u0131 destekler. 1935’lere kadar hemen hemen ayn\u0131 d\u00fc\u015f\u00fcnceleri s\u00fcrd\u00fcren Yedi Me\u015faleciler daha sonra kendi sanatsal kimlikleri do\u011frultusunda ilerlemi\u015flerdir. Yedi Me\u015falecilerin ortak bir kitap yay\u0131mlamalar\u0131n\u0131n nedeni “Memleketimizde son edeb\u00ee cereyanlar\u0131 g\u00f6sterecek toplu bir eser v\u00fccuda getirmek” arzusudur. Yedi Me\u015faleciler, eski ku\u015fa\u011f\u0131n kendilerini k\u00fc\u00e7\u00fcmsemesine ba\u015fkald\u0131rmak istemi\u015flerdir. T\u00fcrk Edebiyat\u0131n\u0131n as\u0131rlarca do\u011fu edebiyat\u0131n\u0131, Tanzimat<\/a>‘tan sonra da Bat\u0131 edebiyat\u0131n\u0131 taklit etti\u011fini \u00f6ne s\u00fcrerek art\u0131k kendine d\u00f6nme vaktinin geldi\u011fini \u00f6ne s\u00fcrerler. Yedi Me\u015falecilere g\u00f6re T\u00fcrk Edebiyat\u0131’ndaki as\u0131l eksiklik, canl\u0131l\u0131k, samimiyet ve yeniliktir. Ferdi duygulardan uzakla\u015f\u0131lmas\u0131 gerekti\u011fini savunan Yedi Me\u015faleciler bunlar\u0131 eserlerine yans\u0131tamad\u0131lar. <\/p>\n

Yedi Me\u015faleciler, Milli Edebiyat \u015fairlerine ve Be\u015f Hececilere tepki olarak bu ak\u0131m\u0131 olu\u015fturmu\u015flard\u0131r. Yal\u0131n, kolay anla\u015f\u0131l\u0131r, d\u00fcz anlat\u0131ml\u0131, milli temalarla dolu bu \u015fiir anlay\u0131\u015f\u0131na kar\u015f\u0131 \u00e7\u0131km\u0131\u015flard\u0131r. Yedi Me\u015falecilerin \u015fiir be\u011fenilerine Faruk Nafiz \u00c7aml\u0131bel<\/a> ve Necip Faz\u0131l K\u0131sak\u00fcrek<\/a> h\u00e2kimdir. <\/p>\n

YED\u0130 ME\u015eALEC\u0130LER
\n<\/strong>Ziya Osman SABA
\nSanat\u00e7\u0131, \u015fiirlerinde \u00e7ocukluk \u00f6zlemi, an\u0131lara d\u00fc\u015fk\u00fcnl\u00fck, ev – aile sevgisi, yoksul ya\u015famlara kar\u015f\u0131 utan\u00e7 duyma ve ac\u0131ma, Allah’a kulluk, kadere boyun e\u011fi\u015f, k\u00fc\u00e7\u00fck mutluluklarla yetinme, \u00f6l\u00fcm\u00fcn yak\u0131nl\u0131\u011f\u0131, \u00f6te d\u00fcnya \u00f6zlemi gibi bireysel konular\u0131 i\u015fler.<\/p>\n

Dili gayet sade ve a\u00e7\u0131kt\u0131r. 1940’a kadar hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc kullanm\u0131\u015f, bu d\u00f6nemden sonra serbest \u015fiirler de yazm\u0131\u015ft\u0131r.
\n\u015eiirlerini Sebil ve G\u00fcvercinler, Ge\u00e7en Zaman, Nefes Almak adlar\u0131yla kitapla\u015ft\u0131rm\u0131\u015ft\u0131r.
\nBunun yan\u0131nda hikaye kitaplar\u0131 yazm\u0131\u015f ve Goncourt Karde\u015flerden roman \u00e7evirileri de yapm\u0131\u015ft\u0131r.<\/p>\n

Cevdet KUDRET
\n<\/strong>Ba\u015flang\u0131\u00e7ta gen\u00e7lik d\u00f6nemindeki \u015fiir anlay\u0131\u015f\u0131n\u0131n d\u0131\u015f\u0131na \u00e7\u0131kmadan hece \u00f6l\u00e7\u00fcs\u00fcyle, bireysel duygular\u0131n\u0131 ve karamsar i\u00e7 d\u00fcnyas\u0131n\u0131 dile getirmi\u015f, sonra \u00f6l\u00e7\u00fcs\u00fcz fakat uyakl\u0131 \u015fiirler yazm\u0131\u015ft\u0131r.
\nKendi ya\u015fam\u0131n\u0131 da yans\u0131tt\u0131\u011f\u0131 roman, \u00f6yk\u00fcleri ve oyunlar\u0131 yan\u0131nda onu daha \u00e7ok tan\u0131tan yap\u0131tlar\u0131, inceleme-ara\u015ft\u0131rma eserleridir.
\nEle\u015ftirel bir y\u00f6ntemle a\u00e7\u0131klad\u0131\u011f\u0131 konular\u0131, gelecek ku\u015faklar i\u00e7in hem ayd\u0131nlatan hem tart\u0131\u015f\u0131labilecek olan bilgi kaynaklar\u0131d\u0131r.
\nCevdet Kudret T\u00fcrk\u00e7enin sadele\u015fmesini istemesine ra\u011fmen “Dilleri Var Bizim Dile Benzemez” adl\u0131 eserinde \u00f6zle\u015ftirmenin s\u0131n\u0131rlanmamas\u0131n\u0131n do\u011fru olmayaca\u011f\u0131n\u0131, y\u00fczy\u0131llard\u0131r kullan\u0131lan yabanc\u0131 s\u00f6zc\u00fcklere kar\u015f\u0131l\u0131klar bulman\u0131n, \u00f6l\u00fc s\u00f6zc\u00fckleri diriltmenin yarars\u0131z olaca\u011f\u0131n\u0131 savunmu\u015ftur.
\nBirinci Perde adl\u0131 \u015fiir kitab\u0131; Tersine Akan Nehir, R\u00fcya \u0130\u00e7inde, Kurtlar adl\u0131 oyunlar\u0131; S\u00fcleyman’\u0131n D\u00fcnyas\u0131 ad\u0131 alt\u0131nda toplad\u0131\u011f\u0131 roman\u0131; Sokak adl\u0131 \u00f6yk\u00fc kitab\u0131; \u00d6rneklerle Edebiyat Bilgileri, T\u00fcrk Edebiyat\u0131nda Hikaye ve Roman, Orta Oyunu adl\u0131 inceleme eserleri, T\u00fcrk Edebiyat\u0131 adl\u0131 ders kitaplar\u0131 vard\u0131r.<\/p>\n

Kenan Hulusi
\n<\/strong>Edebiyat d\u00fcnyas\u0131na ad\u0131m atmas\u0131 \u00f6\u011frencilik y\u0131llar\u0131na denk d\u00fc\u015fer. “Serveti F\u00fcnun” dergisinde yay\u0131nlanan ilk hikayelerinin ard\u0131ndan, ayn\u0131 dergiye yazan di\u011fer alt\u0131 arkada\u015f\u0131 ile birlikte, edebiyat\u0131m\u0131zda “Yedi Me\u015faleciler” diye an\u0131lan toplulu\u011fu olu\u015fturdular. \u0130\u00e7lerindeki tek hikaye yazar\u0131yd\u0131. Ya\u015fad\u0131\u011f\u0131 s\u00fcrede be\u015f hikaye kitab\u0131 yay\u0131nlam\u0131\u015f, “Osmanoflar” roman\u0131 ve k\u0131sa hikayelerinin bir \u00e7o\u011fu gazete sayfalar\u0131nda kaybolup gitmi\u015ftir. Gazetecili\u011finin de etkisiyle k\u00fc\u00e7\u00fck hikaye tarz\u0131n\u0131 benimseyen Kenan Hulusi, Cumhuriyet d\u00f6neminde korku t\u00fcr\u00fcnde \u00f6rnekler veren ilk hikayecidir.<\/p>\n

Ya\u015far Nabi NAYIR
\n<\/strong>Edebiyat\u0131m\u0131za Yedi Me\u015falecilerle birlikte \u015fair olarak girdi. Zamanla b\u00fct\u00fcn edebi t\u00fcrleri denedi. Roman yazd\u0131, manzum destan yazd\u0131, inceleme ve gezi kitaplar\u0131 \u00e7\u0131kard\u0131, makaleler, f\u0131kralar yazd\u0131.
\nAncak edebiyat\u0131m\u0131zda bunlarla de\u011fil yay\u0131nc\u0131l\u0131\u011f\u0131ma unutulmayacak olan sanat\u00e7\u0131, as\u0131l \u00f6mr\u00fcn\u00fc verdi\u011fi Varl\u0131k<\/a> dergisiyle an\u0131lacakt\u0131r. Onun ad\u0131yla \u00f6zde\u015fle\u015fen en \u00f6nemli yap\u0131t\u0131 hi\u00e7 ku\u015fkusuz k\u0131rk sekiz y\u0131l\u0131n\u0131 verdi\u011fi bu dergidir.
\n\u015eiirleri yaz\u0131ld\u0131klar\u0131 d\u00f6nemin bi\u00e7im \u00f6zelliklerini yans\u0131t\u0131r. Ancak \u00e7evreyle ili\u015fkileri olmayan, insan ve toplum \u00fczerinde g\u00f6zlemlere dayanmayan \u015fiirlerdir bunlar. Yazar\u0131n i\u00e7 d\u00fcnyas\u0131n\u0131 yans\u0131tmaktan da uzakt\u0131rlar.
\nKahramanlar, Onar M\u0131sra adl\u0131 \u015fiir kitaplar\u0131; Bir Kad\u0131n S\u00f6yl\u00fcyor, Adem ile Havva adl\u0131 romanlar\u0131; ink\u0131lap \u00c7ocuklar\u0131, K\u00f6y\u00fcn Namusu adl\u0131 oyunlar\u0131; Atat\u00fcrk\u00e7\u00fcl\u00fck Nedir, Dost Mektuplar\u0131 gibi inceleme eserleri vard\u0131r.<\/p>\n

Vasfi Mahir KOCAT\u00dcRK
\n<\/strong>Halk \u015fiirlerinin bi\u00e7imsel \u00f6zelliklerinden yararlanarak hece \u00f6l\u00e7\u00fcs\u00fcyle ulusal, epik, lirik \u015fiirler yazm\u0131\u015ft\u0131r. Manzum oyunlar da denemi\u015f olan Kocat\u00fcrk, bir sanat\u00e7\u0131 olmaktan \u00e7ok, edebiyatla ilgili kitap ve ara\u015ft\u0131rmalar\u0131yla tan\u0131nm\u0131\u015ft\u0131r.<\/p>\n

Tun\u00e7 Sesleri, Ge\u00e7mi\u015f Geceler, Bizim T\u00fcrk\u00fcler, Ergenekon adl\u0131 \u015fiir kitaplar\u0131; Yaman, Sanatkar adl\u0131 oyunlar\u0131; Yeni T\u00fcrk Edebiyat\u0131, Divan \u015eiiri Artolojisi, T\u00fcrk Edebiyat\u0131 Tarihi adl\u0131 ara\u015ft\u0131rma inceleme eserleri vard\u0131r.<\/p>\n

Sabri Esat S\u0130YAVU\u015eG\u0130L
\n<\/strong>Foto\u011fraf g\u00f6zlemcili\u011fiyle \u00e7evresini g\u00f6zler ve izlenimlerini \u015fiirine aktar\u0131r. Ancak Yedi Me\u015faleciler i\u00e7inde ba\u015flad\u0131\u011f\u0131 \u015fairli\u011fe daha sonra veda eder ve daha \u00e7ok \u00e7evirilerle ve inceleme yaz\u0131lar\u0131yla edebiyat hayat\u0131na devam eder. En g\u00fc\u00e7l\u00fc yan\u0131 \u00e7evirilerinde g\u00f6r\u00fcl\u00fcr. Ancak kendisi mesle\u011finin psikoloji oldu\u011funu ve mesle\u011fine sad\u0131k kalabilmek i\u00e7in sevmesine ra\u011fmen \u015fiir yazmad\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015ftir.<\/p>\n

Odalar ve Sofalar adl\u0131 \u015fiir kitab\u0131n\u0131n yan\u0131nda inceleme eserleri ve roman \u00e7evirileri vard\u0131r.<\/p>\n

Muammer L\u00fctfi
\n<\/strong>As\u0131l mesle\u011fi Avukatl\u0131kt\u0131r. Arap\u00e7a ve Fars\u00e7a bilen \u015fair Yedi Me\u015fale grubu i\u00e7inde edebi faaliyetlerini s\u00fcrd\u00fcrd\u00fc. Edebiyat alan\u0131nda \u00e7ok fazla yap\u0131t vermedi.
\nT\u00fcrk Akdeniz ve \u0130lk Kur\u015fun adl\u0131 yap\u0131tlar\u0131 vard\u0131r.<\/span><\/p>\n

\"Enhanced<\/a>
\n