{"id":2280,"date":"2010-11-22T22:13:39","date_gmt":"2010-11-22T20:13:39","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=2280"},"modified":"2010-11-22T22:13:44","modified_gmt":"2010-11-22T20:13:44","slug":"milli-edebiyat-donemi","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/milli-edebiyat-donemi.html","title":{"rendered":"Milli Edebiyat D\u00f6nemi"},"content":{"rendered":"
M\u0130LL\u0130 EDEB\u0130YATIN SANAT\u00c7ILARI
\n<\/strong>Not:Yazar veya \u015fairlerle ilgili daha kapsaml\u0131 bilgiye biyografi b\u00f6l\u00fcm\u00fcden ula\u015fabilirsiniz.
\n\u00d6MER SEYFETT\u0130N(1884-1920)<\/strong>
\n* T\u00fcrk edebiyat\u0131n\u0131n en \u00f6nemli hik\u00e2yecisidir.
\n* Yeni Lisan adl\u0131 makalesi Milli Edebiyat\u0131n kanunlar\u0131n\u0131n ilan\u0131 say\u0131l\u0131r.
\n* Sade dil ak\u0131m\u0131n\u0131n \u00f6nc\u00fcs\u00fcd\u00fcr.
\n* Anadolu’nun insan\u0131n hayat \u015fartlar\u0131n\u0131 hik\u00e2yelerini yans\u0131tm\u0131\u015ft\u0131r.
\n* Dilde, fikirde, i\u015fte milliyet\u00e7ilik fikrini yerle\u015ftirmi\u015ftir.
\n* \u00c7ocukluk an\u0131lar\u0131, efsaneleri hik\u00e2yelerinde i\u015flemi\u015ftir.
\nEserleri: Bomba, Yaln\u0131z Efe ,Efruz Bey, \u0130lk D\u00fc\u015fen Ak, Y\u00fcksek \u00d6k\u00e7eler, Gizli Mabet, Bahar ve Kelebekler.<\/p>\n

Z\u0130YA G\u00d6KALP(1876-1924)
\n<\/strong>* T\u00fcrk milliyet\u00e7ili\u011fini esaslara ba\u011flam\u0131\u015ft\u0131r.Sistematize etmi\u015ftir.
\n* Sosyal hayat\u0131 ve kurumlar\u0131m\u0131z\u0131 Bat\u0131’ya g\u00f6re d\u00fczenlenmelidir.
\n* Eserlerinde halk dilini kullanm\u0131\u015ft\u0131r.
\n* Halk\u0131n dertlerini isteklerini yans\u0131tmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.
\n* “T\u00fcrk\u00e7\u00fcl\u00fck, T\u00fcrk milletini y\u00fckseltmektir” diyerek bu ifade do\u011frultusunda hareket etmi\u015ftir.<\/p>\n

Eserleri:T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Esaslar\u0131, K\u0131z\u0131l Elma, T\u00fcrkle\u015fmek-\u0130slamla\u015fmak -Muas\u0131rla\u015fmak, T\u00fcrk Medeniyet Tarihi, Malta Mektuplar\u0131.<\/p>\n

MEHMET EM\u0130N YURDAKUL(1869-1944)
\n<\/strong>* Anadolu insan\u0131n yabanc\u0131lara ba\u015fkald\u0131r\u0131s\u0131n\u0131 \u00e7ok g\u00fczel yans\u0131tm\u0131\u015ft\u0131r.
\n* Toplumcu sanat anlay\u0131\u015f\u0131yla milliyet\u00e7i \u00e7izgide eserler vermi\u015ftir.
\n* Hece \u00f6l\u00e7\u00fcs\u00fc kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Eserleri: T\u00fcrk\u00e7e \u015eiirler, T\u00fcrk Saz\u0131, Ey T\u00fcrk Uyan, Tan Sesleri, Ordunun Destanlar\u0131, Zafer Yolunda, Turana Do\u011fru, \u0130syan ve Dua, Mustafa Kemal, Fazilet ve Adalet. <\/p>\n

YAKUP KADR\u0130 KARAOSMANO\u011eLU(1889-1974)<\/strong>
\n* Edebiyat\u0131n her alan\u0131nda eser vermi\u015ftir. Fecr-i Ati’nin da\u011f\u0131lmas\u0131ndan sonra Milli Edebiyat i\u00e7inde yer alm\u0131\u015ft\u0131r.
\n* \u00c7o\u011funlukla i\u00e7inde ya\u015fad\u0131\u011f\u0131 toplumun dertlerini eserlerinde i\u015flemi\u015ftir.
\n* Anadolucu, Atat\u00fcrk\u00e7\u00fc bir \u00e7izgide kalm\u0131\u015ft\u0131r.
\n* Esas \u00fcn\u00fcn\u00fc romanc\u0131l\u0131k alan\u0131nda bulmu\u015ftur.
\n* Kuvvetli bir g\u00f6zlem g\u00fcc\u00fc vard\u0131r.
\n* Realist bir \u00e7izgide ya\u015fam\u0131\u015ft\u0131r.
\n* Eserlerinde ayd\u0131n-halk \u00e7at\u0131\u015fmas\u0131n\u0131 yans\u0131tm\u0131\u015ft\u0131r.<\/p>\n

Eserleri:
\n<\/strong>Roman: Kiral\u0131k Konak, Ankara, Nur Baba, H\u00fck\u00fcm Gecesi,Sodom ve Gomore, Yaban, Bir S\u00fcrg\u00fcn, Panorama
\nHik\u00e2ye: Milli Sava\u015f Hik\u00e2yeleri, Rahmet
\nDi\u011fer: Erenlerin Ba\u011f\u0131ndan, Zoraki Diplomat, Vatan Yolundan, Anam\u0131m Kitab\u0131<\/p>\n

HAL\u0130DE AD\u0130P ADIVAR(1884-1964)
\n<\/strong>* Edebiyat\u00e7\u0131l\u0131\u011f\u0131n\u0131n yan\u0131nda bir asker gibi cephe gerisinde m\u00fccadele vermi\u015ftir.
\n* Romanlar\u0131nda a\u015fk, kad\u0131n\u0131n psikolojisini, do\u011fu-bat\u0131 \u00e7at\u0131\u015fmas\u0131n\u0131, eski-yeni kavgas\u0131n\u0131 i\u015flemi\u015ftir.
\n* Romanlar\u0131nda kuvvetli bir g\u00f6zlem vard\u0131r.
\n* Kurtulu\u015f Sava\u015f\u0131 eserlerinde \u00e7ok\u00e7a yer edinmi\u015ftir.
\n* Edebiyat\u0131n hemen her alan\u0131nda eser vermi\u015ftir.
\n* Dili \u00e7ok ba\u015far\u0131l\u0131 de\u011fildir.
\nEserleri: Ate\u015ften G\u00f6mlek, Vurun *****ye, T\u00fcrk\u00fcn Ate\u015fle \u0130mtihan\u0131, Sinekli Bakkal, Mor Salk\u0131ml\u0131 Ev, Da\u011fa \u00c7\u0131kan Kurt, Tatarc\u0131k, Zeyno’nun O\u011flu.<\/p>\n

RE\u015eAT NUR\u0130 G\u00dcNTEK\u0130N(1889-1958)
\n<\/strong>* Anadolu’nun dertlerini, s\u0131k\u0131nt\u0131lar\u0131n\u0131, inan\u00e7lar\u0131n\u0131 eserlerinde i\u015flemi\u015ftir.
\n* Sade ve yapmac\u0131ks\u0131z bir dil kullanm\u0131\u015ft\u0131r.
\n* “\u00c7al\u0131ku\u015fu” roman\u0131 en \u00fcnl\u00fc eseridir.(asl\u0131nda bir tiyatro eseri olarak yaz\u0131lm\u0131\u015ft\u0131r)
\n* M\u00fcfetti\u015flik yapt\u0131\u011f\u0131 i\u00e7in Anadolu’yu gezmi\u015f ve onlar\u0131n s\u0131k\u0131nt\u0131lar\u0131n\u0131, sevin\u00e7lerini edebi eserlerinde s\u0131k\u00e7a kullanm\u0131\u015ft\u0131r.<\/p>\n

Eserleri: \u00c7al\u0131ku\u015fu, Damga, Dudaktan Kalbe, Ac\u0131mak, Ye\u015fil Gece<\/a>, Yaprak D\u00f6k\u00fcm\u00fc<\/a>, K\u0131z\u0131lc\u0131k Dallar\u0131, G\u00f6ky\u00fcz\u00fc, Eski Hastal\u0131k, Ate\u015f Gecesi, Miskinler Tekkesi<\/p>\n

REF\u0130K HAL\u0130T KARAY(1888-1965)<\/strong>
\n* Halk dilini eserlerinde olduk\u00e7a ba\u015far\u0131l\u0131 olmu\u015ftur.
\n* Kuvvetli bir g\u00f6zlemcili\u011fi vard\u0131r; ancak i\u00e7 g\u00f6zlemde ba\u015far\u0131l\u0131 de\u011fildir.<\/p>\n

Eserleri: Memleket Hik\u00e2yeleri, \u0130stanbul<\/a>‘un \u0130\u00e7y\u00fcz\u00fc, Yezidin K\u0131z\u0131, \u00c7ete, S\u00fcrg\u00fcn, Bu<\/a> Bizim Hayat, Kad\u0131nlar Tekkesi, Karl\u0131 Da\u011fdaki Ate\u015f.<\/p>\n

YAHYA KEMAL BEYATLI(1884-1958)
\n<\/strong>* Modern edebiyat\u0131m\u0131z\u0131n en b\u00fcy\u00fck \u015fairlerindendir.
\n* Bat\u0131l\u0131 tarzda \u015fiirimize d\u00fczen vermi\u015ftir.
\n* Aruzu T\u00fcrk\u00e7eye ba\u015far\u0131yla uygulam\u0131\u015ft\u0131r. “OK” \u015fiiri hari\u00e7 b\u00fct\u00fcn \u015fiirlerini aruzla yazm\u0131\u015ft\u0131r.
\n* \u015eiir musikiden ba\u015fka bir musiki”dir derdi.
\n* Parnasizmden etkilenmi\u015ftir.
\n* \u0130stanbul’u, Osmanl\u0131’n\u0131n ihti\u015faml\u0131 zaman\u0131nda gezmek, tabiat, \u00f6l\u00fcm, rintlik gibi konular\u0131 i\u015flemi\u015ftir.
\n* \u015eiirlerinin m\u00fckemmel olmas\u0131 i\u00e7in u\u011fra\u015f vermi\u015ftir, bu konuda olduk\u00e7a titizdir.
\n* Edebiyat\u0131n hemen her alan\u0131nda eser vermi\u015ftir; ancak as\u0131l \u00fcn\u00fcn\u00fc \u015fiirde kazanm\u0131\u015ft\u0131r.<\/p>\n

Eserleri: Kendi G\u00f6k Kubbemiz, Eski \u015eiirin R\u00fczg\u00e2r\u0131yla, Aziz \u0130stanbul, E\u011fil Da\u011flar, Portreler, * Rubailer ve Hayyam’\u0131n Rubailerini T\u00fcrk\u00e7e S\u00f6yleyi\u015f.<\/p>\n

PEYAM\u0130 SAFA(1899-1961)
\n<\/strong>* Ge\u00e7im derdiyle yazarl\u0131\u011fa ba\u015flam\u0131\u015ft\u0131r.
\n* Bir aya\u011f\u0131ndan sakat oldu\u011fu i\u00e7in bu psikolojiyi eserlerine yans\u0131tm\u0131\u015ft\u0131r.
\n* “Server Bedii” lakab\u0131yla eser yazm\u0131\u015ft\u0131r.
\n* Edebiyat, felsefe, t\u0131p, psikoloji alan\u0131nda yeterli bir bilgin say\u0131l\u0131r.
\n* Psikolojik \u00e7\u00f6z\u00fcmlemeleri \u00e7ok ba\u015far\u0131l\u0131d\u0131r.<\/p>\n

Eserleri: Dokuzuncu Hariciye Ko\u011fu\u015fu<\/a>, S\u00f6zde K\u0131zlar, Mah\u015fer Bir Ak\u015famd\u0131, Canan, Matmazel Noralya’n\u0131n Koltu\u011fu, Atilla, Harbiye, \u015eim\u015fek. gibi eserleri vard\u0131r.<\/p>\n

HECEN\u0130N BE\u015e \u015eA\u0130R\u0130 (BE\u015e HECEC\u0130LER)
\n<\/strong>Bu \u015fariler 1917de Selanik’te “Gen\u00e7 Kalemler”le ba\u015flayan Milli Edebiyat ak\u0131m\u0131n\u0131n ilklerine ba\u011fl\u0131 olarak, halk \u015fiirimizin \u00f6zelliklerinden, yerli kaynaklar\u0131m\u0131zdan yararlanarak, \u015fiirimizin aruzdan heceye ge\u00e7i\u015finde \u00f6nemli rol aynam\u0131\u015flard\u0131r. \u015eiirlerinde Anadolu manzaralar\u0131n\u0131 ve Anadolu ya\u015fay\u0131\u015f\u0131n\u0131 co\u015fkulu bir dille i\u015flemi\u015flerdir. Hece \u00f6l\u00e7\u00fcs\u00fcn\u00fcn genellikle 11’li ve 14’l\u00fc kal\u0131b\u0131n\u0131 kullanm\u0131\u015flard\u0131r. Daha sonralar\u0131, yeni bi\u00e7imler arayarak olduk\u00e7a uzun \u015fiirler de yazm\u0131\u015flard\u0131r. Eserlerindeki dil ise konu\u015fma dilidir. Bu \u015farirlerimiz \u015funlard\u0131r: <\/p>\n

Halit Fahri Ozansoy
\nEnis Behi\u00e7 Kory\u00fcrek
\nYusuf Ziya Orta\u00e7
\nOrhan Seyfi Orhon
\nFaruk Nafiz \u00c7aml\u0131bel<\/span><\/div>\n

\"Enhanced<\/a>
\n