{"id":2239,"date":"2010-11-10T20:16:03","date_gmt":"2010-11-10T18:16:03","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=2239"},"modified":"2021-11-27T00:47:42","modified_gmt":"2021-11-26T21:47:42","slug":"tanzimat-devri-turk-edebiyati-genel-ozellikleri","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/tanzimat-devri-turk-edebiyati-genel-ozellikleri.html","title":{"rendered":"Tanzimat Devri T\u00fcrk Edebiyat\u0131 Genel \u00d6zellikleri"},"content":{"rendered":"<p style=\"text-align: left;\"><span style=\"font-family: times new roman,times;\">A) Bu d\u00f6nem sanat\u00e7\u0131lar\u0131, Divan edebiyat\u0131nda hi\u00e7 bulunmayan makale, tiyatro, roman, hikaye, an\u0131, ele\u015ftiri gibi yeni edebiyat t\u00fcrleri getirmi\u015fler, Divan edebiyat\u0131nda bulunan \u015fiir, tarih, mektup gibi edebiyat t\u00fcrlerini Bat\u0131 anlay\u0131\u015f\u0131na g\u00f6re yenile\u015ftirmi\u015flerdir.<br \/>\nB) Tanzimat edebiyat\u0131n\u0131n \u00f6zellikle ilk d\u00f6neminde yeti\u015fen sanat\u00e7\u0131lar\u0131n \u00e7o\u011fu (Ziya Pa\u015fa, Nam\u0131k Kemal) Montesquieu, Rousseau, Voltaire gibi Frans\u0131z yazarlar\u0131n\u0131n etkisi alt\u0131nda kalarak, makale ve \u015fiirlerinde zulme, haks\u0131zl\u0131\u011fa, gerili\u011fe kar\u015f\u0131 \u015fiddetli bir dille m\u00fccadeleye giri\u015fmi\u015fler; vatan, millet, h\u00fcrriyet, hak, adalet, kanun, me\u015frutiyet gibi kavramlar\u0131 yaymaya \u00e7al\u0131\u015fm\u0131\u015flar, \u201ctoplum i\u00e7in sanat\u201d anlay\u0131\u015f\u0131n\u0131 benimsemi\u015flerdir.<br \/>\nC) Tanzimat edebiyat\u0131n\u0131n ikinci d\u00f6neminde yeti\u015fen sanat\u00e7\u0131lar ise (Recaiz\u00e2de Mahmut Ekrem, Abd\u00fclhak H\u00e2mit, Sami Pa\u015faz\u00e2de Sezai) toplum i\u015flerine daha az kar\u0131\u015fm\u0131\u015flar, \u201csanat i\u00e7in sanat\u201d anlay\u0131\u015f\u0131n\u0131 benimser g\u00f6r\u00fcnm\u00fc\u015flerdir. \u201cHer g\u00fczel \u015fey \u015fiire konu olabilir.\u201d anlay\u0131\u015f\u0131n\u0131 savunmu\u015flard\u0131r.<\/span><span style=\"font-family: times new roman,times;\"><br \/>\nD) \u00c7o\u011fu Frans\u0131z edebiyat\u0131n\u0131 \u00f6rnek olarak alan bu sanat\u00e7\u0131lar\u0131n bir k\u0131sm\u0131 Klasisizm (\u015einasi, Ahmet Vefik Pa\u015fa, Ali Bey) bir k\u0131sm\u0131 Romantizm (Nam\u0131k Kemal) bir k\u0131sm\u0131 da Realizm (Recaiz\u00e2de Mahmut Ekrem, Sami Pa\u015faz\u00e2de Sezai, Nabiz\u00e2de N\u00e2z\u0131m.) ak\u0131mlar\u0131n\u0131n etkisi alt\u0131nda eserler vermi\u015flerdir. <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: times new roman,times;\">\u00a0<\/span><span style=\"font-family: times new roman,times;\">E)Tanzimat edebiyat\u0131, Divan Edebiyat\u0131&#8217;n\u0131n tersine olarak, se\u00e7kin ki\u015filer i\u00e7in de\u011fil, halk i\u00e7in meydana getirilen bir edebiyat d\u00fc\u015f\u00fcncesiyle ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Bu g\u00f6r\u00fc\u015f\u00fc benimseyen \u015einasi, Ziya Pa\u015fa, Nam\u0131k Kemal, Ahmet Mithat, Ali Bey \u00f6zellikle makale, tiyatro, an\u0131, k\u0131smen de olsa roman t\u00fcrlerinde eserler vermi\u015flerdir. Tanzimat edebiyat\u0131n\u0131n ikinci devrinde yeti\u015fen Recaiz\u00e2de Mahmut Ekrem, Abd\u00fclhak Hamit, ba\u015fta olmak \u00fczere baz\u0131 edebiyat\u00e7\u0131lar ise bu ama\u00e7tan uzakla\u015fm\u0131\u015f g\u00f6r\u00fcnmektedirler. <\/span><\/p>\n<p>F) Dilin sadele\u015fmesi, konu\u015fma dilinin yaz\u0131 dili haline gelmesi d\u00fc\u015f\u00fcncesi savunulmu\u015ftur. Dil konusunda bu d\u00fc\u015f\u00fcnceyle birlikte, eski al\u0131\u015fkanl\u0131klar\u0131ndan kurtulup da \u00f6z T\u00fcrk\u00e7e yaz\u0131lm\u0131\u015f de\u011fildir. C\u00fcmlelerin uzunlu\u011fu k\u0131salm\u0131\u015f, anla\u015f\u0131l\u0131r c\u00fcmleler kurulmaya \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r. T\u00fcrk\u00e7e, daha \u00e7ok, tiyatro; an\u0131, mektup, bir dereceye kadar da makale ve romanlarda kullan\u0131lm\u0131\u015ft\u0131r. Edebi T\u00fcrk nesrinin temeli bu d\u00f6nemde ve \u015einasi taraf\u0131ndan at\u0131lm\u0131\u015ft\u0131r.<\/p>\n<p>G)Tanzimat edebiyat\u0131n\u0131n ikinci devrinde yeti\u015fen sanat\u00e7\u0131lar ise konu\u015fma dilinden uzakla\u015farak Divan Edebiyat\u0131 geleneklerini s\u00fcrd\u00fcrm\u00fc\u015flerdir.<\/p>\n<p>H) Divan \u015fiirindeki \u201cb\u00f6l\u00fcm g\u00fczelli\u011fine\u201d kar\u015f\u0131n \u201ckonu b\u00fct\u00fcnl\u00fc\u011f\u00fcne, g\u00fczelli\u011fine\u201d \u00f6nem vermi\u015flerdir.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"zemanta-pixie\" style=\"margin-top: 10px; height: 15px;\"><img decoding=\"async\" class=\"zemanta-pixie-img\" style=\"float: right;\" src=\"http:\/\/img.zemanta.com\/zemified_e.png?x-id=c100d65a-49b5-4f23-977f-0e8d03eb3631\" alt=\"Enhanced by Zemanta\" \/><span class=\"zem-script more-related pretty-attribution\"><br \/>\n<script src=\"http:\/\/static.zemanta.com\/readside\/loader.js\" type=\"text\/javascript\"><\/script><br \/>\n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A) Bu d\u00f6nem sanat\u00e7\u0131lar\u0131, Divan edebiyat\u0131nda hi\u00e7 bulunmayan makale, tiyatro, roman, hikaye, an\u0131, ele\u015ftiri gibi yeni edebiyat t\u00fcrleri getirmi\u015fler, Divan edebiyat\u0131nda bulunan \u015fiir, tarih, mektup gibi edebiyat t\u00fcrlerini Bat\u0131 anlay\u0131\u015f\u0131na g\u00f6re yenile\u015ftirmi\u015flerdir. B) Tanzimat edebiyat\u0131n\u0131n \u00f6zellikle ilk d\u00f6neminde yeti\u015fen sanat\u00e7\u0131lar\u0131n \u00e7o\u011fu (Ziya Pa\u015fa, Nam\u0131k Kemal) Montesquieu, Rousseau, Voltaire gibi Frans\u0131z yazarlar\u0131n\u0131n etkisi alt\u0131nda kalarak, makale &#8230; <a title=\"Tanzimat Devri T\u00fcrk Edebiyat\u0131 Genel \u00d6zellikleri\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/tanzimat-devri-turk-edebiyati-genel-ozellikleri.html\" aria-label=\"More on Tanzimat Devri T\u00fcrk Edebiyat\u0131 Genel \u00d6zellikleri\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,224],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/2239"}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=2239"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/2239\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=2239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=2239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=2239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}