{"id":1513,"date":"2010-03-06T12:32:12","date_gmt":"2010-03-06T10:32:12","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=1513"},"modified":"2010-03-06T12:32:12","modified_gmt":"2010-03-06T10:32:12","slug":"bes-hececiler-ve-ozellikleri-1915-1921","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/bes-hececiler-ve-ozellikleri-1915-1921.html","title":{"rendered":"Be\u015f Hececiler ve \u00d6zellikleri   (1915-1921)"},"content":{"rendered":"<p>         Milli edebiyat\u0131 sadece sade dil ve hece veznine indirgemi\u015fler, top- lum yarar\u0131na yazmay\u0131 bir tarafa b\u0131rakm\u0131\u015flard\u0131r.Anadolu\u2019ya ve T\u00fcrk mille- tine sayg\u0131 duymalar\u0131na ra\u011fmen ki\u015fisel konularda yazm\u0131\u015flar ve memleket konular\u0131na fazla e\u011filmemi\u015flerdir. Anadolu\u2019nun daha \u00e7ok tabiat g\u00fczelliklerini anlatm\u0131\u015flard\u0131r.<br \/>\n<strong>Bu toplulu\u011fun sanat\u00e7\u0131lar\u0131 \u015funlard\u0131r.(FEHOY)<\/strong><br \/>\n  Faruk Nafiz \u00c7AMLIBEL<br \/>\n  Enis Behi\u00e7 KORY\u00dcREK<br \/>\n  Halit Fahri OZANSOY<br \/>\n  Orhan Seyfi ORHON<br \/>\n  Yusuf Ziya ORTA\u00c7<br \/>\n<strong><br \/>\n     \u00d6zellikleri<\/strong><br \/>\n 1-Ferdi duyarl\u0131l\u0131klar\u0131,eski korsan hikayelerini,yurt k\u00f6\u015felerini ve<br \/>\n     Anadolu  ger\u00e7eklerini \u015fiire aktarm\u0131\u015flard\u0131r.<br \/>\n2-Yerli milli bir sanat ve tarih motifleri ya\u015fanan hayat dilimleriyle<br \/>\n     \u00f6r\u00fcl\u00fc bir memleket edebiyat\u0131 meydana getirmeyi ama\u00e7lad\u0131lar.<br \/>\n3-Hece ile serbest m\u00fcstezatlar denemi\u015flerdir.<br \/>\n4-M\u0131sra k\u00fcmelendirmede d\u00f6rtl\u00fc esas\u0131na ba\u011fl\u0131 kalmay\u0131p yeni yeni<br \/>\n    bi\u00e7imler aram\u0131\u015flard\u0131r.<br \/>\n5-Bir olay ya da hikaye anlatmak i\u00e7in beyit beyit uzun \u015fiirler<br \/>\n   yazd\u0131lar.<br \/>\n6-Nesir c\u00fcmlesini \u015fiire aktarm\u0131\u015flard\u0131r.<br \/>\n7-Toplumsal konuyla u\u011fra\u015fmam\u0131\u015f ki\u015fisel konularda \u015fiirler<br \/>\n    yazm\u0131\u015flard\u0131r.<br \/>\n8-Memleket konular\u0131yla fazla ilgilenmemi\u015flerdir.<\/p>\n<p>.                     <strong>      Enis Behi\u00e7 KORY\u00dcREK<br \/>\n                       ( Sprit\u00fcalizm-Ruh\u00e7uluk)<\/strong><br \/>\n      \u00d6nce \u015fiirlerini aruzla yazan \u015fair daha sonra hece \u00f6l\u00e7\u00fcs\u00fc ile yazmaya ba\u015flam\u0131\u015ft\u0131r.Milli heyecanla yo\u011frulmu\u015f kahramanl\u0131k \u015fiirlerinde daha ba\u015far\u0131l\u0131d\u0131r.GEM\u0130C\u0130LER b\u00fcy\u00fck be\u011feni toplam\u0131\u015ft\u0131r.<\/p>\n<p>    <strong>   \u015eiir Kitaplar\u0131<\/strong>:Miras,Varidat-\u0131 S\u00fcleyman,G\u00fcne\u015fin \u00d6l\u00fcm\u00fc<br \/>\n              <strong>         Faruk Nafiz \u00c7AMLIBEL(1898-1973)<\/strong><\/p>\n<p>         Hececilerin en \u00fcnl\u00fc \u015fairidir.\u00d6nce aruz \u00f6l\u00e7\u00fcs\u00fcyle a\u015fk \u015fiirleri yazm\u0131\u015f daha sonra memleket edebiyat\u0131na  y\u00f6nelmi\u015ftir. Daha \u00e7ok ki\u015fisel konularda yazm\u0131\u015f,Anadolu sevgisini anlatm\u0131\u015ft\u0131r.Hececilerden olmas\u0131na ra\u011fmen hayat\u0131 boyunca aruzdan vazge\u00e7memi\u015ftir.<br \/>\n       <strong> \u015eiir Kitaplar\u0131<\/strong>:Han Duvarlar\u0131,\u015eark\u0131n Sultanlar\u0131,Dinle Neyden,G\u00f6n\u00fcl den G\u00f6n\u00fcle,\u00c7oban \u00c7e\u015fmesi,Bir \u00d6m\u00fcr B\u00f6yle Ge\u00e7ti,Suda Halkalar,Elimle Se\u00e7tiklerim,Akarsu,Bo\u011fazi\u00e7i \u015eark\u0131s\u0131,Tatl\u0131 Sert(Mizah)Heyecan Ve S\u00fckun(Se\u00e7me \u015eiirler)Zindan Duvarlar\u0131(Yass\u0131ada \u015fiirleri)<\/p>\n<p>      <strong>  Roman<\/strong>:Y\u0131ld\u0131z Ya\u011fmuru,Ay\u015fe\u2019nin Doktoru<\/p>\n<p>        Tiyatro:Canavar,Kahraman,\u00d6zyurt,Yayla Kartal\u0131,Dev Aynas\u0131,\u0130lk G\u00f6z a\u011fr\u0131s\u0131<br \/>\n         **** Hece \u00f6l\u00e7\u00fcs\u00fcyle en g\u00fczel \u015fiirler yazanlardan birisidir.<\/p>\n<p>               <strong>       Halit Fahri OZANSOY <\/strong><br \/>\n        Aruza Veda adl\u0131 \u015fiiriyle hece \u00f6l\u00e7\u00fcs\u00fcne ge\u00e7i\u015f yapm\u0131\u015ft\u0131r.\u015eiirlerinde h\u00fcz\u00fcn hakimdir.Genellikle \u00f6l\u00fcm ve a\u015fk temalar\u0131n\u0131 i\u015fler.<br \/>\n      <strong> \u015eiir kitaplar\u0131n\u0131n <\/strong>en \u00f6nemlisi Cenk Duygular\u0131 ve Hep Onun \u0130\u00e7in\u2019dir.<br \/>\n      Sulara Giden K\u00f6pr\u00fc ve A\u015f\u0131klar Yolunun Yolcular\u0131 adl\u0131 iki roman\u0131 vard\u0131r.<br \/>\n    <strong>  Tiyatrolar\u0131;<\/strong> Bayku\u015f,Hayalet,Bir Dolapt\u0131r D\u00f6n\u00fcyor,\u0130lk \u015eair\u2019dir.<br \/>\n     <strong>  Hat\u0131ra:<\/strong> Edebiyat\u00e7\u0131lar Ge\u00e7iyor, Dar\u00fclbedayi Devrinin ilk G\u00fcnleri, Eski \u0130stanbul Ramazanlar\u0131<br \/>\n                           <strong>     Orhan Seyfi ORHON<\/strong><\/p>\n<p>          \u0130lk \u015fiirlerinde aruzu kullanm\u0131\u015f daha sonra hece \u00f6l\u00e7\u00fcs\u00fcne ge\u00e7mi\u015ftir. Ama aruzu tamamen b\u0131rakmam\u0131\u015ft\u0131r. Hayat\u0131 boyunca hece \u00f6l\u00e7\u00fcs\u00fcyle aruzu kayna\u015ft\u0131rmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.\u015eiirlerinde konu\u015fma dilini ba\u015far\u0131yla kullanm\u0131\u015f- t\u0131r.Peri K\u0131z\u0131 ile  \u00c7oban Hikayesi ile manzum hikayenin ilk \u00f6rne\u011fini vermi\u015ftir.<br \/>\n          Akbaba,\u00c7\u0131naralt\u0131,Papa\u011fan,Aydabir dergilerini \u00e7\u0131karm\u0131\u015ft\u0131r.Bu dergi- lerde yazm\u0131\u015f oldu\u011fu hiciv ve f\u0131kralar\u0131 \u00fcnl\u00fcd\u00fcr.<\/p>\n<p><strong>         \u015eiirleri <\/strong><br \/>\n   F\u0131rt\u0131na ve Kar(aruz)G\u00f6n\u00fclden Sesler,O Beyaz Bir Ku\u015ftu,Kervan(hece) Peri K\u0131z\u0131 ile \u00c7oban(eski T\u00fcrk tarihi ile ilgili)<br \/>\n        \u00c7ocuk Adam(roman)<br \/>\n       Kulaktan Kula\u011fa(f\u0131kralar\u0131n\u0131 toplad\u0131\u011f\u0131 eser)     <\/p>\n<p>      <strong>         Yusuf Ziya ORTA\u00c7<\/strong><\/p>\n<p> F\u0131kralar\u0131nda  mizahi bir \u015fekilde sosyal tenkit yapar.Faruk Nafiz\u2019in etkisindedir. Mizahi \u015fiirlerini Akbaba ve Her ay adl\u0131 dergilerde yay\u0131nlam\u0131\u015ft\u0131r.<br \/>\n<strong><br \/>\n      \u015eiirleri : <\/strong><br \/>\n Ak\u0131ndan Ak\u0131na,Cenk Ufuklar\u0131,A\u015f\u0131klar Yolu,Yanarda\u011f,Ku\u015f C\u0131v\u0131lt\u0131lar\u0131 (\u00e7ocuk \u015fiirleri)<br \/>\n<strong><br \/>\n        Tiyatro:<\/strong><br \/>\nBinnaz: Hece \u00f6l\u00e7\u00fcs\u00fcyle yaz\u0131lm\u0131\u015f ilk manzum tiyatrodur(1919)Name, Nikahta Keramet<\/p>\n<p>     <strong>    F\u0131kralar\u0131: <\/strong><br \/>\nBe\u015fik,Ocak,Sar\u0131 \u00c7izmeli Mehmet A\u011fa<\/p>\n<p>   <strong>     Gezi,Biyografi,Hat\u0131ra:<\/strong><br \/>\nG\u00f6zucuyla Avrupa,Portreler,Bizim Yoku\u015f,\u0130smet \u0130n\u00f6n\u00fc<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Milli edebiyat\u0131 sadece sade dil ve hece veznine indirgemi\u015fler, top- lum yarar\u0131na yazmay\u0131 bir tarafa b\u0131rakm\u0131\u015flard\u0131r.Anadolu\u2019ya ve T\u00fcrk mille- tine sayg\u0131 duymalar\u0131na ra\u011fmen ki\u015fisel konularda yazm\u0131\u015flar ve memleket konular\u0131na fazla e\u011filmemi\u015flerdir. Anadolu\u2019nun daha \u00e7ok tabiat g\u00fczelliklerini anlatm\u0131\u015flard\u0131r. Bu toplulu\u011fun sanat\u00e7\u0131lar\u0131 \u015funlard\u0131r.(FEHOY) Faruk Nafiz \u00c7AMLIBEL Enis Behi\u00e7 KORY\u00dcREK Halit Fahri OZANSOY Orhan Seyfi ORHON Yusuf Ziya &#8230; <a title=\"Be\u015f Hececiler ve \u00d6zellikleri   (1915-1921)\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/bes-hececiler-ve-ozellikleri-1915-1921.html\" aria-label=\"More on Be\u015f Hececiler ve \u00d6zellikleri   (1915-1921)\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,224,12],"tags":[],"class_list":["post-1513","post","type-post","status-publish","format-standard","hentry","category-dn","category-edebiyat-dil-anlatim","category-tr"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/1513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=1513"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/1513\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=1513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=1513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=1513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}