{"id":1010,"date":"2009-11-08T22:53:29","date_gmt":"2009-11-08T20:53:29","guid":{"rendered":"http:\/\/www.sorubak.com\/blog\/?p=1010"},"modified":"2009-11-08T22:53:29","modified_gmt":"2009-11-08T20:53:29","slug":"manzum-eserler","status":"publish","type":"post","link":"https:\/\/www.sorubak.com\/blog\/manzum-eserler.html","title":{"rendered":"Manzum Eserler"},"content":{"rendered":"<p>                Tanzimat Devri T\u00fcrk Edebiyat\u0131&#8217;nda, \u00f6nce, Frans\u0131z \u015fairlerinden yap\u0131lan \u00e7evi\u00acrilerde baz\u0131 yenilikler g\u00f6r\u00fcl\u00fcr. Bunlan daha \u00e7ok i\u00e7erikte yapt\u0131ktan yeniliklerle, dildeki &#8220;sadele\u015fme&#8221; \u00e7abalan izler. Sonra \u015fekil y\u00f6n\u00fcnden bir\u00e7ok de\u011fi\u015fiklik ve yeniliklere giri\u015fildi\u011fi g\u00f6r\u00fcl\u00fcr.<br \/>\n<strong>Tanzimat Devri T\u00fcrk Edebiyat\u0131&#8217;nda;<\/strong><br \/>\n\u00d6l\u00e7\u00fc, \u00e7o\u011funlukla aruz \u00f6l\u00e7\u00fcs\u00fcd\u00fcr. \u015einasi, Ziya Pa\u015fa, Nam\u0131k Kemal ve Abd\u00fclhak H\u00e2mit&#8217;in hece \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131ktan \u015fiir denemeleri de vard\u0131r.<br \/>\nUyak, Kl\u00e2sik T\u00fcrk Edebiyat\u0131&#8217;ndaki de\u011ferini yitirmi\u015ftir. \u015einasi, mesnevi  bi\u00e7iminde kaside yazm\u0131\u015f; Reca\u00eezade Mahmut Ekrem, &#8220;uya\u011f\u0131n g\u00f6ze g\u00f6re de\u011fil, kula\u011fa g\u00f6re olmas\u0131&#8221; gerekti\u011fini savunmu\u015ftur. \u015eiirlerde tam ve zengin uyaklar kullan\u0131lm\u0131\u015ft\u0131r.<br \/>\nNaz\u0131m birimi, genellikle beyittir. \u015einas\u00ee&#8217;den Abd\u00fclhak H\u00e2mit&#8217;e kadar anla\u00act\u0131m bent, beyit ya da dizelerde topland\u0131\u011f\u0131 g\u00f6r\u00fclmekle birlikte; \u015fairlerin, beyit g\u00fczelli\u011fi d\u00fc\u015f\u00fcncesinden kurtularak b\u00fct\u00fcn g\u00fczelli\u011fine y\u00f6neldikleri anla\u015f\u0131l\u0131r.<br \/>\nNaz\u0131m \u015fekli olarak, Kl\u00e2sik T\u00fcrk Edebiyat\u0131&#8217;nda g\u00f6r\u00fclen b\u00fct\u00fcn \u015fekiller kullan\u0131lm\u0131\u015ft\u0131r. Ancak bunlarda, kasidelerdeki baz\u0131 b\u00f6l\u00fcmlerin at\u0131lmas\u0131 gibi ufak de\u00acdikler yap\u0131lm\u0131\u015ft\u0131r. Tanzimat Devri T\u00fcrk Edebiyat\u0131&#8217;n\u0131n ikinci d\u00f6neminde, \u00f6zellikle Abd\u00fclhak H\u00e2mit&#8217;le birlikte, naz\u0131m \u015fekillerinde b\u00fcy\u00fck \u00f6l\u00e7\u00fcde de\u011fi\u015fiklik r \u00f6r\u00fcl\u00fcr. Bunlar\u0131n \u00e7o\u011fu yeni ve karma \u015fekillerdir.<br \/>\nTanzimat\u00e7\u0131lar en k\u00f6kl\u00fc yenilikleri \u015fiirin i\u00e7eri\u011finde yapm\u0131\u015flard\u0131r.<br \/>\nTanzimat \u015fiiri, kl\u00e2sik konular d\u0131\u015f\u0131nda, hak, adalet, uygarl\u0131k, \u00f6zg\u00fcrl\u00fck, yurt\u00acseverlik gibi temalarla i\u00e7eri\u011fini geni\u015fletmi\u015f; ikinci d\u00f6nemde, her g\u00fczel \u015feyin onu olabilece\u011fi d\u00fc\u015f\u00fcncesiyle daha da \u00e7e\u015fitlilik kazanm\u0131\u015ft\u0131r.<br \/>\nB\u00f6ylece Kl\u00e2sik T\u00fcrk Edebiyat\u0131&#8217;nda &#8220;soyut, d\u00fc\u015flemsel (hayal\u00ee) ve mecazl\u0131&#8221; &#8216;tetikler g\u00f6steren \u015fiir, Tanzimat Devri T\u00fcrk Edebiyat\u0131&#8217;n\u0131n birinci d\u00f6neminde toplumla ilgili ger\u00e7eklere&#8221;; ikinci d\u00f6neminde ise &#8220;somut ger\u00e7eklere&#8221;, ayrca \u00f6l\u00fcm, hayat, ruh, d\u00fcnya, Tanr\u0131 gibi fizik \u00f6tesi temalara y\u00f6nelmi\u015ftir.<br \/>\nBirinci d\u00f6nemdeki toplumla ilgili d\u00fc\u015f\u00fcnceleri, ikinci d\u00f6nemde genellikle e\/, romantik duygu ve d\u00fc\u015f\u00fcnceler izler; sanat toplum i\u00e7in g\u00f6r\u00fc\u015f\u00fc, yerini sanat sanat i\u00e7in anlay\u0131\u015f\u0131na b\u0131rak\u0131r.<br \/>\nDil, Tanzimat \u015fiirinde daima ikilik g\u00f6stermi\u015ftir. \u015einas\u00ee&#8217;nin safi T\u00fcrk\u00e7e dene\u00acmeleri, Ziya Pa\u015fa ve Nam\u0131k Kemal&#8217;in hece \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131klar\u0131 baz\u0131 \u015fiirler, sa\u00acdele\u015fme \u00e7abalar\u0131na ilk \u00f6rnekler olarak g\u00f6sterilebilir. Ancak bu \u015fairlerin yeti\u015ftik\u00acleri ve al\u0131\u015fageldikleri &#8220;edeb\u00ee dil&#8221; ortam\u0131 ile ikinci d\u00f6nemdeki &#8220;sanat&#8221; amac\u0131, \u015fiir dilinde bir yal\u0131nla\u015fmay\u0131 ger\u00e7ekle\u015ftirememi\u015f; \u015fairler, \u00e7o\u011fu zaman s\u00fcsl\u00fc ve sanat\u00acl\u0131 s\u00f6yleyi\u015ften kurtulamam\u0131\u015flard\u0131r.<br \/>\nm<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tanzimat Devri T\u00fcrk Edebiyat\u0131&#8217;nda, \u00f6nce, Frans\u0131z \u015fairlerinden yap\u0131lan \u00e7evi\u00acrilerde baz\u0131 yenilikler g\u00f6r\u00fcl\u00fcr. Bunlan daha \u00e7ok i\u00e7erikte yapt\u0131ktan yeniliklerle, dildeki &#8220;sadele\u015fme&#8221; \u00e7abalan izler. Sonra \u015fekil y\u00f6n\u00fcnden bir\u00e7ok de\u011fi\u015fiklik ve yeniliklere giri\u015fildi\u011fi g\u00f6r\u00fcl\u00fcr. Tanzimat Devri T\u00fcrk Edebiyat\u0131&#8217;nda; \u00d6l\u00e7\u00fc, \u00e7o\u011funlukla aruz \u00f6l\u00e7\u00fcs\u00fcd\u00fcr. \u015einasi, Ziya Pa\u015fa, Nam\u0131k Kemal ve Abd\u00fclhak H\u00e2mit&#8217;in hece \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131ktan \u015fiir denemeleri de vard\u0131r. Uyak, &#8230; <a title=\"Manzum Eserler\" class=\"read-more\" href=\"https:\/\/www.sorubak.com\/blog\/manzum-eserler.html\" aria-label=\"More on Manzum Eserler\">Devam\u0131n\u0131 oku&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,224,12],"tags":[225],"class_list":["post-1010","post","type-post","status-publish","format-standard","hentry","category-dn","category-edebiyat-dil-anlatim","category-tr","tag-manzum-eserler"],"_links":{"self":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/1010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/comments?post=1010"}],"version-history":[{"count":0,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/posts\/1010\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/media?parent=1010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/categories?post=1010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sorubak.com\/blog\/wp-json\/wp\/v2\/tags?post=1010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}